Do You Know Rhythm Changes? EP 101 TILF Barry Harris

/ tilfbarryharris
Available for Skype lessons
chrisparksjazz22@gmail.com
Collings I35 Deluxe
Jazz Guitar

Пікірлер: 29

  • @paulcotman2551
    @paulcotman25512 жыл бұрын

    Everyone was curious about epi 100. But, as Chris willing admits, he likes to start on the 1.

  • @ducampbeaulieu2514
    @ducampbeaulieu2514 Жыл бұрын

    Chris, Awesome! Keep doing what you're doing, and because of you ... I now can hear the bebop language b4 I can play it. The kicker is this, I don't play guitar, but Chris makes it possible for me to hear things after teaching me Barry Harris's rules and the chromatic scale in all 12 keys and the rest. As a piano guy, first I listened to Chris 5 hours a day for 2 months before making it into practice, now 5 months and going, and things are getting easier for me every day moving forward and humming beautiful bebop lines in an instant playing them on the piano without out fear of making any mistakes because Barry Harris's rules are the key to success. Thanks, Chris.

  • @giampieroburza109
    @giampieroburza1092 жыл бұрын

    Great! Thanks so much for sharing these beautiful ideas, Chris! I always watch your videos and you're just simply awesome! :-)

  • @rzbach23
    @rzbach232 жыл бұрын

    I just read the title and got nervous. LoL. Time to practice.

  • @zankfrappe5145
    @zankfrappe51452 жыл бұрын

    I just discovered your videos, and I'm a big fan. Your videos are substantive and inspirational. I'm getting ready to do a deep dive, as if I didn't already have enough to practice. 😅 I look forward to it! Thank you for what you do.

  • @mauryallums2898
    @mauryallums28982 жыл бұрын

    Thanks for this Chris. Very informative and always super clear explanations of the language.

  • @Alan-zi2rs
    @Alan-zi2rs2 жыл бұрын

    Good stuff Chris , much appreciated 🎸🎶👍

  • @bigmistqke
    @bigmistqke2 жыл бұрын

    Such a great video, gonna come back to this one a lot I think.

  • @BebopHardRock
    @BebopHardRock2 жыл бұрын

    Beautiful concepts. Thanks from Chile!

  • @ribeirofrederic6118
    @ribeirofrederic61182 жыл бұрын

    Super extra Thanks Chris ! Your explanations are always very clear. These clues are more than helpful to understand jazz langage and to build its own ideas. Thanks a lot, Mister !(especially for your explanation on D minor descending on C minor !).

  • @pedromrls6
    @pedromrls62 жыл бұрын

    Gorgeous lines honestly

  • @guisantesconjamon
    @guisantesconjamon2 жыл бұрын

    this is fantastic, as usual

  • @kostasjazz
    @kostasjazz2 жыл бұрын

    Amazing stuff

  • @chrisharrison809
    @chrisharrison8095 ай бұрын

    This is amazing.

  • @JazzGitarDersiSamiGundogdu
    @JazzGitarDersiSamiGundogdu2 жыл бұрын

    Thanks a lot, very nice topic

  • @bigmistqke
    @bigmistqke2 жыл бұрын

    I agree, that is a nice one

  • @twli
    @twli Жыл бұрын

    this is a nice one

  • @6StringsTheory
    @6StringsTheory2 жыл бұрын

    I love your channel thank you so much keep them coming. PS I would love to have that guitar :-)

  • @brothercaleb
    @brothercaleb2 жыл бұрын

    Lots of ideas here

  • @rrhett2119
    @rrhett21192 жыл бұрын

    Hi Chris. That was really nice. I was wondering if you could explore BH ideas for comping on the bridge. I feel like you already touched on that, but I can't find the episode. I'm talking about the descending 7th chords in a circle of 4ths, of course. Comes up a lot, and when I play that progression even I fall asleep half way through. Thanks!

  • @aliyarici
    @aliyarici2 жыл бұрын

    Is it possible for you to do a video on the chamges of yardbirds suite? I would really appreciate your view on the changes. Amazing content✌️🙏

  • @TheRealSandleford
    @TheRealSandlefordАй бұрын

    or as anthropology? Bb G7 Cm F7 works with that scale formula fine too? Oh well the ear will tell

  • @eddiebernar314
    @eddiebernar314 Жыл бұрын

    Very deep. Using a looper would be nice; Hearing the chords behind the scale runs.

  • @CVGuitar
    @CVGuitar2 жыл бұрын

    10:04 -- 10:07 nice

  • @dervishcapkiner6679
    @dervishcapkiner66792 жыл бұрын

    Thank you for this brilliant lesson. Could I ask how you incorporate diminished arpeggios into these lines alongside the normal Bbmaj vocabulary (3rds, chords, chromatic scale) and which one do you use? ( The one based on the root, the b2 or the 2) Thanks again for these wonderful lessons, D.

  • @johnrothfield6126

    @johnrothfield6126

    2 жыл бұрын

    I'll take a stab. in C, use Cdim as tonic diimineshed. c#dim of course is more for C7. Ddim brings in notes from Cm scale or can be thought of as G7

  • @dervishcapkiner6679

    @dervishcapkiner6679

    2 жыл бұрын

    @@johnrothfield6126 Thanks John. Cdim implies the major or 'tonic' keys of E, G, Bb and Db as it moves from B7, D7, F7 and Ab7 that it is related to. I don't think there is such a thing as a 'tonic' diminished key as such - rather a diminished with the same note as the tonic key. In that vein C# should imply the major keys that belong to C7, Eb7, F#7 and A7 and Ddim should imply the major keys related to C#7, E7, G7 and Bb7. So in short a Diminished chord implies 4 x 7th chords which are all 'named' in the diminished chord a half step down which all lead to their home, key center or tonic which can all be named with the 4 notes of the diminished chord a half step above. What I was asking is how does Barry or Chris incorporate these diminished arpeggios into their lines when working on say Bb vocabulary by 'stepping out' into one or more of the diminished arpeggios and which ones he prefers to use. Thank you for helping I do appreciate it, it was my fault for not being clear. 🎷

  • @johnrothfield6126

    @johnrothfield6126

    2 жыл бұрын

    @@dervishcapkiner6679 Actually "tonic diminished" as a term shows up a fair bit, It usually resolves back to the tonic. My reply probably didn't address your question.

  • @johnrothfield6126

    @johnrothfield6126

    2 жыл бұрын

    The tonic diminished doesn't have a dominant quality IMHO