Crafting Dramatic Engagement in Your Paintings
Тәжірибелік нұсқаулар және стиль
Click on the link to receive my Free 20-Minute video: Four fundamental Principle to Dramatically Improve Your Painting, plus receive these KZread videos monthly to your inbox: masteringcomposition.com/free-...
The colors on my palette:
Titanium White
Cadmium Yellow Lemon
Cadmium Yellow Medium
Yellow Ochre
Cadmium Orange
Cadmium Red Light
Alizarin Permanent
Quinacridone Magenta
Dioxazine Purple
Ultramarine Blue
Chrome Oxide Green
Phthalo Green
To purchase Mastering Composition click this link: www.amazon.com/Mastering-Comp...
To purchase Creative Authenticity click this link: www.amazon.com/Creative-Authe...
My website: www.ianroberts.com/
Facebook page: / ianrobertsartist
Instagram @ianrobertsartist: / ianrobertsartist
Пікірлер: 182
What a great gift for us all to open and find this amazing information so generously given by you, Ian. So inspiring. Thank you so much!
@IanRobertsMasteringComposition
8 ай бұрын
Thanks so much for letting me know you enjoyed it Mary Ann.
Thanks for this, Ian . Many teachers who suggest painting outside are critical of using photos, but it is hard to capture light and it's one of the things I'm interested in capturing. They teach perspective and foreground etc, but mastering composition has taken it so much further for me. Love this painting. Colours are lovely. Cropping finished work is a useful tool.
@IanRobertsMasteringComposition
8 ай бұрын
Hi Pat, actually I've taught plein air workshops where students take photos of what they are painting while they are outside with the scene in from of them. I tell them not to as well. The camera sees the world so much differently than our eyes. But to take a photo first thing when the light is changing a mile a minute for reference so you do'n't forget, that is a different thing. Glad you enjoyed the video. All the best.
Your demos and coaching are better than ever. Love your editing message and benefit of a good crop - amazing transformation! Thank you always, Deb
@IanRobertsMasteringComposition
9 ай бұрын
Hey Deb, good to hear from you. Glad you enjoyed it and hope all is well with you.
This is a seriously lovely piece and a wonderful tutorial…..my own work tends to be somewhat overdone and I’m always inspired by such work, Thank you so much for this!
@IanRobertsMasteringComposition
8 ай бұрын
This makes me very happy to hear. Thank you and I am delighted you like my videos. All the best, Ian.
It’s a bit miraculous how your ‘just shapes’ fall together at a certain point and yes….you do say…..oh it’s a reflection….or whatever. Fabulous , and VERY helpful.
This particular video (once again) has come at just the right time. The landscape I wanted to begin a couple of weeks ago I've barely gotten started because I was prepping an old canvas. I got more great tips to apply to this painting, hopefully it will help me end up with a success. I'm just not as comfortable painting landscapes as I am figures, but the image I'm using truly 'captured' me. I so appreciate your taking the time to help all of us viewers--young and old--in my opinion an artist can always learn something new.
@IanRobertsMasteringComposition
8 ай бұрын
Good luck with the landscape Evan. All the best.
I always learn something from your videos, just a beginner here, so many thanks to you!!!
@IanRobertsMasteringComposition
8 ай бұрын
Happy to hear that. Thanks so much for watching and have fun with the painting process
Thank you Ian, always learning from you. Editing before starting the painting is so important. That is where your thumbnails come in.
@IanRobertsMasteringComposition
8 ай бұрын
Yes the thumbnails are a great tool to think about the structure before you start. All the best.
Thank you, Sir! 😃 I appreciate you sharing your wisdom and your skills. 🙂
"...honing in and refining your narrative but paintings form like a tight, engaging dramatic whole - that's pretty much the definition of a good composition." Amen.
@IanRobertsMasteringComposition
8 ай бұрын
Yes glad you agree.
Deepest thanks, Ian.. for your generosity and heart. Another lovely painting ! 🩵
@IanRobertsMasteringComposition
8 ай бұрын
My pleasure. Thanks so much Julie
Another great video lesson, thanks Ian! -MBZ
@IanRobertsMasteringComposition
8 ай бұрын
thanks so much. Delighted to hear that.
Great points you're making, especially about editing even after the painting is "finished," a step that's rarely mentioned by others. Your teaching is so thorough.
@IanRobertsMasteringComposition
8 ай бұрын
Thanks Molly. Hope is well in Mexico. When are you coming back up. My very best wishes.
