Boris Berman Plays Prokofiev Piano sonata no. 2 op. 14 in D minor (Full)

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Sergei Prokofiev's Piano Sonata No. 2 in D Minor, Op. 14 (1912), is a sonata composed for solo piano. The sonata was first performed on February 5, 1914 in Moscow with the composer performing. Prokofiev dedicated the sonata to his friend and fellow student at the St. Petersburg Conservatory, Maximilian Schmidthof, who committed suicide in 1913
[from Wikipedia]

Пікірлер: 202

  • @vivvpprof
    @vivvpprof10 жыл бұрын

    Movements: 00:00 Allegro ma non troppo 05:52 Scherzo. Allegro marcato 07:49 Andante 13:57 Vivace

  • @pierarucher5968

    @pierarucher5968

    4 жыл бұрын

    Thanks

  • @soominkim6027

    @soominkim6027

    4 жыл бұрын

    Thanks

  • @xinyanlyu9183

    @xinyanlyu9183

    4 жыл бұрын

    Thanks 6 years later

  • @soominkim6027

    @soominkim6027

    4 жыл бұрын

    xinyan lyu 😂

  • @giacomocorbetta8226

    @giacomocorbetta8226

    4 жыл бұрын

    Grazie brother

  • @elrichardo1337
    @elrichardo13373 жыл бұрын

    *MVT I* EXPOSITION 0:01 Theme 1a, rising sequential thirds quickly joined by a second voice. Stepwise motion abruptly leads into... 0:07 Theme 1b, consisting of two main motifs: the insistent, dissonant repeated notes and the strangely _Dies irae_-esque theme in the middle voice. 0:20 t1a again, though the falling chromatic line appears _above_ the rising thirds, an example of invertible counterpoint. This time, it's capped off by a more decisive half-cadence, followed by a sudden _lunga_ G minor triad. 0:33 Transition. The most important aspect of this theme is the RH figure you hear at the beginning of this section. Descends sequentially, briefly touching on the tonalities of G minor, F minor, E-flat minor, and D-flat minor. A repeated falling half-step starting at 0:44 contributes further to the chromaticism; eventually, the music settles onto the common tone E (and the repeated E-D# actually anticipates T2!) as the inner voices continue to move chromatically, bringing us to... 0:56 Theme 2. It's in E minor... I think? A "sickly sweet", ethereal theme marked by dissonant harmonies. 1:34 Codetta. Falling chromatic notes in the LH reminiscent of t1a, followed by tr in diminution. This is repeated once, then tr is played in parallel 11ths twice, bringing the exposition to a close in E minor. DEVELOPMENT 1:59 A reharmonized version of t2. 2:17 tr alternates with the end of t1a. 2:33 The beginning of a long crescendo that takes up most of the development. First, invertible counterpoint on tr. 2:47 t1b and t2(!!!) enter simultaneously on top of tr. Repeated notes from t1 introduced at 3:01. 3:27 Climax in C-sharp minor, calling back to the end of the second statement of t1a. 3:37 tr in augmentation, superimposed on a chromatically rising version of itself. RECAPITULATION 3:47 t1a in LH (t1b entirely omitted) - this is gonna end with that G minor triad, right...? Nope; C minor is briefly tonicized, preceding another abrupt shift in tonality. 4:05 tr beginning in A minor, and ending with what appears to be some arpeggios implying the D Phrygian mode... 4:27 t2. The melody says D minor, but the first measure in the bass is a C major triad... D minor tonality becomes more obvious towards the end of the theme. 5:04 Codetta again. CODA 5:30 Two more statements of t1a, introducing diminished 7ths into the mix. We _finally_ get to hear this theme end on a perfect cadence! *MVT II* 5:54 A section. Emphasis on upbeats and the downbeats immediately following, with chromatic accompaniment. 6:27 B section. Built entirely on that insistent rhythmic figure of two eighth notes and a quarter note (often across barlines). Moves through D major, D-flat major, A major, then starts back towards A minor. 7:12 A section. Begins in a lower register than before, but is more or less the same as before besides that. *MVT III* 7:52 Introduction. Immediately sets the mood for this dark, bleak movement. 8:02 A section. A second accompanying voice enters, and the theme enters on top of them about two measures later. As is usual in this sonata, the G-sharp minor tonality is rather unstable and quickly changes. Second statement of the theme is significantly more dissonant, ending with parallel tritones in the bass. 10:05 B section. More active, dense, chromatic counterpoint in 7/8 time. 10:49 A' section. The tenor voice has completely dropped out; now, we hear bass octaves and the same alto accompaniment as before, but rewritten as repeated sixteenth-notes. Once the theme reenters, however, a much more chromatic tenor reappears, even featuring 2-against-3 polyrhythms towards the end. 12:57 B section again, drawing the movement to a close. *MVT IV* INTRODUCTION 14:00 Those rising fourths and fifths become an essential part of this movement's t1 (and could be a reference to the A section of the second movement). An arpeggio comes all the way down the keyboard at 14:05, followed by a dominant trill in the lower register. EXPOSITION 14:08 Four measures of the same vamp from the introduction herald the entrance of IV.t1, contrasting open fourths with stepwise motion. 14:31 IV.tr. A toccata-like texture is established by the abundance of rapid chords. Sudden shift to 2/4 time and an implied C-major tonality at 14:42. 14:47 IV.t2. A light, humorous theme that is then repeated at 15:03. 15:14 Codetta. IV.tr on top of the bass line introduced at the end of IV.tr; the RH eventually takes up lots of jumping chords (with a 2-against-3 polyrhythm) before a homogeneous rhythm is reestablished at 15:24. DEVELOPMENT 15:38 t2 from the first movement - what's _that_ doing here? Note that it's presented in the form that it appeared when it began the first movement's development. 16:02 This theme is suddenly presented in a much more humorous light (shifting to 2/4 time as well). 16:16 IV.t1 is now presented in 2/4, alternating with a fragment of IV.t2 16:37 IV.t2, with the sixteenth-note gesture from IV.t1 in the background. 16:44 The two rhythmic figures from IV.tr superimposed. 16:48 Further development of the introductory theme, which eventually does lead us right back to the introduction. RECAPITULATION 17:07 Same texture as at the beginning of the exposition, as expected. 17:08 IV.t1 17:19 IV.tr 17:35 IV.t2; the second time around, IV.t1 is layered on top of it all CODA 18:02 A drastically altered codetta, quickly overtaken by IV.int and IV.t1. 18:18 Opening arpeggio referenced again, followed by a series of chords that slam the sonata shut.

