He was in a leage of his own...His voice is what heaven feels like for me.
@zuzzo76 ай бұрын
... unico ... il più grande di tutti, ... senza se e senza ma ...
@user-mp1gg7qj4e8 ай бұрын
From another planet. So powerfull high notes!
@tomjones7725 ай бұрын
tremendo. Es un autèntico cañon.
@lieliannenasgy26498 ай бұрын
The great maestro Franco Corelli,unique, excellent and exceptional
@PinaOliva-dp1ig7 ай бұрын
Ascoltare in doveroso silenzio. ❤❤❤❤❤❤❤❤❤❤❤
@medinsanchez81298 ай бұрын
Notable y extraordinaria voz del gran tenor y maestro Franco Corelli. 🇨🇱⚓️🇨🇱
@natalinatollari92665 ай бұрын
supremo !!!!! meraviglioso in ogni aspetto vocale. recitativo, interpretativo. ...e bellissimo!!!!!!!
@johnblasiak24997 ай бұрын
The shading is unbelievable
@MassimoMedici-zb5cf2 ай бұрын
When Franco Corelli's high notes were released, it was like hearing thunder. they were dazzling notes that no other singer could cover. 
@allenjones31307 ай бұрын
Great tenor!
@stevenburton79228 ай бұрын
Wow...such an exciting voice!
@user-xg7mi7vm9l7 ай бұрын
Antonio juvarra: ad accomunare i due tenori c’era la stessa eccezionale potenza vocale naturale… ma a stabilire LA SUPERIORITÀ TECNICO-VOCALE DI CORELLI ERA LA SUA CAPACITÀ DI CANTARE A MEZZA VOCE E DI FARE PRODIGIOSI DIMINUENDI ANCHE IN ZONA ACUTA… Chi di più?
@mariaruskova60547 ай бұрын
Unique and unattainable.
@user-xg7mi7vm9l7 ай бұрын
CORREGGO: IMMENSO!
@alfredbernasek67617 ай бұрын
DIE AUSNAHMEERSCHEINUNG SCHLECHTHIN UNERREICHBAR❤
@kraus35917 ай бұрын
El más grande Tenor Lírico - Spinto del siglo XX .
@olegvr5499
6 ай бұрын
Non spinto... Di forza!!!
@mariellamaestrelli6 ай бұрын
Unicoooo!!!!
@thealessio607 ай бұрын
ha quello che e' cosa rara nelle voci liriche, la riconoscibilita', un tratto distintivo nei colori e tanta roba ancora andrebbe ricordato piu' spesso.
@thealessio60
7 ай бұрын
la nota smorzata in celeste aida...epica!
@retepsnikrep7 ай бұрын
Great compilation.
@kittylove6917 ай бұрын
The best!!!
@user-eq9so4xf6z2 ай бұрын
これぞ息の柱の共鳴。ベルカントの鏡！
@giselamarch19947 ай бұрын
Yes. Victoria
@Tevyeh6137 ай бұрын
This is a very good lesson - Vittoria - @1:28 the O sound and the A sound are exactly the same. And the E of Ardenti in the Turandot contains the same open o/a sound. He only stays true to the I vowel. Vien Pareil, of Roméo - again is the A/O of Vittoria. Once you understand how he does it perfectly every time, then there is no excuse for not learning it. La Vita Mia Costasse (last act Tosca) - that "A" of costasse is EXACTLY THE SAME VOWEL as ARDENTE in Turandot. VinCERo only gets the diphthong right at the end of the note and it is a tiny tiny change to get that diphthong of the E - before that it is the A/O of Vittoria. This is how you do it.
@FAMA-188 ай бұрын
La forza del destino!
