Behind the Costumes and Makeup of Maestro with Mark Bridges & Kazu Hiro | FLC Luminaries
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On this edition of FLC Luminaries, our video series presented by Netflix, which spotlights talent at all levels of the filmmaking process who uplift the art and craft of cinema, we deep dive into the costumes and makeup of Bradley Cooper's NYFF61 Spotlight Gala selection Maestro. Costume designer Mark Bridges and prosthetic makeup designer Kazu Hiro discuss studying Leonard Bernstein, their respective creative processes, Cooper's vision, and what it meant to premiere the film at David Geffen Hall.
Maestro is now in theaters and arrives on Netflix on December 20.
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Пікірлер: 2
Kazu Hiro's makeup was so spot-on and seamless. It just leaves me with one question? Cooper's bright blue eyes were a glaring incongruity. This could not possibly have been an oversight. Colored contact lenses would have given him the real Bernstein's brown eyes. What's up with that?
Floored by how good the makeup was. The size of his nose wasn't an issue like some stories made it out to be.