  • @austinworkman9967

    @austinworkman9967

    3 жыл бұрын

    Good work.

  • @Mauritius77

    @Mauritius77

    3 жыл бұрын

    Superb analysis! Thanks a lot!

  • @kurkabloto5872

    @kurkabloto5872

    2 жыл бұрын

    maaaan, you saved me 🥴✋

  • @elrichardo1337

    @elrichardo1337

    2 жыл бұрын

    @@kurkabloto5872 lol how so?

  • @schnabelite

    @schnabelite

    2 жыл бұрын

    Brilliant 😁

  • @josiahscott7789
    @josiahscott77894 жыл бұрын

    the second movement is SO GOOD it can step on me.

  • @tadtorsh5165

    @tadtorsh5165

    4 жыл бұрын

    lmaooo a mood

  • @aidanhiggs9922

    @aidanhiggs9922

    3 жыл бұрын

    OMG yes purr mama sis Prokofiev hunty slay queen😍😍😍

  • @klop4228

    @klop4228

    3 жыл бұрын

    @@aidanhiggs9922 Congrats on one of my least favourite comments on youtube lol

  • @fishyu_improvise

    @fishyu_improvise

    3 жыл бұрын

    YESSSSS

  • @bunaioara

    @bunaioara

    2 жыл бұрын

    @@klop4228 oh the importance of your comment preference , Yass quween teach us

  • @samgaines2886
    @samgaines28863 жыл бұрын

    I love the random accented C#s at 16:25. They sound so out of place, but when it finally resolves to D at 17:05 it all makes sense

  • @albertomartin4812

    @albertomartin4812

    Жыл бұрын

    I love Prokofiev mainly for this kind of things. 😆 Such a genius sarcasm.

