Bob Katz - Comprehensive Interview on PMFC
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Bob Katz - Comprehensive Interview on PMFC
HIGHLIGHTS
Comprehensive Interview and discussion between Rich Steve Beck of PMFC and Bob Katz, Mastering Engineer at Digital Domain
3:00 Where did Bob get started?
Getting the feel of natural performance dynamics.
7:00 How did Bob come up with the K-System? What are the principles of the K-System?
11:10 Bob’s role in the AES Streaming Loudness Subcommittee, making progress
14:30 Album Normalization, an important feature of the Streaming Loudness Recommendation - is much more than meets the eye. Bob explains how album normalization allows mixed genres to perform together with natural loudness dynamics, in a sort of artificial intelligences. Bob explains that Track Normalization is compression!
BOB SHOWS HIS MASTERING STUDIO, BEGINNING WITH AN EXPLORATION OF ANALOG GEAR:
21:17 Pendulum ES-8, variable Mu mastering compressor: Warm, fat, full, and versatile.
22:23 Bob’s custom wet/dry mixer, with dry and wet each in 1 dB steps, optional transformer. Used in conjunction with the Pendulum ES-8
23:58 Maselec MEA-2 Equalizer: Warm, transparent, sweet curves
25:53 Bettermaker Mastering Equalizer: Digitally-Controlled Analog, also with some sweet curves
26:50 Elysia X-Filter, Mastering Edition: Transparent, “invisible” analog equalization
28:09 API 2500 Compressor
28:40 Anamod ATS-1 Analog Tape Simulator
30:14 Dutch Audio M.1 Mastering Transfer Console
31:35 Why are your racks so low to the floor?
32:57 TC Electronic Icon remote control for the System 6000
34:14 TC Native Plugins: TC moved some of their most popular algorithms from the System 6000 to Native Plugins: including the MD4 and the VSS4. The move from hardware-based processing to software-based processing continues.
36:31 TC Electronic Clarity M Loudness Meter
37:27 Cranesong Avocet Monitor Controller: 8 channels of Monitor control with calibrated 1 dB/Step monitor level. Calibrated to the K-System.
39:27 Whitestone P331 Tube Loading Amplifier: All tube parameters and transfer characteristics are digitally-controlled for repeatability and ease of recall
40:54 Carnegie Hall Chart of Frequencies and ranges of musical instruments
41:57 Bob’s Mastering Loudspeakers: Dynaudio Evidence M5P mains and JL Audio Fathom F-112 Subwoofers, with custom linear phase digital crossover and linear phase correction using Acourate
43:00 Dynaudio Dynamic Directivity Control (DDC)
44:28 JL Fathom F-112 Subwoofer (one of two). Why is your sub not in the center of the room?
46:59 Why and when does Bob use analog processing versus digital processing?
49:38 Bob’s advice to new mastering engineers, use of headphones versus loudspeakers, etc. Pros and cons of using headphones for mixing or mastering.
53:25 Headphone model recommendations
54:00 Specific issues with relying on headphones for mixing or mastering
57:16 Cathedral Ceiling
58:57 PSI Audio AVAA C-20 Electronic Bass Traps
1:00:38 GIK Audio Diffusors
1:02:34 Bob’s Photography
1:04:27 Languages
Q&A
1:06:34 Digital Correction System: Acourate and Acourate Convolver
1:07:21 What to do while in a testing period with an untreated room?
1:08:05 Maselec MLA-4: 3 band downward compressor and upward expander
1:09:39 ADL Stereo Compressor: LA-2A Clone
1:10:45 24-Bit files for distribution: Any progress?
1:14:01 Anamod ATS-1 Analog Tape Simulator: More perspective
1:15:17 Analog equipment maintenance: What tools are needed?
1:16:24 In The Box Mastering: Recommendations. Can you get a master that’s as loud as analog mastering by working totally in the box?
1:19:52 Color in Mastering. Some tips and tricks for obtaining instant and controllable color or character without harsh artifacts - working totally in the box.
1:22:53 MS Mastering, a practical example
1:25:28 Is it possible to achieve excellent sonic results working in the box?
