In the late 17th century, a fascinating chapter unfolded in the world of Dutch pottery. The disruption caused by civil unrest in China, which lasted approximately four decades starting from 1644, brought about a remarkable opportunity for Delft potters. With the importation of Chinese porcelain abruptly halted, these skilled artisans found themselves catering to an eager market with their faithful reproductions of the coveted Chinese wares.
One such exquisite piece that emerged during this period is the Blue and White charger we have before us. Directly inspired by a Chinese Wanli Kraak dish, or Kraakporselein, this charger represents the first encounter of the Dutch with Chinese porcelain. Interestingly, the name "Kraak" is believed to have originated from the Portuguese ships, referred to as caraccas, on which these Chinese treasures were transported to the Netherlands.
The decoration adorning this charger closely mirrors its Chinese counterpart, although certain elements, such as the depiction of leopards and other exotic beasts, are rather uncommon. Typically, Delftware Kraak-style chargers like the one in question feature enchanting garden scenes, with birds gracefully perched amidst lush shrubbery and grand flowering branches. These designs were part of the standard repertoire seen on Chinese porcelain wares during the second quarter of the 17th century.
While the decoration is remarkably similar, the Delft dish possesses a slightly greater thickness and weight compared to its Chinese inspiration. This disparity can be attributed to the fact that Delft potters lacked access to the vital ingredient known as kaolin, or China bone, necessary for the creation of true porcelain. Undeterred by this limitation, the resourceful Delft artisans devised ingenious methods to replicate the sought-after Chinese porcelain.
According to Van Dam (2004, p. 35), these meticulously painted Delft dishes, available in various sizes, were crafted with both practical and ornamental purposes in mind. They were meant to grace the dining tables of the affluent and bring beauty to their surroundings.
As we reflect upon this Blue and White charger made in Delft around 1670, we witness the remarkable skill and ingenuity of the Delft potters who transformed a disrupted market into an opportunity for artistic expression. Through their exceptional craftsmanship, they paid homage to the Chinese porcelain tradition while forging a unique and treasured legacy of their own.