  • @Whaijorhujishkomunyk

    @Whaijorhujishkomunyk

    3 ай бұрын

    xd epic

  • @KaisarAnvar
    @KaisarAnvar2 жыл бұрын

    I studied with him and I confess: his teaching is GENIUS. Extremely humble man, treated me as if I was his son. Helped me not just in music but in life as I was struggling with so many things at the same time. Never stopped pushing me. Amazing man, amazing person, may God give him a very long life ❤️❤️

  • @simpyoungyuk3885

    @simpyoungyuk3885

    Жыл бұрын

    Prokofiev or Boris Berman?

  • @KaisarAnvar

    @KaisarAnvar

    Жыл бұрын

    @@simpyoungyuk3885 lol BERMAN of course 😁

  • @ofilosofoouumfumante5655

    @ofilosofoouumfumante5655

    Жыл бұрын

    @@KaisarAnvar maybe

  • @AjStillabower

    @AjStillabower

    Жыл бұрын

    Sitting in on one of your lessons with him is still a fond memory :)

  • @KaisarAnvar

    @KaisarAnvar

    Жыл бұрын

    @@AjStillabower Aj!!!!!❤️

  • @TheMrcolumbo
    @TheMrcolumbo8 жыл бұрын

    I finally got how amazing especially the 4th movement actually is.

  • @szirtesmate8925

    @szirtesmate8925

    5 жыл бұрын

    The joke with this cis))

  • @vivvpprof
    @vivvpprof11 жыл бұрын

    I have never heard such beautiful voicing, he makes every layer of the music audible and clear and comprehensible… I'm awe-struck

  • @ekrathrawl
    @ekrathrawl10 жыл бұрын

    Allegro: 0:00 Scherzo: 5:53 Andante: 7:50 Vivace: 13:58

  • @user-io6de7wy8t
    @user-io6de7wy8t7 жыл бұрын

    [00:00] I. Allegro, ma non troppo [05:54] II. Scherzo. Allegro marcato [07:52] III. Andante [14:00] IV. Vivace

  • @ArsOnline
    @ArsOnline10 жыл бұрын

    That's a nice recording. The voicing is just unbelievable.

  • @Garrett_Rowland
    @Garrett_Rowland4 жыл бұрын

    The Andante is incredible. One really feels as though they're sinking into its mysterious beauty.

  • @nunyabusiness8538
    @nunyabusiness85384 жыл бұрын

    prokofiev was an unbelievable virtuoso. absolute mad man

  • @cesarleiva2443
    @cesarleiva24434 жыл бұрын

    That melody from the first movement. So wonderful!

  • @Previati
    @Previati10 жыл бұрын

    I love Berman's recordings of Prokofiev's piano music on Chandos. Boris Berman is overall my favorite interpreter of Prokofiev's piano music.

  • @lucasdelliosiv7493
    @lucasdelliosiv74934 жыл бұрын

    It sounds so cool, I can't get over it.

  • @valerieheinderyckx4506
    @valerieheinderyckx450610 ай бұрын

    Magique... une très belle version. Merci ❤

  • @user-iv3mg5yn2w
    @user-iv3mg5yn2w Жыл бұрын

    17:51 How this part can be very clean and both of melody lines are so separated???? I must say that this performance is an ideal one of this piece...

  • @mikhailadamov6453

    @mikhailadamov6453

    9 ай бұрын

    I know right?! I was absolutely blown away by that moment

  • @Baneheart666
    @Baneheart6667 жыл бұрын

    Prokofiev's pieces are so captivating.

  • @Molybdaenmornell

    @Molybdaenmornell

    4 жыл бұрын

    What always gets me is the mesmerixing mix of the stern and the incongruous/humorous. You can expect to be amused, baffled, terrified and roused.

  • @15silverblade
    @15silverblade8 жыл бұрын

    This andante is one of the most deep and sad near the madness

  • @Someonece

    @Someonece

    6 жыл бұрын

    Leandro Suzano I’ve been listening to this sonata for almost a year and always thought it was a bit boring when compared to the exhilarating 3 other movements. Now I finally understand how tragic the andante is. It sounds like being with someone as they are dying a slow painful death. So dark.

  • @amitbenhur3722

    @amitbenhur3722

    5 жыл бұрын

    +TacTundra I was about to leave here a comment almost identical to yours :)

  • @Railfan9743

    @Railfan9743

    5 жыл бұрын

    Amit Ben hur under the madness it’s dark.

