Edward Elgar - Falstaff, Op. 68 (1913)

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Sir Edward William Elgar, 1st Baronet OM GCVO (2 June 1857 - 23 February 1934) was an English composer, many of whose works have entered the British and international concert repertoire.
Falstaff, symphonic study for orchestra in C minor, Op. 68 (1913)
London Philharmonic Orchestra conducted by Sir Charles Mackerras
Description by Roy Brewer [-]
This work confidently embraces the European traditions of symphonic writing, and does not suffer in comparison with the symphonic poems of Richard Strauss; yet it is among Elgar's most distinctly English inspirations. Falstaff works both as a portrait of a larger-than-life character ("not only witty in [him]self, but the cause that wit is in others") and as an evocation of the colorful and confident England of Shakespeare's Henry IV parts one and two, and Henry V. Here, Falstaff the man is the "knight, gentleman and soldier" -- a high-living, hard-drinking giant of a man, full of braggadocio and ready humor -- rather than the pathetic buffoon of The Merry Wives of Windsor.
The characters of Sir John and Prince Hal are deftly drawn in music; contrasting themes underline their uneasy relationship. There is also room for placid "interludes" such as "Gloucestershire, Shallow's Orchard," which serve as reminders of Elgar's unerring skill at orchestral landscape-painting.
Falstaff is indeed very pictorial music; in scene after scene, characters and places come to life through evocations of color, rhythm and melodic contour.
The sequence depicting Falstaff's death inevitably recalls the closing section of Richard Strauss' Don Quixote, but it is without Strauss' more extroverted dramatics. Snatches of old songs run through the old knight's head until, to the sound of muffled drums, he breathes his last--a gentleman to the last.
Falstaff is an extremely effective piece of musical storytelling; it is vivid, engaging, and full of gentle humor. However, its purely musical construction would give complete satisfaction without knowing anything about Shakespeare's plays, or the times in which he lived.

Пікірлер: 11

  • @Rockingbart
    @Rockingbart5 жыл бұрын

    The more I listen to this work and study the score the more impressed I am. What a rich score, what a creativity in ideas, orchestration and lay-out of form. Like good wine it ages well.

  • @Phantomrasberryblowe

    @Phantomrasberryblowe

    5 жыл бұрын

    Rockingbart “What a rich score, what a creativity in ideas, orchestration and lay-out of form. Yes, you’ve just described Elgar’s music. You should try his other works. He’s in a different league to most other composers. About time the World woke up and realized it.

  • @Sibethoven

    @Sibethoven

    4 жыл бұрын

    because tbh, elgar is very great and is one of the greatest in terms of skills and techniques

  • @drjazzhorn1
    @drjazzhorn12 жыл бұрын

    Played so rarely...a masterpiece!

  • @lvran28
    @lvran288 жыл бұрын

    These are always a great source of study! Thank you for your wonderful channel.

  • @lizamosienkoviolon7079
    @lizamosienkoviolon70793 жыл бұрын

    A brilliant piece. Thanks for uploading. London Philarmonic Orchestra is truly one of the best in the world. Bravo to the Composer. It was great. I literally cried in the Interlude. It's just that I love Falstaff's character so much even though he's such a rascal. I wish I could know the name of the principal violinist, he/she is a real master. Big thanks again, Elizaveta.

  • @harryandruschak2843
    @harryandruschak28438 жыл бұрын

    PRIMUM. Thank you for uploading this. Rarely played on our two local classical music stations.

  • @mauroavanzini1167
    @mauroavanzini11672 жыл бұрын

    Partitura veramente impegnata. Nn facile da assimilare all'istante. Ma intenso.

  • @greatmomentsofopera7170
    @greatmomentsofopera71703 жыл бұрын

    Robin Holloway calls this the greatest ever tone poem along with Sibelius Tapiola

  • @louis-marlowe
    @louis-marlowe4 жыл бұрын

    9:06 infuriating tambourine playing wtf

  • @greatmomentsofopera7170

    @greatmomentsofopera7170

    3 жыл бұрын

    Haha!

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