@julesr6777 ай бұрын
Magnificent! Franco Corelli made opera, OPERA! ❤
@potusumanbibingka16 күн бұрын
00:03 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 00:09 - No, no, Principessa altera | Turandot | Giacomo Puccini 00:23 - Vesti La Giubba | Pagliacci | Rugiero Leoncavallo 00:36 - E lucevan le stelle | Tosca | Giacomo Puccini 00:54 - Pur ti riveggo, mia dolce Aida | Aida | Giuseppe Verdi 01:13 - Il Fior Che Avevi A Me Tu Dato (Flower Aria) | Carmen | Georges Bizet 01:23 - Vittoria! | Tosca | Giacomo Puccini 01:43 - Ch'ella Mi Creda | La Fanciulla del West | Giacomo Puccini 01:53 - Addio fiorito asil | Madame Butterfly | Giacomo Puccini [The photo is from Fedora | Umberto Giordano] 02:02 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 02:11 - Mi batte il cor... O Paradiso! | L'Africaine | Giacomo Meyerbeer 02:22 - Un di all'azzurro spazio | Andrea Chenier | Umberto Giordano 02:31 - Recondita Armonia | Tosca | Giacomo Puccini 02:41 - ??? [I'm guilty of being ignorant with this aria. But it seems like it's from Verdi's Don Carlo] 02:54 - Cielo e Mar | La Gioconda | Amilcare Ponchielli 03:11 - Ah! leve toi soleil | Roméo et Juliette | Charles Gounod 03:35 - Meco all'altar di venere | Norma | Vincenzo Bellini 03:47 - I' te vurria vasà (Interpolated ending) | Neapolitan song | Eduardo Di Capua 04:00 - Celeste Aida | Aida | Giuseppe Verdi 04:16 - O Sole Mio (Interpolated ending) | Neapolitan song | Giovanni Capurro; music by Eduardo di Capua and Alfredo Mazzucchi 04:29 - La pia materna mano | La Battaglia di Legnano | Giuseppe Verdi 04:39 - La Vita Mi Costasse | Tosca | Giacomo Puccini 04:50 - Core n'grato | Neapolitan Song | Salvatore Cardillo; Riccardo Cordiferro 05:02 - Di quella pira | Il trovatore | Giuseppe Verdi 05:13 - Nessun Dorma | Turandot | Giacomo Puccini 05:27 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini 05:51 - Che gelida manina | La Boheme | Giacomo Puccini 06:04 - A te O Cara | I Puritani | Vincezo Bellini 06:15 - Bianca al par di neve alpina | Gli Ugonotti | Giacomo Meyerbeer 06:26 - Giustio ciel, che vegg'io | Gli Ugonotti | Giacomo Meyerbeer 06:34 - Granada | Mexican song | Agustín Lara 06:44 - Dio che nell'alma infondere | Don Carlo | Giuseppe Verdi 06:53 - Act 3: Le Duc! Le Duc ! Roméo et Juliette | Charles Gounod 07:08 - No, no, Principessa altera | Turandot | Giacomo Puccini 07:09 - O Muto Asil Del Pianto | Guglielmo Tell | Gioachino Rossini [Home rehearsal 1961/62] 07:46 - Sfolgoro Divino Raggio | Poliuto | Gaetano Donizetti [Home rehearsal] 07:54 - Act 1 (Terzetto): Di geloso amor sprezzato | Il Trovatore | Giuseppe Verdi 08:10 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini [Macerata] 08:30 - Di quella pira | Il trovatore | Giuseppe Verdi [Concert in New York] You're welcome.
@49jgaАй бұрын
Por favor, sres. hay comparaciones odiosas. Corelli era el primus inter pares; ciertamente los hubo buenos y buenísimos pero que agrupasen en una sola voz las características más excelsas del canto, sólo hubo uno, FRANCO CORELLI.
@ritainnocenti23888 ай бұрын
6:32 ❤
@user-xg7mi7vm9l7 ай бұрын
MA CHI POTRÀ MAI , NON DICO UGUAGLIARLO, MA AVVICINARSI A UN ARTISTA COSÌ IMMRNSO?
@eugeniogentili1048
7 ай бұрын
Mario Del Monaco
@frankmaiorana664 күн бұрын
The A flat in Tosca Vittoria, some in the audience were not happy with Franco because he held the note so long it caused them to miss dinner reservations
@redsfab
4 күн бұрын
😂👏🏻
@mariabarbetti37488 ай бұрын
❤️❤️❤️❤️❤️❤️❤️❤️
@damianvb3701Ай бұрын
Which is the name of the opera in the 6:00 minute ?
@lz43p15
Ай бұрын
I Puritani di Bellini.