  • @jackroark6928

    @jackroark6928

    5 жыл бұрын

    Indeed! It is the one movement from the sonata I put on repeat until it's looped about dozen times until I finally move on.

  • @riccardovalente3260

    @riccardovalente3260

    5 жыл бұрын

    Dark meditation

  • @NMusician
    @NMusician9 жыл бұрын

    Wonderful performance, I enjoyed every minute and can't wait to start practicing myself!

  • @russedav5
    @russedav510 жыл бұрын

    Prokofiev is often too great & marvelous a wonderful and awesome genius to follow, at least not easily, but his verve, vim & vigor, the 3 Vs!, are always electrifying and ever make you want to return for more! His Toccata, op. 11 is one such fabulous example of countless, and especially Guillou's transcription arrangement of it for organ, especially Vincent Dubois's wonderful rendition, I'll always regret Prokofiev wrote so little if any for the organ.

  • @vivvpprof
    @vivvpprof11 жыл бұрын

    I'm sorry, having heard the whole recording, I must make an amendment. Not voicing, no. I have never heard such beautiful... everything O_O I mean he plays so well in tempo even in the most difficult moments, the dynamics is just stunningly precise, the sound is never harsh, even in fortissimo, … uh, I guess I'm gonna go dig the garden or something, there's no point in practicing anymore, because I shouldn't even dream of attaining this level of dexterity. Boris Berman…you're my hero!

  • @paulheffron4836

    @paulheffron4836

    6 жыл бұрын

    Don't you dare give up on this. I find that when I break a piece down to small passages played very slowly and then build up the tempo, it will eventually come together. I read at one time that this is what Rachmaninoff would do. I often will tell students that by the mile it's a trial. By the yard it's hard, but by the inch it's a cinch.

  • @alexanderdong9959

    @alexanderdong9959

    3 жыл бұрын

    L

  • @vivvpprof

    @vivvpprof

    3 жыл бұрын

    @@paulheffron4836 7 years on and I'll be coming back to this Sonata, gotta play it in April on a competition finally! :)

  • @ancientconstruct6754

    @ancientconstruct6754

    3 жыл бұрын

    @@vivvpprof Way to go! We're rooting for your success! Please do tell us how it goes.

  • @friesiamans1966

    @friesiamans1966

    3 жыл бұрын

    @@vivvpprof how cool that you came back to it, bravo, well done... we must not forget that not all of us can be worldclass, but we can do things for our own pleasure and perhaps some friends and it will be good... :-)

  • @thomasminot9799
    @thomasminot97998 жыл бұрын

    This is a great sonata, and a great recording.

  • @cynic150
    @cynic1503 жыл бұрын

    It was the sense of fun in the finale that really got me! Yes, the Andante -very slow - is very gloomy. Berman's metre was great. The modern pianists can learn something of great importance from this master. Speed is neither everything nor the aim.

  • @punkpoetry
    @punkpoetry8 жыл бұрын

    Absolutely superb. He might not scale the heights of a Richter or a Gilels, as he'd be the first to admit, but his attention to detail and clarity of voicing are incredible. Serious, self-effacing pianism at its best

  • @christophera3330

    @christophera3330

    2 жыл бұрын

    Why does everything have to be compared?

  • @riccardofortino134

    @riccardofortino134

    Жыл бұрын

    In my opinion, this performance is superior to the one of both Richter and Gilels.

  • @andreassorg7294

    @andreassorg7294

    Жыл бұрын

    @@riccardofortino134 Why always name Richter and Gilels in one breath? Gilels' technique is one class under Richter's

  • @andreassorg7294

    @andreassorg7294

    Жыл бұрын

    Forget Richter. He plays in another league, no-one could and can reach his transparency in sound and his truthfulness in musicality. Of the rest, Berman's Prokofjev is one of the best and clearest interpretations

  • @danielche2349
    @danielche234910 жыл бұрын

    THIS IS NO DOUBT THE BEST!!!

  • @navinahire6446

    @navinahire6446

    8 жыл бұрын

    +Daniel Che same

  • @sebribo1873

    @sebribo1873

    6 ай бұрын

    my favourite prokofiev atm

  • @trololopeth
    @trololopeth10 жыл бұрын

    The recapitulation is absolutely brilliant. Leaves me dumbfounded every time.

