1st movement: I don’t know whether to be picking flowers, burning them, or cry because their burning 😂

00:00 Allegro con brio 07:04 Adagio cantabile 15:44 Scherzo: Allegro - Trio 18:58 Finale. Allegro

@cke900

2 жыл бұрын

thank you was look for this!

I think it's a rule that when Beethoven writes any multi-movement piece including a piano in C minor, then the slow movement must be in A-flat major.

@FranciscoCunha2004

3 жыл бұрын

Piano trio op. 1 no. 3 (the slow movement is in Eb)

@skypesos

3 жыл бұрын

3rd concerto's (op 37) slow movement is in E, like Rachmaninoff's 2nd concerto. Though Ab as the slow movement key for C minor pieces is the most common.

@caterscarrots3407

2 жыл бұрын

@@skypesos I don't know, I see these 3 relations about equally for slow movements of minor key sonatas: Submediant ex. C minor -> Ab major Relative Major ex. C minor -> Eb major Parallel Major ex. C minor -> C major And Beethoven has examples of all 3 of these relations in C minor. An example of the parallel relation used for a slow movement is his last piano sonata, op. 111

@a-trainstudios2360

2 жыл бұрын

@@caterscarrots3407 @SkyPesos is right, E major (the sharpened mediant major) is used quite a bit in the Romantic Era even though A-flat is more common.

@caterscarrots3407

2 жыл бұрын

A-Train Studios I know, it wasn’t the use of E major I was disagreeing with, it was his statement that Ab is the most common key for slow movements of C minor pieces that I was disagreeing with by saying that I see the Relative major and Parallel major just as often.

I wish I had a violinist friend so I could start learning these pieces

@martinyoung99

2 жыл бұрын

Same

@danielthonk7481

2 жыл бұрын

Same

@gordonwu6828

2 жыл бұрын

Lol , on the other hand , I don’t have a friend that plays piano good enough

@FrederiqueC137

2 жыл бұрын

ALMOST same I wish i had a pianist friend lmao

@maxgregorycompositions6216

Жыл бұрын

@@FrederiqueC137 Hello there. I'm your man.

The finale and the adagio are the best movements among Beethoven's violin sonatas

@davidecretarola

Жыл бұрын

Among all pieces by Beethoven

6-30 7-04 is sublime

My favourite beethoven piece

@insoonlee43

5 жыл бұрын

작곡자 연주자 모두 정말 훌륭하십니다 우리 인류의 자랑입니다~

@emilyberry360

3 жыл бұрын

Noice

This reminds me of his Waldstein piano sonata in C major, especially at the beginning.

This piece is so beautiful 😍 after the first part, all wild and intense, the second part might seem a bit anti-climatic for some, but I think it's more of a peaceful interlude... Love my BAEthoven 🖤

@graydusk1039

Жыл бұрын

but its pretty dramatic id say

4ая часть и Финал просто Огонь💞💞💞💞💞🥳🥳🥳🥳

20:30 references movement 1's main idea... I'm so dumb to just now see this!

First time I see a classical piece without any french comment under the video, so: Je me dois de l'avouer, cette pièce est tout simplement magnifique, sublime, enchanteresse. Il faut tout de même notifier une difficulté plutôt accrue sur la partie destinée au piano. Il est va de même pour celle du violon. Je tiens également à faire remarquer la qualité de l'interprétation. Well, it's done. I did what I had to do.

@orin4654

3 жыл бұрын

translation for English speakers: "I must admit, this piece is simply magnificent, sublime, enchanting. It is still necessary to notify a rather increased difficulty on the part intended for the piano. The same goes for that of the violin. I also want to point out the quality of the interpretation."

Delightful!

And Brahms played this in C-sharp minor for one of the stops on his first tour with Reményi

Sublime

The piano part is so difficult

@geaviolin

4 жыл бұрын

Violin one too. It's very incorfortable.

@squirrel4727

4 жыл бұрын

Exactly! This piece used to be a piano sonata accompanied by violin.

@lizzy8147

4 жыл бұрын

@@squirrel4727 well actually beethovens piano and violin sonata already mentions piano first. Most sonatas which mention the piano first are harder for piano. But this piece is actually the first sonata from him which is even for violin and piano. Some of the fast parts are really incomfortable for the fingering. But the hardest thing is for the violinist is not to go under against the pianist, especially in the piano parts

@manuel-et4he

4 жыл бұрын

In Brahms violin sonatas, I think the piano part is more difficult than violin part.

@lizzy8147

4 жыл бұрын

@@manuel-et4he not only for brahms sonata but also many beethoven pieces

L inspiration militaire est assez fréquente chez Beethoven , et j avais envie de dire que son sommet me semblait être le mouvement 4 de l opus 70 numéro 2 , en pensant a tous les amateurs d atmosphère belliqueuse qui se seraient laisse endormir par le premier mouvement étrange et rêveur , et les deux suivants , mièvres (faussement peut-être )

from some of 13:39 sounds like beethoven piano concerto start part. Wonder Why he use this scale??

