Bach - Cantata Mein Herze schwimmt in Blut BWV 199 - Bernardini | Netherlands Bach Society
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For the musical setting of the heartrending 'Mein Herze schwimmt in Blut', performed by the Netherlands Bach Society for All of Bach, Bach chose a succession of expressive recitatives and da capo arias in an Italian style. Although in his younger years Bach was seen mainly as an organ virtuoso, his ambitions were to regularly write church much in honour of God. Not until 1714 did Bach get the chance to fulfil this wish, when he was appointed as Konzertmeister in Weimar.
Recorded for the project All of Bach on June 7th 2014 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the interview with soprano Julia Doyle on 'Mein Herze schwimmt in Blut' go to • Doyle on Bach Cantata ...
For the interview with conductor Alfredo Bernardini on BWV 199 go to • Bernardini on Bach Can...
For more information on BWV 199 and this production go to allofbach.com/en/bwv/bwv-199/
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederla....
Netherlands Bach Society
Alfredo Bernardini, oboe and direction
Julia Doyle, soprano
0:00 Mein Herze schwimmt in Blut (Rezitativ)
2:15 Stumme Zeufer, stille Klagen (Arie, Rezitativ)
10:33 Doch Gott muss mir genädig sein (Rezitativ)
11:41 Tief gebückt (Arie)
18:50 Auf diese Schmerzensreu (Rezitativ)
19:04 Ich, dein betrübtes Kind (Choral)
20:55 Ich lege mich in diese Wunden (Rezitativ)
21:47 Wie freudig ist mein Herz (Arie)
Пікірлер: 94
0:07 Mein Herze schwimmt in Blut (Rezitativ) 2:15 Stumme Zeufer, stille Klagen (Arie, Rezitativ) 10:33 Doch Gott muss mir genädig sein (Rezitativ) 11:41 Tief gebückt (Arie) 18:50 Auf diese Schmerzensreu (Rezitativ) 19:04 Ich, dein betrübtes Kind (Choral) 20:55 Ich lege mich in diese Wunden (Rezitativ) 21:47 Wie freudig ist mein Herz (Arie)
@mumaudgran
4 жыл бұрын
Ew xedxeexexxee i
@dumitrudrambu5692
3 жыл бұрын
Grup prieteni
To be part of this ensemble must be very rewarding.
Every Bach cantata is a treasure to discover and cherish, music that comforts the being. I imagine he would be very pleased if he could listen to this wonderful performance, by everyone involved. Thanks to the NBS.
Julia Doyle and Bach. How can you possibly go wrong 👍❤️
Dieser schönen Stimme könnte ich stundenlang zuhören, nicht zuletzt, weil Julia Doyle es besser als viele andere Sopranistinnen versteht, klug zwischen Vibrato und Non-Vibrato zu wechseln - eine Gesangskultur, die ihrer Stimme einen zussätzlichen Reiz verleiht. Nicht unerwähnt bleiben soll die glänzende Ensemble-Leistung aller Mitwirkenden!.
¡Magistral trabajo de N.B.S! Amo profundamente la música de Bach y siempre me emociona, pero esta cantata es un regalo Inigualable por la perfección de su ejecución musical y por la profundidad y sensibilidad con la que la interpreta Julia Doyle. Una verdadera joya para guardar a buen recaudo en el alma.¡FELICITACIONES POR DOQUIER! ❤💙💛💚💜🌝⚘🌞🌙🗽🌏🎶🇪🇦
19:04 I'm glad Bach showed some love to his favorite (and underappreciated) instrument!
Hermosísima cantata, profunda, emotiva. Una interpretación excepcional, tanto por la orquesta como, especialmente, por Julia Doyle. Aprecio su voz clara y vibrante, su manera de hacer parecer fácil lo difícil, y esta cantata lo es para la soprano! Pero lo que más aprecio es su actitud interiorizada y sin artificios, austera y conectada con las profundas emociones de esta obra. Qué regalo para el alma y el corazón! Muchísimas gracias!
Flawless performance. And how wonderful that Bach gave us this lilting Gigue to take home with us. 😊❤️🎶,,
Such heavenly, exquisite voice and performance overall. Truly magnificent.