Love this video. Great advice. I did one time cropped a painting saving the “the good part” I thought to myself that I needed to be more careful next time. For a time I was stuk trying to avoid mistakes. Seen this video is zo inspiring and positive. Thank you for teaching as the secrets of enjoy painting. 😊😊
Thank you for once again giving your experience and expertise so freely. I'm really enjoying these tutorials.
@IanRobertsMasteringComposition
8 ай бұрын
Happy you are finding them helpful. Thanks so much for letting me know. Best wishes.
It looked so good at all stages
I love your lessons. Thank you so much.
Loved that crop…. I paint mostly in water media on paper, I get out my white L-s… then the scissors….
@IanRobertsMasteringComposition
8 ай бұрын
Yes much easier with watercolors. All the best.
Problem solving, practical and inspiring...thank you Ian!
@IanRobertsMasteringComposition
8 ай бұрын
Glad it was helpful Richard. Thanks so much
I am jealous of how much fun you must have had painting this beauty.
@IanRobertsMasteringComposition
8 ай бұрын
Hi Dennis, It was such a beautiful day. When you've weather like that and a scene like that nothing beats plein air.
@Dennis-Hare
8 ай бұрын
I know what you mean. Thank you for your reply. @@IanRobertsMasteringComposition
SUCH excellent advice, Ian. Wow. ☺☺☺
Another stunning masterclass from the Master of Composition. Watching these videos is like being given new eyes with which to see better!
@IanRobertsMasteringComposition
8 ай бұрын
Thank you so much. It is great when you you start seeing things differently for better composition.
I really enjoy your lessons! The light makes such a difference + and I agree with the cropping.
@IanRobertsMasteringComposition
8 ай бұрын
Thank you so much. I am delighted you like the video
Thank you so much Ian, another great lesson. Always look forward to your helpful tips.
@IanRobertsMasteringComposition
8 ай бұрын
Glad you enjoyed it Kamlesh. Thank you for watching, as always
Brilliant! So helpful as usual.
@IanRobertsMasteringComposition
8 ай бұрын
thank you so much. Best, Ian.
Such generous tips and so appreciate your teachings !
@IanRobertsMasteringComposition
8 ай бұрын
You are so welcome Tracy. All the very best
Thank you Ian! Love all the wonderful information in your vlogs! Lovely painting!
@IanRobertsMasteringComposition
8 ай бұрын
Thanks so much Jean. All the best.
Ahhhhh . . . so wonderful!
Ian, As always,thank you very much!!!❤❤❤
@IanRobertsMasteringComposition
8 ай бұрын
You are most welcome Denise.
Thank you and many blessings.
@IanRobertsMasteringComposition
8 ай бұрын
You're very welcome. All the best.
I thought the foreground was good, before cropping. That space allows the viewer a place to rest, or begin, before being drawn in. Many big retailers do the same thing. That is, give you that space, that entry way to decompress and get your bearings for what lies ahead. Is that a valid assessment, Ian? But I think the composition worked well with the foreground left as it was.
Thank you, Ian. I just finished reading your book and loved it!
@IanRobertsMasteringComposition
8 ай бұрын
Delighted you enjoyed the book. Thanks for letting me know. All the best.
Thanks for another beautiful demo Ian. I have been learning so many things thanks to your videos!!!
@IanRobertsMasteringComposition
8 ай бұрын
My pleasure Paresh. Delighted you liked it. All the best.
Thanks Ian. This is very beautiful
@IanRobertsMasteringComposition
8 ай бұрын
Glad you like it Mary. All the best.
Excellent video! You make it look so easy, but I know there are 10,000 hrs of painting leading up to this one. So appreciate you sharing!
@IanRobertsMasteringComposition
8 ай бұрын
I am glad you liked it Ann. All the best.
Thank you Ian. As ever a great tutorial. In just a few minutes there is always something to take away, be it inspiration or technique. Your contribution to my painting life is much enjoyed and appreciated.
@IanRobertsMasteringComposition
8 ай бұрын
that is very kind of you to say Henry. Thank you for the comment and delighted you liked the video.
Thanks I have resisted editing by cropping. I just got freed up with this lesson. 😊
@IanRobertsMasteringComposition
8 ай бұрын
Excellent. Have fun with it. It can make powerful results.
Thanks for the important compositional information , knowing what to leave out is so important !
@IanRobertsMasteringComposition
8 ай бұрын
It can make a huge difference in the success of a painting. Glad you liked the video
Thank you Ian Roberts
@IanRobertsMasteringComposition
8 ай бұрын
you're very welcome Nick. All the best.
I find your videos very helpful. Thank you for sharing your knowledge generously. Beautiful works!
