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In this video, Godkhindi performs a playful dhun in Mishra Pahadi. His delivery is evocative and witty and the breathier, percussive interactions with the tabla make this piece an aural delight. Supreet Deshpande merges brilliantly into this piece, strutting with the flow of notes with apposite and stylised bols on the tabla.
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More about the music:
Raag Pahadi is based on the folk melodies of the hilly regions of northern India like Himachal Pradesh and Jammu. Tradition associates this lively, folk-based raga with the cowherds and shepherds who play the flute in oblivion on languid, warm afternoons as the animals graze on the meadows. It is also associated with Lord Krishna who has been depicted as a magical flute-player who won everybody’s heart with his poignant tunes.
Raag Pahadi is based on Bilawal thaat. Its jati is audav-sampurna, that is, it uses five notes in its ascent and seven notes in its descent. Ma and Ni are omitted in the ascent. The vadi swar or dominant note is Sa and samvadi or sub-dominant note is Pa. Pahadi can be expanded all octaves but it sounds more appealing when elaborated in the lower and middle octaves. Ga, although not vadi swar, is of great importance in Pahadi.
The arohana and avarohana of this raga are as follows:
S R2 G3 P D2 P D2 S’ N3 D2 P G3 M1 G3 R2 S N3 D2 P D2 S
Musicians
Pravin Godkhindi (bamboo flute)
Supreet Deshpande (tabla)
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