@carlospena76337 ай бұрын
Le robaste ese video a tenorino medici
@alexj.denton7453
7 ай бұрын
Es solo una colección de ácido agudos, tampoco es para tanto
@nicolanitido4565
7 ай бұрын
Menos mal porque El lo quito
@carlospena7633
7 ай бұрын
@@alexj.denton7453 si es para tanto, por que el que hizo el vídeo se tomó su tiempo, en editar y buscar. Es como tomar el trabajó de otro sin preguntar. Eso es robo
@lucianopavarotti28437 ай бұрын
He always sounded like he forgot to put his false teeth in --- very poor diction
@sugarbist
7 ай бұрын
His diction wasn't great, but everything else about the voice was.
@user-fu4zx9iu1h
7 ай бұрын
This was a consequence of the vocal technique used by Corelli. As far as I know, the sound cannot be directed at the larynx and the lips of the singer at the same time.
@sugarbist
7 ай бұрын
@@user-fu4zx9iu1h There have been other tenors that lowered their larynx and have had very good diction. Del Monaco had impeccable diction, as well as Limarilli, and Cechele who came out of the Melocchi school. However, Corelli claims that he used a floating larynx technique, and stated he was born with the mezza voce`, but could not teach it. Corelli also stated that the lowering larynx technique was around for a long time and did not originate with Melocchi. Giacomini studied the Melocchi method under Marcello Del Monaco, but his diction was good but not exemplary. Martinucci and Monsalve also used the The method.
@ZENOBlAmusic2
7 ай бұрын
@@sugarbist His dictation was not always bad this is a generalisation. I recently did a translation of Mario Del Monaco in Andrea Chenier and his dictation wasn't that great, some of it was quite sloppy. So he did not always have great dictation, just as a Corelli did not always have bad dictation. Giacomini did not have good diction at all, I also did subtitles for him, they were pretty bad. None of the other Melocchi students had the same facility as Corelli on high notes, so there is probably a pay off somewhere. I have added subtitles to many different videos, and Corelli's dictation is very often some of the best. Yes, he did at times have sloppy dictation but it certainly wasn't as often as some people pretend, I would say it more in his later years. I don't think the bigger voiced tenors ever really had impeccable dictation, from what I have seen lyric tenors just have far better dictation in general. Of course Corelli was right in that the lowered larynx technique have been around for a long time, but he was very wrong with his idea that Melocchi's students could not do diminuendos and mezza voice, Melocchi had a few baritones who had good mezza voce. Maybe if he actually had more lessons with Melocchi he would have understood that. Del Monaco had a very extreme personality, so he took the Melocchi method as far as he possibly could. He taught that same method to his students, thus all of his students had depressed larynxes such as Giacomini. Del Monaco could sing with that extreme method but it didn't work that well for his students. I really like Giacomini but he had some obvious problems.
@ZENOBlAmusic2
7 ай бұрын
It is pretty useless making a comment about dictation on high notes, there is no dictation or even words on high notes it is just ahh sounds. Opera singers are not able to sing words on high notes, whereas some contemporary singers can sing whole sentences on C5 notes.
Пікірлер: 60
Yes of course from another planet, no comparison
He was in a leage of his own...His voice is what heaven feels like for me.
... unico ... il più grande di tutti, ... senza se e senza ma ...
From another planet. So powerfull high notes!
tremendo. Es un autèntico cañon.
The great maestro Franco Corelli,unique, excellent and exceptional
Ascoltare in doveroso silenzio. ❤❤❤❤❤❤❤❤❤❤❤
Notable y extraordinaria voz del gran tenor y maestro Franco Corelli. 🇨🇱⚓️🇨🇱
supremo !!!!! meraviglioso in ogni aspetto vocale. recitativo, interpretativo. ...e bellissimo!!!!!!!
The shading is unbelievable
When Franco Corelli's high notes were released, it was like hearing thunder. they were dazzling notes that no other singer could cover. 
Great tenor!
Wow...such an exciting voice!
Antonio juvarra: ad accomunare i due tenori c’era la stessa eccezionale potenza vocale naturale… ma a stabilire LA SUPERIORITÀ TECNICO-VOCALE DI CORELLI ERA LA SUA CAPACITÀ DI CANTARE A MEZZA VOCE E DI FARE PRODIGIOSI DIMINUENDI ANCHE IN ZONA ACUTA… Chi di più?
Unique and unattainable.
CORREGGO: IMMENSO!
DIE AUSNAHMEERSCHEINUNG SCHLECHTHIN UNERREICHBAR❤
El más grande Tenor Lírico - Spinto del siglo XX .