@IanRobertsMasteringComposition
8 ай бұрын
You are so welcome! All the very best.
I always feel so encouraged after watching a demonstration; lovely & inspirational! Thank you Ian!!
@IanRobertsMasteringComposition
8 ай бұрын
Makes me happy to hear it. All the best.
So good!!!👏🏻
Thank you. Your a wonderful teacher.
@IanRobertsMasteringComposition
8 ай бұрын
You're very welcome. All the best.
Thank you for this comparison with stories. I'm starting to realise why painting landscapes was so frustrating for me for so long.
@IanRobertsMasteringComposition
8 ай бұрын
Hoping this helps in your landscape journey. All the best
Thank you, Ian!
@IanRobertsMasteringComposition
9 ай бұрын
you're very welcome. All the best.
Thanks for this, your videos are most helpful!!
@IanRobertsMasteringComposition
8 ай бұрын
Glad you like them. Thanks so much
This was tremendously helpful. Thanks!
@IanRobertsMasteringComposition
8 ай бұрын
Delighted you found it helpful Valentino. All the best.
Very many thanks Ian 👍
@IanRobertsMasteringComposition
8 ай бұрын
you're very welcome Kevin. All the best.
Excellent lesson! Thank you, this is very valuable.
@IanRobertsMasteringComposition
8 ай бұрын
You're very welcome Christine. All the best.
Wonderful painting Ian. I love it! Thank you so much for a great lesson - Helena Johnston
@IanRobertsMasteringComposition
8 ай бұрын
Helena, so nice to hear from you. And you are most welcome. All the best.
Grazie dei suoi preziosi suggerimenti! 😊
@IanRobertsMasteringComposition
8 ай бұрын
you are very welcome. Thank you - Ian.
Thank you so much Mr. Ian, this basic fundamental knowledge help me so much in digital painting, please keep sharing with us.
@IanRobertsMasteringComposition
8 ай бұрын
You are so welcome. Thank you for watching
love it!
@IanRobertsMasteringComposition
8 ай бұрын
thanks so much
This is great information. This tutorial has really helped me alit. Thank you so much!! 🎨❤️
@IanRobertsMasteringComposition
8 ай бұрын
I'm so glad. Have fun with it. All the best.
Thank you for your informative videos! I learn so much each time 🎨🖌️🖼‼️👏
@IanRobertsMasteringComposition
8 ай бұрын
I'm so glad. All the very best.
Good stuff Ian. something I'll be paying closer attention to.
@IanRobertsMasteringComposition
8 ай бұрын
Thank you Mark. All the best.
I never thought about cropping.. thank you
@IanRobertsMasteringComposition
8 ай бұрын
you're welcome. Have fun with it!
Boy! You really reworked that scene. In this painting, you certainly are God's designer. Better than what was given by a country mile. I sometimes cherry pick. If the impatiens are beautiful, or the fields are lovely, good enough for me. But you took a problematic scene and made it compelling. Good story telling.
@IanRobertsMasteringComposition
8 ай бұрын
Thanks Christian.
I don’t know why but I used to think that artists know exactly what the painting is going to become at the end, and they know it from the beginning. And I must say I found that very stressing because I never know where my painting is going. So thank you for this refreshing content see you next time.❤
@IanRobertsMasteringComposition
8 ай бұрын
I try to figure out the structure in advance. I try and figure out the foundation I want to build the painting on before I start (the composition). But stuff happens. Things change. Some things work, some don't. So you stay flexible , and not get rigid, to the initial plan.
Always helpful and inspiring.
@IanRobertsMasteringComposition
8 ай бұрын
thank you so much
great lesson, Ian, thanks for sharing your wisdom! Loved seeing you on location slinging paint!
@IanRobertsMasteringComposition
8 ай бұрын
HI Alain, thanks for letting me know. We'd planned on painting up in the mountains (Sierra Nevadas) but in fact I liked it better down on the flats. With those rivers and canals. All the best
@AlainPicard
8 ай бұрын
those leading lines are fantastic @@IanRobertsMasteringComposition !
Fabulous lesson. Thank you!
@IanRobertsMasteringComposition
7 ай бұрын
You're very welcome!
Another excellent video with valuable information! Take care! g
@IanRobertsMasteringComposition
8 ай бұрын
Thanks so much Gayle. My best wishes to you.
Solid lesson - thank you.
@IanRobertsMasteringComposition
8 ай бұрын
Glad you liked it. Thank you
I have learnt so much from you! Thank you 😊
@IanRobertsMasteringComposition
8 ай бұрын
you're so welcome Tracey. Thank you
Thank you sir, I always learn so much from watching these videos.