  • @rondoin7225
    @rondoin722510 ай бұрын

    Great example of the young composer. Some themes are a little out of register (the muddy C3-C4 range) and there're a lot of extended sequences, but the brilliant harmonies and phrasing are pure Prokofiev and sound like no one else.

  • @DonVanVliet
    @DonVanVliet3 ай бұрын

    I love so much to listen or to play the 3rd Mvt Andate, it's so hypnotic ❤

  • @danal81
    @danal8110 жыл бұрын

    finally a good performance of this sonata on youtube

  • @NecroSexy

    @NecroSexy

    9 жыл бұрын

    Sviatoslav Richter? Oh, I see you want a good performance not a great one.

  • @quesote20
    @quesote208 жыл бұрын

    The ending of the first movement at 5:29, that's some way to finish a piece ;D

  • @savemail6929
    @savemail69294 жыл бұрын

    Wow, he's matching Richter in this whole sonata. Very impressive

  • @DustyOldCowTown
    @DustyOldCowTown3 жыл бұрын

    18:07 - 18:11 amazing voicing

  • @DixieFaukner
    @DixieFaukner6 жыл бұрын

    This is Amazing!

  • @Shana77
    @Shana772 жыл бұрын

    That third movement is heartbreaking

  • @VoicelessBeats
    @VoicelessBeats2 жыл бұрын

    I love the final movement

  • @licenselessrider4486
    @licenselessrider44867 жыл бұрын

    the mellowdramatic part is tearin me apart good lord

  • @MultiPhanthomas
    @MultiPhanthomas3 жыл бұрын

    When i read Pablo Nerudas poem Tengo miedo, i hear the Andante from this Sonata

  • @J0a0Francisc0
    @J0a0Francisc04 жыл бұрын

    That Andante

  • @fabiramosoliver6635
    @fabiramosoliver663510 жыл бұрын

    Beatiful music! Congratulations!

  • @IrinaNenartovich
    @IrinaNenartovich8 жыл бұрын

    can't be better!

  • @Toffeethegoldfish
    @Toffeethegoldfish10 күн бұрын

    17:52 the voicing is amazing in this part

  • @AlexLANShelby
    @AlexLANShelby6 жыл бұрын

    Однозначно одно из лучших исполнений!

  • @ElenaSlezina
    @ElenaSlezina3 ай бұрын

    Когда то играла финал на гос экзамене, посмотрела спустя сорок лет на текст, ужас. Как только справлялась, а ведь играла с легкостью, в любое время дня и ночи.

  • @codyfong317
    @codyfong3178 жыл бұрын

    The scherzo part is so swag

  • @thomasminot9799

    @thomasminot9799

    8 жыл бұрын

    +Cody Fong I'll say, from 14:42 is swag as hell!

  • @mikrokosmiko1
    @mikrokosmiko16 жыл бұрын

    sublime

  • @johnberkley6942
    @johnberkley69428 жыл бұрын

    I have a recording of the first five sonatas done by a different artist. I hit upon Boris Berman's versions one day while idly trawling through KZread. It's interesting to hear a different artist's take on the same material. I have to say I prefer Mr Berman's interpretations in nearly every way. I listened to Sonata No.1 first, and was immediately taken with how clean the left hand playing is. I was always irked by the heavy-handedness of the bass part in the recording I heard first. It's a muddle. Mr Berman's playing is strong without ever descending into murk. Who'd want to be a concert pianist? The artist on my CD is by no means a nincompoop. His playing just doesn't have the verve I hear on these recordings.

  • @Magnet12
    @Magnet123 жыл бұрын

    12:57 best part of the Song 10:05

  • @Balja69

    @Balja69

    2 жыл бұрын

    Piece.

  • @Magnet12

    @Magnet12

    2 жыл бұрын

    @@Balja69 oh I’m sorry. Not

  • @user-fg8oo5fu6h
    @user-fg8oo5fu6h4 жыл бұрын

    4th part of this sonata reminds me the final part of Saint-Saens's 2nd concerto smh

  • @Xyriak
    @Xyriak Жыл бұрын

    The scherzo is so exciting.

