Beginning in the early 20th century, French artist #MarieLaurencin (1883-1956) created a unique pictorial world that placed women at the center of modern art. With a highly original painting style that defied categorization, she moved seamlessly between the male-dominated cubist avant-garde, lesbian literary and artistic circles, and the realms of fashion, ballet, and decorative arts.
On view in the Roberts Gallery from 10/22/23 - 1/21/24, this exhibition explores Laurencin’s career, from her self-portraits to her collaborative decorative projects; from her early cubist paintings to her signature work-feminine and discreetly queer-that defined 1920s Paris. Presenting more than 50 works by Laurencin, it examines how her visualization of a “sapphic modernity” subtly but radically challenges existing narratives of modern European art.
Co-curators Simonetta Fraquelli and Cindy Kang discuss Laurencin's life and work in this Curators in Conversation discussion that took place on opening day.
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About The Barnes Foundation:
The mission of the Barnes is to promote the advancement of education and the appreciation of the fine arts and horticulture.
Our founder, Dr. Albert C. Barnes, believed that art had the power to improve minds and transform lives. Our diverse educational programs are based on his teachings and one-of-a-kind collections.
Philadelphia art collector, Albert C. Barnes (1872-1951), chartered the Barnes Foundation in 1922 to teach people from all walks of life how to look at art. Over three decades, he collected some of the world’s most important impressionist, post-impressionist, and modern paintings, including works by Renoir, Cézanne, Matisse, and Picasso. He displayed them alongside African masks, native American jewelry, Greek antiquities, and decorative metalwork.
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