1:26:10 K-Stereo Processor enhances depth and dimension - working in the digital domain, does not use distortion techniques so is free of aliasing artifacts
1:27:03 Tone Projects Unisum Compressor Plugin
1:28:00 Tricks to alter color in the box using Leapwing Dyn One or TC MD4
1:30:32 Single band high frequency compression to allow getting presence with EQ without harshness on peaks
1:31:33 Black Box Plugin or hardware
1:32:35 What is Bob listening to for pleasure?
1:34:05 Recent Mastering Achievements and Artists
1:35:52 Bob at the Mixing console: Knoxville Jazz Orchestra
1:40:09 How do you look after your ears?
Пікірлер: 38
The Camera Woman does a sterling job 👍
This is so great. I am so tired that I am falling asleep in front of my computer but I cannot stop watching this. Just unreal
Thanks Bob, Mary and Rich Steve. Nicely done.
Thanks, the K-System was an eye or better ear opener when I found it a decade ago. Suddenly it all made sense in a way and it improved my mixing extremely. Its intuitive approach is so much better than just looking for the numbers.
Amazing, you're great Bob! It's a real pleasure listening to you!
Thanks for so much generosity Bob. Now I will be able to listen to albums with more respect between track volumes.
This interview is truly amazing, thank you!!!
Great interview ! Thx for sharing so much :)
Love Bob’s presets on LeapWing DynOne. Very tastefully done.
Thanks for the interview, it was great to dive into your world a bit!
Great interview
Much appreciated sir!
Wonderful stuff Bob! I thoroughly enjoyed hearing you speak on our shared passion for all things audio! I'd love to hear that shuttle launch in your mastering room!
Bob is such an inspiration. Thank you for sharing your wisdom with us. 🙏
Thank you master.
excelente encuentro abrazos
Thank you!
Expert insights. Thanks.
Hey Bob, Great video. Lucky to be able to greet and communicate with you online and be grateful to all the knowledge and advice you have imparted over the years. I also urge you to do a video on room acoustics and the role it plays apart from placement of gear. Since we are into acoustics and you know how little respect acoustics gets these days. Looking forward to seeing more of your videos. Thanks
@atta1798
Жыл бұрын
How is it that acoustics gets little respect and in which sense?
Hi, thank you Bob, as always I learn a lot from you. Can you share what is the plate your speakers are standing on. I heard in another video where you explain it's almost floating but I can find it. Thank you :)
Useful video Bob! Fine! I use only your methods and nothing else! I'm from Russia!!!
For plug in saturation try the U-he Satin or Softube Tape but of course really listen and use in moderation.
Howdy Mr. Katz. If you are interested in doing a shootout between the Black Box Plugin and the Black Box Hardware let me know. I found myself in an interesting position in that something I built by hand on my desk was turned into a plugin and then I got to compare the differences. Eric, the other half of Black Box has to make the decision each and every day whether or not to use the plugin or the hardware on the mixes he is working on. Frankly, I know he uses both but where and why are the interesting questions that could be explored. Anyway, if you wanna do a shootout then I'll arrange for one to appear.
@nexusobserve
2 жыл бұрын
Very highly praised plugin
Whotestone p331 amp is amaaaazing! I want one right now!
He should’ve let you finish the cons of monitoring through headphones only for mixing/mastering. Sorry, I’m addicted to all the knowledge you have to offer 🙏🏼
Bobs such a nice chap.
@thegroove2000
10 ай бұрын
I wish him and his other half good health.
Ian Stewart!
Hey Bob, did the Bettermaker replace your Summit Audio EQ200?
1:02:06 what a moment
I think Bob Katz can even hear your thoughts!
I don't understand why a 16 bit file (CD Baby) would cause overshoots vs 24 bit?
Those dynaudio loudspeakers are time and phase aligned, right? What model are these? Can ordinary consumers buy them?
🐞🐞🐞🐞
ou "en jouir" tu peux dire : voilà un très beau langage :-)
Mr. Katz, whats your opinion about Dolby Atmos ?? From my point of view its good for cinema but absolutely not suited for music. As a personal opinion it is ridiculous so many speakers in a room. I dont buy that idea.