Kedaragowla to handle so well, I hope it requires K.Balamuralikrishna.Kudos to the Vidwan. BU Ganesh is none less. A beautiful concert.

Kunnakudi Balamurali always sings so well.He has the two great stalwarts in his name. Keep it up.

@padmanabhanganapathy308

3 жыл бұрын

Kutcheri kalai kattiachu

@kamakshyswaminathan3482

Жыл бұрын

@@padmanabhanganapathy308 टटटट

The violinist and Khanjira artiste are in groove with the singer.

I like the fact that there are no tukdas, and we can let this play in the background knowing we are listening to an in-depth exposition.

Subramanya priya,Kalyani, Kedara gowla,chandra jodhi, hindolam,varali,thillana,jonpuri/Sindhu bairavi.,

Superb rendition of Siddhi Vinayagam by Kunnakudi Balamuralikrishna and group. ✌️Radhe Krishna

I keep returning to this. Stunning singing and accompaniment. I love the hand gestures and expression. Keep doing more of that and express yourself to the max. Music is an artform and freedom of expression in all forms is something I love ❤ 😍 👌🙌

Alapana of ketharagowli is unique & is worth a piece to hear again & again. Varali by the violinist is very apt.

it is gods gift to music and make his listeners spell bound with his elaboration of any raaga

A nice enjoyable performance 👌santhanam Ramaswamy

Vibrant, power packed, dynamic, fire....no words can describe KBMK's performance

Brilliant as ever by Kunnakudi Balamurali Krishna

his music attracts any carnatic music lover as magnet and his voice is very pleasing

Wonderful. Very soothing

A nice enjoyable concert San thanam Ramaswamy

1:36 to 1:40 demanded respect and got it quite deservedly!

Differently Sung ....Soo Super .

Excellent concert

Electrifying 👌👌👌

Sunderkumar played really well.

Very good.

He is fully in order

Ranjani ramani rasya ranatkinginimekhala🤔🌕🙏🙏🙏🙏🙏🙏🙏 full stage natarajaleelavinodam🤘 💍💍💍💍💍💍💍💍💍

current day trinity ramakrishnan murthy, kkbmk, abhishek raghuram, reproducing glimpses of yesteryear: mdr, gnb, semmangudi, hope this excellence continues

லய போஷணை அபாரம். பாடகர் ஒரு லய வித்வானும் கூட.

Superb Tani

Mrudangam bhaarata ratna......🌦🕊🎠khanjeera saha👌🌕💎🙏🙏🙏🙏🙏🙏🙏

1:53:56

Doubtless KKB exhibits great vocal skills. Perhaps he should reduce some physical neck n arm movements. The violin accompaniment is exceptional!

doesn't the carnatic music dais have a sanctity? decorum? what is this tea-kadai dilettante behaviour that we witness early on here in-between the krithis (as indeed in many of nowadays' concerts) - and that too between the alapana (kedaara gowla) and krithi ??! it is a sacrilege :( sangeetham is a nishtai, a meditative form, naadha yogam, at its highest levels. we are not asking for those lofty levels, at least not any more. but this, and that too for a 90 to 120 minutes-long lengths ?? what would happen if the concerts were to be the three-plus hours format of the yesteryears?? the mind boggles. no doubt the musical talent is there - the kedara gowlam alaapanai is one of a high order, chandra jodhi sweet though short, hindolam playful pleasure - but the *mano-dharmam* ?! - in that sense of the disciplined mind tethered to probity in between ?? alas! where is it?? as another commenter below has said - for a different reason though - it is better NOT to view the video but only listen to the audio of the cutcheris here in the youtube... :( ps: thankfully, now, over these years that have gone by from the time of this concert 7 years ago, he seems to have outgrown such compulsive distractions...

we know thiruvaroor sir is very senior...mridangam playing with krithi is sooo poor kindly avoid these type of playing..this type of playin will disturb the singer..no doubt

@climbeverest

3 жыл бұрын

i did not understand: "mridangam playing with krithi" please explain

@sriramrajan5160

2 жыл бұрын

@@climbeverest There are two types of playing as far as Carnatic is concerned , a kriti means a song . The first type of playing any percussive instrument is playing only according to the thalam / beat this type of playing would involve just playing one notation for the whole kriti and playing an ending after the kriti is sung. There is a second type of playing which is referred to as playing for the kriti , here keeping in mind the emotions conveyed by the singer certain groove is established the percussionist must anticipate the groove of the song being rendered and play with laya and volume modulations. In other words play notations which would suit the song. Play soft where singer sings softly , play loud where singer sings loud , play slow where singer goes slow , play fast when singer sings fast. In Carnatic music Playing for the kriti is more appreciated, another word is playing in groove.

@sriramrajan5160

2 жыл бұрын

It is the duty of the Percussionist to support the main singer . They have a big role in embelishing the concert, which can be done best by playing for the krithi.

Is this vocal rendition OR mridangam ?