  • @punkpoetry
    @punkpoetry8 жыл бұрын

    Btw he gives a fascinating master class on this sonata to a student who plays it rather poorly at first but gradually gets a bit less bad. It's on YT but you must know Hebrew to follow it

  • @user-sc1vt6by3t

    @user-sc1vt6by3t

    8 жыл бұрын

    I was like 'great!!! .......oh' lol I don't know Hebrew

  • @BenleyR

    @BenleyR

    8 жыл бұрын

    link please? couldn't find it

  • @55mayakeren55

    @55mayakeren55

    7 жыл бұрын

    can you give us a link? :)

  • @punkpoetry

    @punkpoetry

    7 жыл бұрын

    I did but it got flagged for spam cause YT doesn't like it when you post links apparently. The title is "Boris Berman in Master Class - Dan Goldsher"

  • @kniazigor2276
    @kniazigor22766 жыл бұрын

    Magnifique version de Boris Berman !! Bravo Maestro !!

  • @user-zn1gd4jh4e
    @user-zn1gd4jh4e2 жыл бұрын

    this is far better than richters in my opinion

  • @maquina7002
    @maquina7002 Жыл бұрын

    Follow the dynamics Josh! :)

  • @Skytis
    @Skytis3 жыл бұрын

    17:08 😍

  • @alessandrodipaola4254
    @alessandrodipaola42547 жыл бұрын

    i love 5:54

  • @stephenmorrisguitar
    @stephenmorrisguitar6 жыл бұрын

    Im really enjoying orchestrating this at the moment

  • @Piflaser
    @Piflaser Жыл бұрын

    At 14:40 a little bit Peter and the wolf.

  • @corradoforza
    @corradoforza5 жыл бұрын

    Cannot stop listening this beautiful sonata

  • @ericshan6041
    @ericshan60413 жыл бұрын

    10:51

  • @OZI888
    @OZI888 Жыл бұрын

    The 3rd movement is a real nightmare.

  • @user-ji3uj2on8b
    @user-ji3uj2on8b7 жыл бұрын

    혹시이거 프로코예프 2번 4악장 있나요??

  • @liuxingchen9619
    @liuxingchen96194 жыл бұрын

    9:42

  • @valeriavelasquez8052
    @valeriavelasquez80528 жыл бұрын

    Preciosa! ♠

  • @Sasha.Kondr.
    @Sasha.Kondr. Жыл бұрын

    У меня друг сейчас эту сонату разбирает;_)

  • @MichalKuric
    @MichalKuric9 жыл бұрын

    Eugen Indjic - Piano Sonata No. 2 (Prokofiev)

  • @hymnofashes
    @hymnofashes11 жыл бұрын

    Try the sixth one.

  • @sebribo1873

    @sebribo1873

    6 ай бұрын

    Vinnitskaya played it well in concert.

  • @user-fg8oo5fu6h
    @user-fg8oo5fu6h3 жыл бұрын

    1:03 - fuc...g shit, in the middle of the most beautiful moment(((

  • @danmaia455
    @danmaia45511 жыл бұрын

    Damn this bitch is hard!

  • @jimbo458100
    @jimbo4581008 жыл бұрын

    The vivace certainly has a Khachaturian Sabre Dance feel to it!

  • @geoycs
    @geoycs4 ай бұрын

    Jefferson

  • @alexandradelliou
    @alexandradelliou4 жыл бұрын

    2020: 1417

  • @user-xr9eb9ds6q
    @user-xr9eb9ds6q5 ай бұрын

    3:48

  • @spyzp8920
    @spyzp89202 ай бұрын

    1:10

  • @Angelo-z2i
    @Angelo-z2i6 жыл бұрын

    Every time i hear the scherzo i picture two cartoon characters hitting each other with a big hammer.

  • @sebribo1873

    @sebribo1873

    6 ай бұрын

    surely you watched too much tom & jerry :D

  • @user-wd5zl9ct7u
    @user-wd5zl9ct7u11 ай бұрын

    14:00

  • @bear_ann
    @bear_ann2 жыл бұрын

    4 часть. 13:59

  • @user-wm7yo7fq1m
    @user-wm7yo7fq1mАй бұрын

    16:25

  • @alejandrom.4680
    @alejandrom.46803 жыл бұрын

    I'm in my 4th year of piano, and I will attempt the 1st movement of the sonata..., wish me luck ahaha.