@IanRobertsMasteringComposition
8 ай бұрын
Glad to hear that Kate. Thank you so much for watching
Ian, Again, I am in the minority but I liked the painting before all the cropping. I am a sucker for the mountains in the distance. Good painting no doubt. Thanks for the tutorial.
@IanRobertsMasteringComposition
8 ай бұрын
Thanks Harry. I think for me not to have cropped it I would have needed to add something over on the right and bottom to pull the viewer around and into those sections. As they were to my mind they were just too inert. Could have been solved in a different way of course. All the best.
thnx, as always, your examples help me a lot
@IanRobertsMasteringComposition
8 ай бұрын
that makes me very happy to hear. Thank you
THANK YOU IAN, ALWAYS GOOD, INFORMATIVE, USEFUL VIDEOS!! ~:)
@IanRobertsMasteringComposition
8 ай бұрын
Thanks so much. Glad you liked it
Beautiful work ❤
@IanRobertsMasteringComposition
9 ай бұрын
thanks so much
Great lesson... often found the problem of losing drama because of extra space... lovely demo😊
@IanRobertsMasteringComposition
8 ай бұрын
Glad it was helpful. Cropping can be a great tool. All the very best.
so informative-thanks
@IanRobertsMasteringComposition
8 ай бұрын
thank you so much. Glad you think so
Nothing like cutting a panel!
@IanRobertsMasteringComposition
8 ай бұрын
Well I don't like having to rely on it Christian. But nice to know it's an option. Best wishes.
Fascinating! Thank you! Ian, I thought you were a guy who never met a telephone pole you didn't like, but in this painting you left them out. I assume it is because you had such a strong vertical that you didn't need the poles, which were small and at the edges of the painting anyway. Great job teaching us composition! What was the location of this painting?
@IanRobertsMasteringComposition
8 ай бұрын
HI Ralph, Anne and I were up in Bishop in the Sierra Nevadas. And you are right the telephone poles were way over and out of the image and the verticals of the canal were strong. All the best.
I'm currently working on a painting and, if I had seen this video before, it would have turned out a totally different painting.
@IanRobertsMasteringComposition
8 ай бұрын
The question is I guess is it worth doing again? I do that all the time if something doesn't work. All the best.
Hi Ian, love your video’s and very happy with your book on composition! What happened to the weekly 5 minutes video’s, I don’t receive any. Only the monthly ones. Thanks a lot for sharing your experience.
@IanRobertsMasteringComposition
7 ай бұрын
Delighted you like my book. Thank you for the comment. I used to post weekly to KZread, however, with the business of my online courses, I now post new videos monthly to KZread - the first Tuesday of the month. I hope you are enjoying them. All the best, Ian.
For years, I have been toying with taking a painting off of the stretcher bars and cropping it down. Because I absolutely love 2/3 of the painting but I do not like the foreground. I think I might now have the nerve to do it after watching this.
@hougrel9514
9 ай бұрын
Depending on the size, may I suggest you scan and print the painting and crop that. Live with that cropped image for a few days/weeks and "chew it around a little". Then you can reduce the risk 'cause once the original is cut, its cut! I do similar with WC paintings I experiment on copies, like adding ink. If I like what I have done then I go back to my original and add it. (I sometimes envy digital artists who can roll back and forwards and create variations without destroying their work) - Best wishes - Mike
@hougrel9514
9 ай бұрын
or make a mask 🙂
@IanRobertsMasteringComposition
8 ай бұрын
I think Mike's suggestion is a good one. But if you think it is better cut then there's freedom in that. All the best.
@IanRobertsMasteringComposition
8 ай бұрын
Good suggestion Mike.
@hougrel9514
8 ай бұрын
Thank you Ian.
great
@IanRobertsMasteringComposition
8 ай бұрын
thanks so much
hello ian, thanks
@IanRobertsMasteringComposition
9 ай бұрын
you're very welcome!
Ian, you make it sound all so simple! Like when you point out what is the essential part of the painting that you just now used to demonstrate the concept. Some of us wouldn't know that for sure. And hence we struggle with trying to decide what to cut out. Is there any way to decide what is the core of a composition? I know it is aesthetics and a gut feelilng whether "something seems right" or "it just doesn't add up". With your insights and experience, would you give sort of guidance on these aspects?