Baktavatsalam spoils the melody of songs giving too much korvais in between songs this his habit he rolls rolls every time

@sriramrajan5160

2 жыл бұрын

I agree. When playing for a concert one must play under the main artiste in this case the singer, during the concert time is given for percussion solo here in this time slot the Percussionist can play however he wishes , while playing for krithis it is best to stick to Sarvalagu. It gives stability and makes it easier to play for the krithi.

@sriramrajan5160

2 жыл бұрын

Playing for a krithi should be kept as simple as possible. I enjoy playing the sarvalaghu pattern while playing for a krithi . In our solo portions it can be played with a lot of rolls.

Mridangam palying is sometimes feel not suitable. Unfortunatily he is a great player 😔

his voice is soo soothing..but the actions he does while singing is bit uncomfortable to watch..

@Sam-hc4sd

3 жыл бұрын

Then don't watch

Commendable talent. Would be good if he avoided the mannerisms flinging his hands around as if he were always making a point. A n occasional gesture , for the rest a concert artist must depend wholly on his treasury of songs, to convey the rasas through his voice and thus produce ecstasy, affection, frustration, devotion and peace through tonal variations. Fortunately he is young, and we may yet get an Ariyakkudi Ramanuja Iyengar or T.K Rangachari before long to adorn our carnatic music seasons.

@jellushri9396

4 жыл бұрын

That's is his identity

@jellushri9396

4 жыл бұрын

Even sir Sriram does all these movements while singing. It doesn't matter. If we think of kunnakudi balamuralikrishna we also remember his style of singing & his mannerisms. That's his identity.

@climbeverest

3 жыл бұрын

this has been the going style after Sanjay Sub (maybe others as well) started it, now everyone does it, even raga, and even kids do it, just do not watch the video till it hits a portion where the exposition is so incredible that nothing matters. But Sudhaji, and the list is ever shrinking, is definitely different.

Mirdangam vidwan Tiruvarur Bhakthavatchalam should not prove his dominance in stage than main artiste. Each and every main Artist will have their own manodharamam and Render kritis with Bhava, the percussionist shouldn't spoil through his unwanted playing furns and keep on playing Melkalam.., Just Sarvalagu will do well. Tiruvarur Bhakthavatchalam always does this and spoils the momentum of rasikas to listen Kritis. Mirdangam is misused by him and he should listen to yesteryear vidwans recordings to follow the kritis. Better he can retire and pave way to younger generation who are doing good than him for the sake of Good music to survive.

With many musicians (including this vocalist) these days, one has to close the eyes and keep the ears open. They sing well but their acting on the stage is really abominable. We do not want to see "acting" from the vocalists while they sing. Period.

@seetharamanbalakrishnan5183

3 жыл бұрын

Admirable singing on all octaves very fluently but body language is to be minimised

@beethoven6185

2 жыл бұрын

Close your eyes and listen

Excellent Rendition by Shri.Balamurali Krishna and amazing .V.Good Mridangam and Violin

Arputham, great singing. New rising talent. Mridangam was excellent.

What a great concert it is! Balamuali, you were indeed great! BUG, you were fantastic! Of course, Bhaktavatsalam & Sundar Kumar were superb indeed!

@sarojaramachandran1021

2 жыл бұрын

Superb concert.All Ragas chosen were excellent.Really you were fantastic.

a very highly accomplished singer! long live sri kbmk.

Loved the violin alapanais...

what a throw of voice! excellent and energetic.

@padminikrishnamurthy2154

2 жыл бұрын

Excellent

great singing!

awesomeeee

Shabash balae balae

Aarura Thiyakesa Bakthavatsala vazhga vazhgave

Excellent as usual KB...ganjira beautiful....Bhatkthavalchalam sir...please stop murdering the essence of the mridangam play

@sriramrajan5160

2 жыл бұрын

I agree.

குன்னக்குடி மீசை தாடியை வளித்து, வித்வானாக லக்ஷனத்துடனிருந்தால், இன்னும் எதிர்காலம் சிறப்பாக இருக்கும் .

So bad that a stalwart like Sri Bhakthavalsalam setting wrong example. Many people who learn to follow a krithi would tread a wrong path if they learn from this performance. He should not be showing the power of his practice while following a krithi. That could have been done during thaniyavarthanam. Same time I have heard Sri Bhakthavalsalam accompanying senior vidwans giving excellent support and bringing out the essense of krithi with great aesthetics. Don't know why he plays like this for juniors and new generation vocalists. Or is he trying to prove his dominance on stage...!!!? For example, felt disappointing the way he followed Samaja Vara Gamana...

With respect, playing of mrudangam is too horrible... We lost the enjoyment of the concert... The mrudangam should be apt with the song... He just tried to show his calibre... Thaniyavarthanam is the real space to show his potential... Otherwise, it would be unbearable...

Didn't like Mridangam play

Please restrict your activity on stage to singing only---no dancing please!

@SYOGESHWARBEC

3 жыл бұрын

Lol.