  • @alejandrom.4680

    @alejandrom.4680

    Жыл бұрын

    That didn't go well

  • @themilkman7127

    @themilkman7127

    Жыл бұрын

    Aww man I’m sorry to hear that

  • @andreassorg7294

    @andreassorg7294

    Жыл бұрын

    don't do it and change your teacher. You will get traumatic for your whole pianistic life

  • @alejandrom.4680

    @alejandrom.4680

    Жыл бұрын

    Update: I didn't learn it yet lol

  • @yuk_notkim7658

    @yuk_notkim7658

    Жыл бұрын

    @@alejandrom.4680 lol

  • @user-iz7wm7fq4r
    @user-iz7wm7fq4r6 жыл бұрын

    노래 존좋 ㅠㅠㅠㅠ

  • @coralineparmentier4651
    @coralineparmentier46519 жыл бұрын

    I juste began 3 days ago

  • @alice-is6de
    @alice-is6de2 жыл бұрын

    пп 00:57

  • @marcorocko689
    @marcorocko6897 жыл бұрын

    dutilleux sonata nows makes a little more sense

  • @sebribo1873

    @sebribo1873

    6 ай бұрын

    why that?

  • @gloriveemiranda5928
    @gloriveemiranda59285 жыл бұрын

    I Luke,😊

  • @ojy149
    @ojy1492 жыл бұрын

    13:59

  • @russedav5
    @russedav510 жыл бұрын

    Lenin, Stalin & their fellow deranged fascist filth didn't deserve greats like Prokofiev & his fellow luminaries, or the greatness of the Russian/Soviet peoples they wickedly made to so cruelly suffer, the dirt of whose feet their vile, lying lips weren't worthy to touch. Prokofiev is an epitome of how the darker the night (in which he lived), the brighter the light, which he surely was, as with so many of his dear colleagues across the spectrum of arts & sciences, et al disciplines. God remembered them even when they forgot Him so now they ironically more often are faithful in their true worship of Him that in the West where their lack of suffering for His sake has sadly all too much and often make us despise Him on Whom the Founders knew everything depended as their sole sure Foundation. Soli Deo Gloria!

  • @russedav5

    @russedav5

    10 жыл бұрын

    Luc a Vallino What is this supposed to show other than that Marx & Engels were deranged, corrupt & asinine, immoral, hypocritical bigots arrogantly pretending to be knowledgeable (like modern academia & pseudo-science (e.g. climate change fools like algore with a carbon footprint the size of TX & who thinks he invented the internet) & other Dems & Rinos) who should have been executed for their vile, sadistic depravity (e.g. Kinsey, www.DrJudithReisman.org), which I already knew. I see no place this is relevant to or addresses my comments.

  • @ovrava

    @ovrava

    10 жыл бұрын

    Russ Davis constrasted with todays politicans stalin was an honorable man.

  • @russedav5

    @russedav5

    10 жыл бұрын

    ovrava I might not go quite that far but in either case the horrors are too great fully to consider without going mad. Some might mistakenly consider the Russian/Soviet peoples "weak" to be so powerless in their enslavement by their vile leaders but that they have survived at all is a marvelous miracle testifying to Jesus's truth and reality of John 16:33: "These things I have spoken unto you, that in Me ye might have peace. In the world ye shall have tribulation: but be of good cheer; I have overcome the world." Ironically some "great & powerful" Soviet soldiers who tortured peaceful Christians while they themselves had no peace then came to abandon everything, even their perks & "power" as worthless to have Christ and His peace & true power that the world cannot take away or even truly successfully oppose. Who'd trade sixty some years of cruel torture followed by eternal joy with your Bridegroom in heaven for sixty some years of perks and "power" followed by eternal agony in hell without Him Soli Deo gloria!

  • @Mandru9

    @Mandru9

    9 жыл бұрын

    ovrava Jeez, Ovra, this Stalin character was a TOTAL BEAST, if ever there was one; the true incarnation of the Son of Satan Him (or (Her)self. An honorable man? Don't make me laugh. He's just one of a full string of Psychopaths who managed to grab power pretty soon after a totally chaotic political state of affairs. (Hitler after WW1, Stalin, after the kickdown of Czar Lenin).

