1. Outside (subtitled The Nathan Adler Diaries: A Hyper-cycle) is the nineteenth studio album from David, released on 25 September 1995 by Arista Records. It marked Bowie's reunion with Brian Eno, whom he had worked with among others on his Berlin Trilogy in the 1970s.[4] Outside centres on the characters of a dystopian world on the eve of the 21st century. The album put Bowie back into the mainstream scene of rock music with its singles "The Hearts Filthy Lesson", "Strangers When We Meet", and "Hallo Spaceboy" (remixed by the Pet Shop Boys).
Bowie had reconnected with Brian Eno at his wedding to Iman Abdulmajid in 1992. Bowie and Eno each played pieces of their own music at the wedding reception and delighted at the "ebb and flow" of couples on the dance floor. At that point, Bowie knew "we were both interested in nibbling at the periphery of the mainstream rather than jumping in. We sent each other long manifestoes about what was missing in music and what we should be doing. We decided to really experiment and go into the studio with not even a gnat of an idea." Bowie and Eno visited the Gugging psychiatric hospital near Vienna, Austria in early 1994 and interviewed and photographed its patients, who were famous for their "Outsider art". Bowie and Eno brought some of that art back with them into the studio as they worked together in March 1994, coming up with a three-hour piece that was mostly dialogue. Late in 1994, Q magazine asked Bowie to write a diary for 10 days, to be later published in the magazine, but Bowie, fearful his diary would be boring ("...going to a studio, coming home and going to bed"), instead wrote a diary for one of the fictional characters (Nathan Adler) from his earlier improvisation with Eno. Bowie said "Rather than 10 days, it became 15 years in his life!" This became the basis for the story of 1. Outside. As a result, unlike for some of Bowie's previous albums,not a single song was written prior to the band going into the studio. Instead, Bowie wrote many songs alongside the band in improvised sessions. Bowie and Eno also continued the experimental songwriting techniques they had started using back during the Berlin Trilogy. In 1995, while talking to the press about the album, Bowie said "What Brian did, which was really useful, is he provided everybody with flash cards at the beginning of the day. On each one, a character was written, like 'You are the disgruntled member of a South African rock band. Play the notes that were suppressed.' ... Because that set the tone for the day, the music would take on all those obscure areas. And it would very rarely lapse into the cliché The "random cutups" from the Adler story that are part of the album's lyrics and liner notes were written by Bowie, who typed them into his Mac computer and then ran a custom program called the Verbasizer. The Verbasizer was a program written by Gracenote co-founder Ty Roberts, the program would cut up and reassemble Bowie's words electronically, much like he had done with paper, scissors and glue back in the 1970s. He would then look at the lyrics while the band played a song and decide "whether I was going to sing, do a dialogue, or become a character. I would improvise with the band, really fast on my feet, getting from one line to another and seeing what worked." Bowie claimed that it took about three and a half hours using this method to create "virtually the entire genesis" of the album Outside. At nearly 75 minutes, the album is one of Bowie's longest. When it was released, Bowie knew that could be a problem. He said, "as soon as I released that I thought, 'It's much too fucking long. It's gonna die.' There's too much on it. I really should have made it two CD
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Rock Against Racism was a groundbreaking movement which staged marches, festivals and concerts from 1976-81 with the aim of fighting racism through music
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