Este Bach, tão íntimo (quase pessoal) que por aqui aparece e nos é oferecido por Netherlands Bach Society, é tão comovedor. Comovedor, muito sentido, sem excessos, falsas grandezas ou esdrúxulos sentimentos. Não, é um Bach que nos arrasa de contenção, de delicadeza, simultâneamente simples e profundo... tão bem interpretado, tão equilibrado. Fico pasmado e encantado sempre que faço uma visitinha por aqui - que fico sempre, mas sempre, a ganhar! `
Another splendor! The exceptional work of NBS deserves to be included in the World Heritage of Humanity. Without emphasis and in all personal honesty...🙏 Encore une splendeur ! Le travail exceptionnel de NBS mérite de figurer parmi le Patrimoine Mondial de l'Humanité. Sans emphase et en toute honnêteté personnelle...😇
Excellent clear voice, love it, high professional orchestra
@P1B1U1H1
4 жыл бұрын
Great oboe player too.
Die Stimme verschmilzt perfekt mit dem Orchester. Und ich schmelze ebenfalls...
This is beautiful in every way.
This is a wonderful cantata, a spiritual experience to be sure, sung and presented with spiritual understanding
@BoulderMamacita
Жыл бұрын
Awww...my dad was a piano technician and a total Bach freak!!! I'm grateful for contracting that l obsession from him!
Celestial !!
Never going to get tired of that oboe. Exquisite
Bravo Bravo Bravo . I am very heart touched by the holy music if Bach but also with all the performers . The love for music , for PEACE and holiness in the Bach creativity and his music makes a sublime performance .All of you Oboe , Cello , violin bassoon , clavicemballo and Voice .
Bellísima. Inconfundible el sello de Bach: perfección, profundidad, virtuosismo, inspiración y técnica inigualable. Gracias por compartir.
2:15 ♥️♥️♥️♥️ adoro. Canté esta aria😭♥️♥️♥️ es hermosa y aquí suena magistral. Me llega al alma.
Julia Doyle is a treasure - beatiful performance.
Me encantan todos los videos de de NBS , Bach y la voz de Doyle me llenan el alma de paz.
A superb performance, it brings tears to my eyes. I wonder if dear Bach ever had such excellent musicians at Weimar.
@P1B1U1H1
4 жыл бұрын
Women never sang and Lutherans did not use castratti. Bach was left with relatively untrained boys to sing the higher parts. That Bach was an excellent soprano himself must have been a particular thorn in his side.
@pjkhunold
4 жыл бұрын
@@P1B1U1H1 Wrong. JSBs wife Anna Magdalena was a soprano and sung in church. And if the mass in b minor was written for August den Starken, king of Saxony and Poland, it was ment to be performed in the (catholic) Hofkirche at Dresden and its choir with professional castratos.
@P1B1U1H1
4 жыл бұрын
Peter John Karl Hunold “In Leipzig, Bach composed for a choir whose members ranged up to age 23 - that is, young men as well as boys. Bach's altos could have been either boys or men singing in a falsetto range (boys in the 18th century were able to sing in the treble range until they turned 17 or 18). Yet evidence is inconclusive as to which high voices Bach preferred. The American Bach scholar Joshua Rifkin has noted that the standard practice in the German courts of the time was to use adult males to sing alto. But even if this is the case, and Bach’s altos were men, they may have sounded very different from today’s countertenors (men who sing in an alto range), possessing different tone production, declamation and phrasing. Some conductors today also prefer feature female voices, the argument being that they possess greater musicianship and technical maturity.” www.wqxr.org/story/279211-bach-360-what-kinds-singers-did-bach-prefer/ That Bach’s wife was an exception does not change this generalized lack of female voices. Neither does the presence of Castrati in Catholic Churches dent the lack of them in Lutheran Churches. I just learned men were used for Alto’s from this, but note the disclaimer. In today’s society women altos and sopranos do spectacularly. For me, no countertenor matches the great American countertenors of the recent past, Mickey Mouse, Rocket J Squirrel, and Bart Simpson. Let us use voices in their natural ranges.
@P1B1U1H1
4 жыл бұрын
redbrian3655 what voicing was used? Did they use castrati? We must remember, of course, that women also played none of the instruments in addition to singing, in general, none of the voices. There’s a dynamite version of BWV 1083 with ONLY female voices, including an all-female choir, Guillemette Laurens & Nancy Argenta never sang better anywhere else, imho
@P1B1U1H1
4 жыл бұрын
redbrian3655 I almost forgot. You have allergies, as I do. The hospital suddenly required everyone in masks. The immediately available one was a formalin mask. On that day, pollen was king. 500 pound head. Mississippi flowing out the nose etc. Within three hours of the mask symptoms disappeared. Have worn it when driving & out doors since & needed only three nasal steroid snorts. Give it a try. It may change your life.