  • @RousiakisMakis

    @RousiakisMakis

    7 жыл бұрын

    Are there any gods speaking to you man? You are producing a mixture of political- or social- criticism, with fantasies, and the fear or love of things unseen.. Oh we might All well, just burn in 7000 hells. I cant stand hearing anymore of this nonsense.. Music is what it is. One of the best things ever happened in this planet and all the galaxies.. Let us be . No slaves To any god. Love Always. Goodnight!

  • @geoycs
    @geoycs4 ай бұрын

    Skdixuuciffudu

  • @pavlenikacevic4976
    @pavlenikacevic4976 Жыл бұрын

    Prokofiev's music is so ugly and I love it

  • @stefansavic3459

    @stefansavic3459

    Жыл бұрын

    Ništa nije ružno u ovoj sonati i njegovoj muzici, baš naprotiv. Inače, imaginacija Prokofjeva je fantastična. Kreativna sila.

  • @nathantzhang
    @nathantzhang3 жыл бұрын

    69th dislike silly funny

  • @BrimanAerospace
    @BrimanAerospace5 жыл бұрын

    Steps to compose a Sonata a la Prokofiev style: 1. Take a cat 2. Put it over a keyboard 3. Write

  • @GUILLOM

    @GUILLOM

    4 жыл бұрын

    OMG HOW FUNNY HAHAHAHAHAHAHA OMG IM CRYING

  • @bradonpatrickcain
    @bradonpatrickcain5 жыл бұрын

    too many dissonants

  • @owenmasur5640

    @owenmasur5640

    5 жыл бұрын

    bradonpatrickcain Welcome to Prokofiev my friend, where key signature are merely a suggestion.

  • @wiktorialatos1157

    @wiktorialatos1157

    3 жыл бұрын

    Then I don’t recommend listening to Schönberg ..

  • @ericshan6041

    @ericshan6041

    3 жыл бұрын

    How is this too dissonant? This is one of his early works...Other 20th century music are way more dissonant than this

  • @dawlims1334

    @dawlims1334

    Жыл бұрын

    Well welcome to 20th century music

  • @sebribo1873

    @sebribo1873

    6 ай бұрын

    @@ericshan6041 i agree, No. 2 is comparably "easy listening" and maybe a good start to explore prokofiev

  • @BrimanAerospace
    @BrimanAerospace6 жыл бұрын

    What a waste of time trying to learn this boring stuff.

  • @Railfan9743

    @Railfan9743

    5 жыл бұрын

    Briman Aerospace what a waste of time writing this useless comment to stop music lovers

  • @owenmasur5640

    @owenmasur5640

    5 жыл бұрын

    Briman Aerospace If I may ask, why do you consider this boring? I’m just interested.

  • @rubico1894

    @rubico1894

    5 жыл бұрын

    Opinions are like assholes, yours is full of shit

  • @ConcordMass

    @ConcordMass

    Жыл бұрын

    What a waste of time writing that comment.

  • @sebribo1873

    @sebribo1873

    6 ай бұрын

    no one forces you ;-) and i guess you wouldnt achieve (considering your level of motivation)

  • @blakebot2978
    @blakebot29783 жыл бұрын

    I’m like YES! A minor! This is gonna be easy. And then I realize how hard the second movement is.

  • @LucoideFF

    @LucoideFF

    Жыл бұрын

    bro you saying minors are easy? easy to what? EASY TO FUCK HUH

  • @vivvpprof
    @vivvpprof11 жыл бұрын

    Movements: 00:00 Allegro ma non troppo 05:52 Scherzo. Allegro marcato 07:49 Andante 13:57 Vivace

  • @skyzix330
    @skyzix330Ай бұрын

    14:08

  • @skyzix330

    @skyzix330

    Ай бұрын

    14:52

  • @skyzix330

    @skyzix330

    Ай бұрын

    15:13

  • @skyzix330

    @skyzix330

    Ай бұрын

    15:38

  • @skyzix330

    @skyzix330

    Ай бұрын

    16:16

  • @skyzix330

    @skyzix330

    29 күн бұрын

    13:59

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