@olegvr5499
6 ай бұрын
Non spinto... Di forza!!!
Unicoooo!!!!
ha quello che e' cosa rara nelle voci liriche, la riconoscibilita', un tratto distintivo nei colori e tanta roba ancora andrebbe ricordato piu' spesso.
@thealessio60
7 ай бұрын
la nota smorzata in celeste aida...epica!
Great compilation.
The best!!!
これぞ息の柱の共鳴。ベルカントの鏡！
Yes. Victoria
This is a very good lesson - Vittoria - @1:28 the O sound and the A sound are exactly the same. And the E of Ardenti in the Turandot contains the same open o/a sound. He only stays true to the I vowel. Vien Pareil, of Roméo - again is the A/O of Vittoria. Once you understand how he does it perfectly every time, then there is no excuse for not learning it. La Vita Mia Costasse (last act Tosca) - that "A" of costasse is EXACTLY THE SAME VOWEL as ARDENTE in Turandot. VinCERo only gets the diphthong right at the end of the note and it is a tiny tiny change to get that diphthong of the E - before that it is the A/O of Vittoria. This is how you do it.
La forza del destino!
Magnificent! Franco Corelli made opera, OPERA! ❤
00:03 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 00:09 - No, no, Principessa altera | Turandot | Giacomo Puccini 00:23 - Vesti La Giubba | Pagliacci | Rugiero Leoncavallo 00:36 - E lucevan le stelle | Tosca | Giacomo Puccini 00:54 - Pur ti riveggo, mia dolce Aida | Aida | Giuseppe Verdi 01:13 - Il Fior Che Avevi A Me Tu Dato (Flower Aria) | Carmen | Georges Bizet 01:23 - Vittoria! | Tosca | Giacomo Puccini 01:43 - Ch'ella Mi Creda | La Fanciulla del West | Giacomo Puccini 01:53 - Addio fiorito asil | Madame Butterfly | Giacomo Puccini [The photo is from Fedora | Umberto Giordano] 02:02 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 02:11 - Mi batte il cor... O Paradiso! | L'Africaine | Giacomo Meyerbeer 02:22 - Un di all'azzurro spazio | Andrea Chenier | Umberto Giordano 02:31 - Recondita Armonia | Tosca | Giacomo Puccini 02:41 - ??? [I'm guilty of being ignorant with this aria. But it seems like it's from Verdi's Don Carlo] 02:54 - Cielo e Mar | La Gioconda | Amilcare Ponchielli 03:11 - Ah! leve toi soleil | Roméo et Juliette | Charles Gounod 03:35 - Meco all'altar di venere | Norma | Vincenzo Bellini 03:47 - I' te vurria vasà (Interpolated ending) | Neapolitan song | Eduardo Di Capua 04:00 - Celeste Aida | Aida | Giuseppe Verdi 04:16 - O Sole Mio (Interpolated ending) | Neapolitan song | Giovanni Capurro; music by Eduardo di Capua and Alfredo Mazzucchi 04:29 - La pia materna mano | La Battaglia di Legnano | Giuseppe Verdi 04:39 - La Vita Mi Costasse | Tosca | Giacomo Puccini 04:50 - Core n'grato | Neapolitan Song | Salvatore Cardillo; Riccardo Cordiferro 05:02 - Di quella pira | Il trovatore | Giuseppe Verdi 05:13 - Nessun Dorma | Turandot | Giacomo Puccini 05:27 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini 05:51 - Che gelida manina | La Boheme | Giacomo Puccini 06:04 - A te O Cara | I Puritani | Vincezo Bellini 06:15 - Bianca al par di neve alpina | Gli Ugonotti | Giacomo Meyerbeer 06:26 - Giustio ciel, che vegg'io | Gli Ugonotti | Giacomo Meyerbeer 06:34 - Granada | Mexican song | Agustín Lara 06:44 - Dio che nell'alma infondere | Don Carlo | Giuseppe Verdi 06:53 - Act 3: Le Duc! Le Duc ! Roméo et Juliette | Charles Gounod 07:08 - No, no, Principessa altera | Turandot | Giacomo Puccini 07:09 - O Muto Asil Del Pianto | Guglielmo Tell | Gioachino Rossini [Home rehearsal 1961/62] 07:46 - Sfolgoro Divino Raggio | Poliuto | Gaetano Donizetti [Home rehearsal] 07:54 - Act 1 (Terzetto): Di geloso amor sprezzato | Il Trovatore | Giuseppe Verdi 08:10 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini [Macerata] 08:30 - Di quella pira | Il trovatore | Giuseppe Verdi [Concert in New York] You're welcome.
