Georg Druschetzky - Oboe Concerto in C-major

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Georg Druschetzky
Work: Oboe Concerto in C-major
Oboe: Jan Adamus
Orchestra: Pardubice Chamber Philharmonic Orchestra
Conductor: Petr Altrichter

Пікірлер: 28

  • @wq6737
    @wq67375 жыл бұрын

    Sehr schön, ähnelt in vielen Passagen auch Haydn hat trotzdem auch wieder Italienisches Flair und militärische Straffheit und Rhythmus. Ein sehr gelungenes Konzert mit einem schönen und ruhenden Andante.

  • @angeloignarro947
    @angeloignarro94710 жыл бұрын

    0:00- 1st mov't 9:44- 2nd mov't 17:21- 3rd mov't

  • @herrvonunknowngut7141

    @herrvonunknowngut7141

    5 жыл бұрын

    thanks.

  • @ecureuilvigilant4315
    @ecureuilvigilant43156 жыл бұрын

    Excellent moment musical. Concerto à la fois "très enlevé" et mélodieux. Merci pour ce partage.

  • @hussainsaibo9692
    @hussainsaibo96925 жыл бұрын

    How can I ever tire of listening to such lovely music ? And the painting conveys just the right mood for the musuyc. By whom ?

  • @johnlawrence2757

    @johnlawrence2757

    3 жыл бұрын

    Yes: frustrating when the post doesn’t identify the picture. Looks Italian to me, 18 th century

  • @charlesopels9676

    @charlesopels9676

    2 жыл бұрын

    @Sys Dia THANK YOU!!!

  • @dietrichvoorgang376

    @dietrichvoorgang376

    9 ай бұрын

    Cornelia, Mother of the Gracchi, Pointing to Her Children as Her Treasures by Angelika Kauffmann (1780-1790)

  • @brianknapp8645
    @brianknapp86458 жыл бұрын

    I hear many similarities to the music of Mozart and the Wranitskys. A very Czech and symphonic concerto as well. Definitely a delight to the ear!

  • @jeanpierrebreuer4295
    @jeanpierrebreuer42952 жыл бұрын

    for those not familiar with the composer (1745-1819)

  • @pascalmayer9421
    @pascalmayer9421 Жыл бұрын

    Georg Druschetzky, en tchèque Jiří Družecký, né le 7 avril 1745 à Jemníky et mort le 21 juin 1819 à Buda, est un compositeur et hautboïste bohémien.

  • @Seekthetruth3000
    @Seekthetruth30003 жыл бұрын

    The music and the painting are beautiful.

  • @Teona1212
    @Teona121211 жыл бұрын

    Wonderful work. I love oboe.

  • @oldones59

    @oldones59

    Жыл бұрын

    Give Dvorak's Ninth Symphony a listen. I have a CD with an old recording of it, with the CSO, Fritz Reiner conducting. When Ray Still and his oboe come in during the Largo movement, it's so beautiful that it always brings tears to my eyes.

  • @PiscaCPT
    @PiscaCPT10 жыл бұрын

    Bravo! Cheers from Brazil

  • @HenkVeenstra666
    @HenkVeenstra6665 жыл бұрын

    Timpani and oboe, both instruments used by millitairy musicians. Great combination.

  • @65attila
    @65attila7 жыл бұрын

    Quite beautiful.

  • @theopaopa1
    @theopaopa14 жыл бұрын

    very nice music, thank you very much !

  • @emiliololli9007
    @emiliololli90073 жыл бұрын

    I would say very beautiful.

  • @xespir3
    @xespir35 жыл бұрын

    El 2º movimiento es la PAZ .Asi en mayúsculas

  • @jasonwalker79
    @jasonwalker79 Жыл бұрын

    kzread.info/dash/bejne/lH9kr8GQotjVnbg.html this is the 2nd movement on my channel

  • @StuartSimon
    @StuartSimon7 жыл бұрын

    I'm missing something. The music starts in C major. The oboe's first solo should begin in C major and end in G major. But the oboe enters by simply entering while the orchestra is in G major and electing to stay there and present new material (rather than going back to C major to elaborate on the orchestra's opening theme). The first movement is completely devoid of thematic material shared between orchestra and soloist.

  • @HenkVeenstra666

    @HenkVeenstra666

    5 жыл бұрын

    The motives of the orchestra are supposed to contrast that of the solo oboe.

  • @stenfjord1
    @stenfjord15 жыл бұрын

    The first oboe entrance in the first movement sounds like it is entering halfway through its solo. Where is the A Theme statement? No wonder we haven't heard of Druschetzky.

  • @richardcleaver5440

    @richardcleaver5440

    3 жыл бұрын

    Fortunately, the composers of the time didn't worry about composition teachers 250 years later insisting on some schematic "correct form" for their music. I would guess, based on how much I like how the oboe enters, he felt it made more sense to move the music forward in this way--like how Aristotle suggested a story should begin "in the middle of the action" to convey urgency.

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