@IanRobertsMasteringComposition
8 ай бұрын
I guess my main idea is that I want a structure, a underlying foundation, clear in my mind before I begin. If I hold to that as I paint then usually things turn out alright. Or as in this example it turns out fine but needs some cropping. It is hard to put into a single simple idea. But I think it is really a right brain kind of seeing the whole idea in your mind's eye at the start. I know that is not very helpful. But if you were to just paint small in black and white (say 10 x 12 inches) and just think in terms of the big shapes of light and dark. That would be one way to think about it. I'll see if I can address it sometime in a video. Good luck and all the best.
Hello Ian, Can you tell me the main brush you are using for this painting ? Thank you so much BTW. I’m learning so much!
💕💯🎨🎨🎨
@IanRobertsMasteringComposition
9 ай бұрын
thank you for watching
@robertradocha6871
9 ай бұрын
@@IanRobertsMasteringComposition YOU are very very welcome Ian 🙏🙏😊thank You so much for teaching
I have an older painting in the garage that I have walked by lately and thought, “I really like the corner of this and how could I cut it?” Thanks for the info. What kind of glue would you use to glue it to a panel? It’s on canvas right now.
@IanRobertsMasteringComposition
8 ай бұрын
Hi Laura, there's a certain freedom to it. Find the gems within the clunkers. I mean it's better to plan it out so it isn't a clunker. But if it is....
Thank you again! I was about to order Chromium O. Green when I noticed a red marking on the list right next to it! Why are you not wearing gloves!
@IanRobertsMasteringComposition
8 ай бұрын
I love Chrome Oxide Green for landscape. Not sure what you mean by the red marking. I figure there are so many environmental pollutants a bit of mineral spirits probably wont' kill me (I hope). I am not worried about ingesting the pigment through my skins contact with it, Except for lead white I do not thing it is an issue. At least from my reading.
can you describe how you use the split comp.? How did you decide what color scheme to use?
@IanRobertsMasteringComposition
8 ай бұрын
Hi Coco, I don't think about color theory much when I'm painting. Just matching colors to what I am seeing. Ideas like split complementaries never cross my mind. I know what they mean theoretically. But I don't use ideas like that in practice. I just look at what is in front of me and respond to it with the best color I can find to what I see.
When is your next class? I love to join !
@IanRobertsMasteringComposition
8 ай бұрын
Hi there. The next Mastering Composition course starts in January. You can go to my website ianroberts.com and add your email address to my email list (only 1 email a month) and then you will be sure to get a notice of when we are starting again. I’d be delighted if you could join us. All the best until then. Ian
Dear sir I do drift while painting But your instructions zero us in again Thanks
@IanRobertsMasteringComposition
8 ай бұрын
That's why I talk about having a structure before you start. Like having a road map. Less chance of getting lost. Not impossible. Just increase the odds in your favor. All the best
HI Ian great content and videos. i have a question Bouguereau quote he mention that subtle accents against large planes is what every artist should strives for .i dont understand what he means by that? this quote happened when he looked at the parthenon scultures and a veil fell off his eyes
@IanRobertsMasteringComposition
8 ай бұрын
I'm not familiar with the quote but I would imagine what he means is looking at the sculptures he saw, really saw, that the big masses of the forms where the most important things. Then the details that embellished them just added to the power of those big masses. The gesture, and flow and power of the shapes. So it is the same with paintings. A few big value masses carry the painting - the thing you see from across the room. Then all the details, and nuance and embellishments support that. The point being that it is easy to get distracted by details and busy bits and pieces. But the painting will be more successful if it has an underlying structure and strenght relying on those few big shapes (masses). I am having to interpret what he is saying but my guess is that is what hit him. Hope that helps.
@williambo5989
8 ай бұрын
@@IanRobertsMasteringComposition YES Thank you. i like this explaination
@IanRobertsMasteringComposition
8 ай бұрын
you're very welcome. All the very best. @@williambo5989
….*a lot*😊
@IanRobertsMasteringComposition
8 ай бұрын
No problem. Thank you!
The bank on the righthand side of the painting appears higher than the bank of the river on the left side. As seen in the photograph, that is not the case. Is it simply an optical illusion to me, or was it painted with that purpose in mind?
@IanRobertsMasteringComposition
8 ай бұрын
Honestly I didn't really notice. I felt when I did it , when I think back, that the grasses on the left were shorter and road obviously would be lover because there was no grass. And i was thinking of the right side as taller grass and the trees. Denser over there. But you are right they in fact are the same height.
☀️🌹🌹🌹🌹👍👍🥰💖
@IanRobertsMasteringComposition
9 ай бұрын
thanks for watching
Would you consider yourself a value painter?