Por favor, sres. hay comparaciones odiosas. Corelli era el primus inter pares; ciertamente los hubo buenos y buenísimos pero que agrupasen en una sola voz las características más excelsas del canto, sólo hubo uno, FRANCO CORELLI.
6:32 ❤
MA CHI POTRÀ MAI , NON DICO UGUAGLIARLO, MA AVVICINARSI A UN ARTISTA COSÌ IMMRNSO?
@eugeniogentili1048
7 ай бұрын
Mario Del Monaco
The A flat in Tosca Vittoria, some in the audience were not happy with Franco because he held the note so long it caused them to miss dinner reservations
@redsfab
4 күн бұрын
😂👏🏻
❤️❤️❤️❤️❤️❤️❤️❤️
Which is the name of the opera in the 6:00 minute ?
@lz43p15
Ай бұрын
I Puritani di Bellini.
Le robaste ese video a tenorino medici
@alexj.denton7453
7 ай бұрын
Es solo una colección de ácido agudos, tampoco es para tanto
@nicolanitido4565
7 ай бұрын
Menos mal porque El lo quito
@carlospena7633
7 ай бұрын
@@alexj.denton7453 si es para tanto, por que el que hizo el vídeo se tomó su tiempo, en editar y buscar. Es como tomar el trabajó de otro sin preguntar. Eso es robo
He always sounded like he forgot to put his false teeth in --- very poor diction
@sugarbist
7 ай бұрын
His diction wasn't great, but everything else about the voice was.
@user-fu4zx9iu1h
7 ай бұрын
This was a consequence of the vocal technique used by Corelli. As far as I know, the sound cannot be directed at the larynx and the lips of the singer at the same time.
@sugarbist
7 ай бұрын
@@user-fu4zx9iu1h There have been other tenors that lowered their larynx and have had very good diction. Del Monaco had impeccable diction, as well as Limarilli, and Cechele who came out of the Melocchi school. However, Corelli claims that he used a floating larynx technique, and stated he was born with the mezza voce`, but could not teach it. Corelli also stated that the lowering larynx technique was around for a long time and did not originate with Melocchi. Giacomini studied the Melocchi method under Marcello Del Monaco, but his diction was good but not exemplary. Martinucci and Monsalve also used the The method.
@ZENOBlAmusic2
7 ай бұрын
@@sugarbist His dictation was not always bad this is a generalisation. I recently did a translation of Mario Del Monaco in Andrea Chenier and his dictation wasn't that great, some of it was quite sloppy. So he did not always have great dictation, just as a Corelli did not always have bad dictation. Giacomini did not have good diction at all, I also did subtitles for him, they were pretty bad. None of the other Melocchi students had the same facility as Corelli on high notes, so there is probably a pay off somewhere. I have added subtitles to many different videos, and Corelli's dictation is very often some of the best. Yes, he did at times have sloppy dictation but it certainly wasn't as often as some people pretend, I would say it more in his later years. I don't think the bigger voiced tenors ever really had impeccable dictation, from what I have seen lyric tenors just have far better dictation in general. Of course Corelli was right in that the lowered larynx technique have been around for a long time, but he was very wrong with his idea that Melocchi's students could not do diminuendos and mezza voice, Melocchi had a few baritones who had good mezza voce. Maybe if he actually had more lessons with Melocchi he would have understood that. Del Monaco had a very extreme personality, so he took the Melocchi method as far as he possibly could. He taught that same method to his students, thus all of his students had depressed larynxes such as Giacomini. Del Monaco could sing with that extreme method but it didn't work that well for his students. I really like Giacomini but he had some obvious problems.
@ZENOBlAmusic2
7 ай бұрын
It is pretty useless making a comment about dictation on high notes, there is no dictation or even words on high notes it is just ahh sounds. Opera singers are not able to sing words on high notes, whereas some contemporary singers can sing whole sentences on C5 notes.