Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Jessye Norman, soprano Pierre Boulez, conductor
Жүктеу.....
Пікірлер: 22
@jean-claudecalise74706 ай бұрын
C était un monument cte femme-là ! 💐
@MaestroWenarto4 жыл бұрын
RIP Jessye
@MrGREYMATTERS7 жыл бұрын
What can I say? BRILLIANT, beautiful and sublime!
@DieFlabbergast Жыл бұрын
R.I.P. Jessye Norman.
@beaviolin096 жыл бұрын
Nacht (Carl Hauptmann) Schilflied (Nikolaus Lenau) 4:10 Die Nachtigall (Theodor Storm) 6:44 Traumgekront (Rainer Maria Rilke) 9:20 Im Zimmer (Johannes Schlaf) 11:58 Liebesode (Otto Erich Hartleben) 13:28 Sommertage (Paul Hohenberg) 15:26
@ernestorecayte21693 жыл бұрын
unforgetable magnifique!!!
@nwdixieboy9 жыл бұрын
Really quite fabulous. I just don't know this existed.
@bodymindsoulcandy5 жыл бұрын
Berg was such a free composer! He reminds me of Shakespeare, who wrote the most beautiful sentence in English, I think (not my language, my language is Dutch): We are such stuff as dreams are made on, and our little life is rounded with a sleep...
@jdeeside50217 жыл бұрын
I adore their recording of this on Sony so I'm glad to have the opportunity to watch this 'live' account. Jessye is as always beautiful and these songs really suit her.
@LendallPitts4 жыл бұрын
RIP Jessye Norman.
@jdeeside8 жыл бұрын
These are beautiful songs given a wonderful airing by two musical greats. So glad this has been posted.
@aminta508 жыл бұрын
Magnifico. Grazie
@trailblazingdiva4 жыл бұрын
I love
@jnsurg9477 жыл бұрын
Excellent post!
@Twentythousandlps10 ай бұрын
Norman was approaching the end of her career at this point.
@FranciscoFerrerGaliana19307 жыл бұрын
Maravillosas canciones
@TassiloDavid6 жыл бұрын
As good as the performances of the 7 Early Songs and Altenberglieder with Boulez and Miss Norman are, you owe it to yourself to seek out Boulez's first Columbia (CBS) recordings of both sets, the 7 Early Songs with Heather Harper and the Altenberg Songs with Halina Łukomska. They're really unbelievably good, and Boulez is a little more fresh in his approach.
@absinthesizer
4 жыл бұрын
I have these on vinyl, and you have inspired me to go dig them out. My memory matches your description.
Пікірлер: 22
C était un monument cte femme-là ! 💐
RIP Jessye
What can I say? BRILLIANT, beautiful and sublime!
R.I.P. Jessye Norman.
Nacht (Carl Hauptmann) Schilflied (Nikolaus Lenau) 4:10 Die Nachtigall (Theodor Storm) 6:44 Traumgekront (Rainer Maria Rilke) 9:20 Im Zimmer (Johannes Schlaf) 11:58 Liebesode (Otto Erich Hartleben) 13:28 Sommertage (Paul Hohenberg) 15:26
unforgetable magnifique!!!
Really quite fabulous. I just don't know this existed.
Berg was such a free composer! He reminds me of Shakespeare, who wrote the most beautiful sentence in English, I think (not my language, my language is Dutch): We are such stuff as dreams are made on, and our little life is rounded with a sleep...
I adore their recording of this on Sony so I'm glad to have the opportunity to watch this 'live' account. Jessye is as always beautiful and these songs really suit her.
RIP Jessye Norman.
These are beautiful songs given a wonderful airing by two musical greats. So glad this has been posted.
Magnifico. Grazie
I love
Excellent post!
Norman was approaching the end of her career at this point.
Maravillosas canciones
As good as the performances of the 7 Early Songs and Altenberglieder with Boulez and Miss Norman are, you owe it to yourself to seek out Boulez's first Columbia (CBS) recordings of both sets, the 7 Early Songs with Heather Harper and the Altenberg Songs with Halina Łukomska. They're really unbelievably good, and Boulez is a little more fresh in his approach.
@absinthesizer
4 жыл бұрын
I have these on vinyl, and you have inspired me to go dig them out. My memory matches your description.
WiFi切断を繰り返される バイエルンの男爵の家系としてウィーンで生まれ育ち、音大に行かなかったために常にウィーンで仲間はずれにされたベルクの初期の名品 マーラーのオーケストラ伴奏歌曲みたいな出来栄え 1995年5月の東京公演 私はダフニスとクロエ、中国の不思議な役人の演奏会しか聴きに行かなかった
The "holdiing back" in DIE NACHTIGALL is sort of perplexing... as is her somewhat wayward intonation in THIS song.
Excellent!!!! Jiná galaxie? Klingoni?
Is it the orchestra's or the conductor's fault for not being able to capture the moon-behind-the-mist, clouded quality of sound right off the bat?