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When Galadriel was a child the world was still pure. To the point where weapons were not even a thing and no elf had ever been killed by another elf… Yet you want to make me believe that kids bullied and beat each other?!?!?!?

Tolkien's work is timeless! Placing modern nihilistic politics, gender identity and all these ideology is precisely to put an end to this timelessness. This has to be a flop.

I know from certain who individuals who have connections to the show that it was a knightmare behind the scenes. people were fired left and right, writers couldn't agree what story they wanted to tell, the show was originally about a young Aragorn, some wanted to adapt the Silmarillion but didn't have the adaption rights to the book, the Tolkien estate giving them a long list of things they could and couldn't do on the show such as referencing the movies (even though the showrunners wanted to connect ROP to the movies) writers being fired because they wanted to insert more woke elemets into the show and was met with disapproval, a Tolkien scholar being fired, Jeff Bezos allegedly visiting the set and was furious on what he saw and demanded changes to be made in the middle of shooting. All in all, this show was produced with everyone's hands tied behind their backs, not really knowing what they wanted to do and the clock was ticking, and the best they could come up with was fan fiction.

You can always tell when a woman writer has been involved. They add 6 x as many words than are necessary.

This "young" Galadriel thing is absurd. She is thousands of years old and has gone through an untold number of heavy experiences but somehow she is a raw, angry, obsessive youth finding her way. This says a lot about the state of minds of the writers. Certainly, they are under pressure but how can thinking minds come up with something so patently ridiculous?

I am so glad Peter Jackson brought J.R.R Tolken's work to life before the woke bomb hit so we can still enjoy great writing storytelling from Lord of the Rings and the hobbit.

You hit the nail on the head - really bad fan fiction. We now live in a world where those diverse people who made the characters like them in their fan fiction are writing for movies and TV shows and can continue to make the characters like them

It began with the forging of the great films. Books were given by Tolkien, immortal, wisest and fairest of all beings. Rights were granted to Jackson, great miner and craftsman of the mountain of lore. And nine, nine hours were gifted to the race of men, who above all else, desire quality. But they were all of them deceived, for another show was made. In the land of Amazon, in the fires of Mount Prime, the Dark Lord Bezos forged in secret a master flop. And into this show he poured his money, his greed and his will to dominate all film. One show to ruin them all.

The Hobbit doesn’t seem so bad to me now

“Special Effects is a tool. A means to help tell a story. A special effect without a story is a pretty boring thing.” -George Lucas

The romance between the elf and the human woman considerably diminishes how significant the few unions (3 in total) were. Humans had to be incredibly worthy to marry an elf.

Something to keep in mind if you want to understand what happened to this show:

I know how they could’ve fixed the ship pans rock metaphor. They could’ve said :

As one of those Tolkien fans who was actually a Tolkien fan long before the movies came out, reading pretty much everything Middle Earth-related multiple times, I watched the first episode and then noped the fuck out. The people who wrote this show don't know or care about the lore or Tolkien's characterizations of his characters, or of how Tolkien presented the races.

Remember that Galadriel is about 2500 years old at this point. So depicting her as a brooding teen is, to say the least, a missed opportunity. Also, Elrond is about 500 years old (and will eventually become Galadriel's son-in-law) so wouldn't be giving her orders. Fun fact: Elrond is not 100% elf; he is mostly elf, with some human and a bit of Maia.

Let me explain. The boat and stone analogy was a way for the activist writers to tell the audience that "punching up" is okay as opposed to "punching down". Many extreme leftist often justify their blatant racism and sexism by thinking to themselves that since they are the ones punching up, it's okay for them to be bigoted. It's their political enemies that always punch down.

I just realised what one of my biggest problems with it is and why it doesn't FEEL like Lord of the Rings. ... All of the characters have the ability to Fast Travel like they are in a videogame. The Original Trilogy and the Hobbit really felt like a journey. They start off in the shire and slowly venture outside their home/comfort zone before being dragged into this huge adventure that leads them all over middle earth, which makes the scene at Mordor where Sam is talking to the injured Frodo about all the things they will get to see again when they make it back home, so much more powerful. It really hits home just how far they have come from where they were and who they were at the start of the trilogy. But In this... Elrond wants to go see the dwarves.Sure... We will be there next scene. Elrond wants to go to the Elven city to start forging the rings... yup, we will just hop over there too. One minute ghaladriel is climbing up an ice wall with a dagger, the next she is on her way home across the sea. No doubt next episode she will be in a new place half way across the map in the blink of an eye. And all the characters will just meet up regardless of where they are meant to be in Middle Earth. I'm not a massive LOTR's fan so forgive if I get timelines and name places wrong but the original trilogy wouldn't be nearly as entertaining or engaging if they just hopped about from the shire to Moria to Rohan to Mordor without any of the struggle or diversions along the way.

Tolkien's work had a story.

As someone who identifies as a rock, I find that rock scene extremely rockist!