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Előadja a Miskolci Bartók Béla Zene- és Táncművészeti Szakgimnázium vegyeskara, vezényel Barta Ildikó. Zongorán közreműködik Bujtás András.
Performed by the mixed choir of the Béla Bartók Secondary School of Music and Dance in Miskolc, conducted by Ildikó Barta. Piano: András Bujtás.
A Négy szlovák népdal (eredeti címe Négy tót népdal vegyeskarra zongorakísérettel) Bartók Béla 1916-ban írt műve (Sz 70, BB 78, W 47). Lichtenberg Emil kórusa számára készült, az ősbemutató 1917. január 5-én volt.
A négy dal:
Lányát az anya
Havasi legelőn
Enni, inni van csak kedved
Szóljon a duda már
Béla Viktor János Bartók (/ˈbeɪlə ˈbɑːrtɒk/; Hungarian: [ˈbeːlɒ ˈbɒrtoːk]; 25 March 1881 - 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers.Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became known as ethnomusicology.Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod. His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian.Bartók's father (1855-1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857-1939), spoke[5] Hungarian fluently.A native of Turócszentmárton (present-day Martin, Slovakia),she had German, Hungarian and Slovak or Polish ancestry.
Béla displayed notable musical talent very early in life. According to his mother, he could distinguish between different dance rhythms that she played on the piano before he learned to speak in complete sentences.By the age of four he was able to play 40 pieces on the piano, and his mother began formally teaching him the next year.In 1909, at the age of 28, Bartók married Márta Ziegler (1893-1967), aged 16. Their son, Béla Bartók III, was born the next year. After nearly 15 years together, Bartók divorced Márta in June 1923. Two months after his divorce, he married Ditta Pásztory (1903-1982), a piano student, ten days after proposing to her. She was aged 19, he 42. Their son, Péter, was born in 1924.
Raised as a Catholic, by his early adulthood Bartók had become an atheist. He later became attracted to Unitarianism and publicly converted to the Unitarian faith in 1916. Although Bartók was not conventionally religious, according to his son Béla Bartók III, "he was a nature lover: he always mentioned the miraculous order of nature with great reverence". As an adult, Béla III later became lay president of the Hungarian Unitarian Church.In 1911, Bartók wrote what was to be his only opera, Bluebeard's Castle, dedicated to Márta. He entered it for a prize by the Hungarian Fine Arts Commission, but they rejected his work as not fit for the stage.In 1917 Bartók revised the score for the 1918 première and rewrote the ending. For the remainder of his life, although devoted to Hungary, its people and its culture, he never felt much loyalty to the government or its official establishments.After his disappointment over the Fine Arts Commission competition, Bartók wrote little for two or three years, preferring to concentrate on collecting and arranging folk music. He found the phonograph an essential tool for collecting folk music for its accuracy, objectivity, and manipulability.He collected first in the Carpathian Basin (then the Kingdom of Hungary), where he notated Hungarian, Slovak, Romanian, and Bulgarian folk music. The developmental breakthrough for Bartok arrived when he collaboratively collected folk music with Zoltán Kodály through the medium of an Edison machine, on which they would study classification possibilities (for individual folk songs) and record hundreds of cylinders. Bartok's compositional command of folk elements is expressed in such an authentic and undiluted a manner because of the scales, sounds, and rhythms that were so much a part of his native Hungary that he automatically saw music in these terms. He also collected in Moldavia, Wallachia, and (in 1913) Algeria. The outbreak of World War I forced him to stop the expeditions, but he returned to composing with a ballet called The Wooden Prince (1914-1916) and the String Quartet No. 2 in (1915-1917), both influenced by Debussy.