@tonylu5593

3 жыл бұрын

Indeed one of the analyses of the Op. 15 Concerto mentions that the piano intro sounds like "it deviated from another work." I don't think they might have specifically meant the Op. 30 No. 2 though...? I'm not too sure but I see your point.

And my teacher thought I could play this. xD (Pianist here)

@meraldlag4336

4 жыл бұрын

I’m learning this actually but those damned semiquaver runs are so annoying

@Ivan_1791

4 жыл бұрын

@@meraldlag4336 I'm the pianist by the way.

@owencarrigan14

3 жыл бұрын

@@Ivan_1791 oh wow you did a really good job and I hope to play like you some day but I'm only 11 and Struggling on appassionata lol. The right and left hand fast parts are very hard

@Ivan_1791

3 жыл бұрын

@@owencarrigan14 I wasn't able to play it. And playing the Appassionata at 11 is pretty crazy, keep up improving!

@owencarrigan14

3 жыл бұрын

@@Ivan_1791 thanks for the compliment! My dream is to become a musician and composer. Beethoven is my biggest inspiration lol

Parallel Period where second phrase is a sentence

9:45 10:10

The 2nd movement really sounds like Schubert!

9:23

Funny how the second movement is in a-flat like in the pathetique, which is in c minor as well

@jamisonsanchez9372

6 жыл бұрын

Same key as some of Beethoven's other beautiful works with an opening C minor movement like the op. 10 no 1 Sonata and his 5th symphony.

@brianbernstein3826

4 жыл бұрын

with Beethoven there's clearly something to this as he does it not just here but in all 3 C minor piano sonatas and even more C minor pieces - in sonata 32 there is no slow movement, we go straight to the ending. But the second theme of the first movement is in Ab, and that cannot possibly be a coincidence. if you chart which keys Beethoven puts slow movements or second themes, he tries all kinds of things, so bridging this violent explosive C minor drama with this lyrical dreamlike A flat over and over seems undoubtedly deliberate. I feel he connected these works together in his mind into a single super piece, though many may disagree with me. I feel piano sonatas 3 and 21 connect, 11 and 29, 4 and 26 etc... and no not just because of the key, but the motives as well. different chapters of one story. Is it really a coincidence that sonata 1 begins on middle C and sonata 32 ends on middle C?

@caterscarrots3407

2 жыл бұрын

@@emperorjimmu9941 Yes, but the Relative and Parallel major are about as common for second movements of minor key sonatas as the submediant is, especially when you tally across the whole Classical and Romantic eras like I've been doing to find what the relations between first and slow movements are(not always second movements and not always just 1 either). Beethoven has C minor pieces with all 3 of these relations in second movements. Submediant: Piano Sonata no. 5, Pathetique Sonata, Violin Sonata no. 7, Fifth Symphony Relative Major: Piano Trio no. 3, String Quintet no. 3 Parallel Major: Op. 111, String Quartet no. 4, String Trio Op. 9 no. 3 All in C minor, all by Beethoven, in all 3 common relations for minor key sonata slow movements.

@sirwan505

Жыл бұрын

@@brianbernstein3826 I'd like to add the Op. 34 Variations to your compendium of knowledge. Beethoven intentionally mapped out a compositional schematic in which he could fit modulations that go up by mediants (or down by submediants and visa versa). And with Beethoven, he doesn't embellish compositional techniques like transposing themes down or up thirds, he just simply shows you how he does it. (Hammerklavier being the most notable example of the power of the descending third, Op 109, and even the Op. 22 second group second subject has an ascending sequential theme of descending thirds, to name but a few.) This is my absolute favourite thing about the composer: we can very clearly track the musical conceptual singularities he reaches right from the early period to the end of his life, and he's generous enough to allow us to see how he thinks and what he does, in a telegraphed way.

@hjo4104

2 ай бұрын

It's a tradition of the era... a slow movement is usually (not always) in the subdominant of the relative major key... take mozart's kv 466 for example

Моя любимая камерная соната Бетховена❤❤❤ Которую я исполнила в музыкальном колледже на гос экзамене🎉❤❤❤❤🎉

13:31

@dabonem5317

3 жыл бұрын

nice sonata beethoven

@ployplunder3109

3 жыл бұрын

17:00 do be fire tho

7:04 Adagio cantabile

15:44 bookmark

Hola.

со мной как-будто мама в детстве поговорила

Yup, piano part is the most difficult, why not... And the violin is not so hard. Hm.... wouldn't be Bach😆

@lizzy8147

4 жыл бұрын

not hard but sometimes really uncomfortable to play in my opinion

Time stamps to jump around if anyone wants! 0:00 I - Allegro con brio. 7:05 II - Adagio cantabile. 15:44 III - Scherzo. 18:57 IV - Finale. Allegro.

@martinyoung99

9 ай бұрын

Thanks! (But actually, the timestamps are already in the description of this video)

Why does it sound like any Beethoven sonata/string quartet?

15:44

15:44