That central aria (Tief gebückt) opened the gates of my musical emotions… thanks
Que demander de plus? Rien, car nous avons BACH. Merci et amitié de France.
No puedo creer la belleza de esto!
Another golden one! Thank you.
I love the light airiness of "Tief gebückt " .... so reminiscent of Barbara Bonney and Nikolaus Harnoncourt. Thank you Julia and ensemble for a joyful and hopeful performance.
@cleopatra7715
Жыл бұрын
I don't... Light airiness does not match the lyrics at all... that Aria in particular sounds rushed...
Julia absolutely nailed it, as usual
This is a stunningly beautiful performance by the All Of Bach musicians! The beautiful singing by Julia Doyle perfectly complements an intensely moving composition that only Bach could have delivered.
This is a masterpiece, the music and the performance.
My goodness that was beautiful. Thank you.
Excelent performance. solid and very emotive interpretation.I love your group and all your work. I would like play with you one day. Greetings from Argentina
I like Bach.He is my father.
Spectacular
Wunderschöne und lyrische Aufführung dieser perfekt komponierten Kantate mit gut harmonisierten und perfekt vereinigten Tönen aller historischen Instrumente sowie herrlicher Stimme der genialen Solistin. Der geniale Oboist/Dirigent leitet das ausgezeichnete Ensemble im gut phrasierten Tempo sowie mit perfekt und effektiv kontrollierter Dynamik. Echt tiefempfunden!
Outstanding voice Julia Doyle!! Perhaps Bach had imagined and thanked the interpretation with this glorious voice. Thanks for this superb moment of joy. Bravo!!!
Sublime.
Per me una delle cantate piu' belle di JS Bach Periodo Weimar, dove il nostro ha scritto musica sublime Con una aria splendida "Tief gebuckt" che mi sembra interpretata con sincera emozione dalla signora Doyle Brava!
La beauté de cette Cantate est sidérante bien sur ; mais par delà , le travail de la prise de son tr de la mise en lamages est remarquable :Bravo !
A stunning performance of a glorious work that lifts mankind.
Most beautiful woman with the most beautiful timbre. I whish there was a collection with all Bach soprano arias performed by Julia.
Absolutely breathtaking
This will definitely get millions of views.
@nickhansen144
5 жыл бұрын
in Heaven perhaps, not here on earth
Perfection. Such freedom. Such beauty!!!!
Such a beautiful Cantate and beautifully sung !!!
Qué delicia de Cantata¡¡¡¡¡¡¡¡¡¡¡ Qué maravilla¡¡¡¡¡¡¡¡¡¡¡
Viva Bach! Profunda e impresionante interpretación!
un voz de cristal
Such a superb performance from the exceptional soloist! Brava! Kudos to everyone else as well.
Stunning voice and musicianship
High quality of a very sensible and moving interpretation. Sublime
Beautiful professional performance - vocal as well as instruments. I have one suggestion, though: to find a sound-balance-solution in order to highlight the lower register in the soprano's voice which the oboe sometimes 'gets over' the voice. Otherwise, it is a perfect realization of this Cantata. Thanks for this fine upload.
Utterly beautiful!!
BRAVO !
22:13 that was a very surprising moment to find in Bach. Does anyone know of comparable folk-y/handel-like moments? Really nice to hear such a happy phrase in such a happy aria
So lyrical and smooth. Reminds me of Dawn Upshaw. Wow!
beautiful
זמרת נפלאה !!!
Wonderful
In allem großartig!
Mein Herze schwimmt in Blut. De titel is voor tweeërlei uitleg vatbaar, en Bach behandelt beide. Eerst het bloed van zonde en schuld, dat mij aanklaagt. Daarna het bloed van Christus, waarin ik rusten mag. En ja, dan kun je niet anders dan eindigen in de vreugde!
Bach ❤️
Voce stupenda
Bravo Viola!
mi corazón flota en sangre
Rikooooooo rikoooooooo
Julia Doyle looks like Julie Andrews
@nickhansen144
5 жыл бұрын
She has that incredible same emotional ability as Julie (especially in Sound of music) that captures the entire gamut of the song.
@nickhansen144
5 жыл бұрын
ie..... kzread.info/dash/bejne/ZaWJlMyAhsfQiqw.html
4:14
Beautiful voice. Sadly all her German CHs are in the wrong place.
con tutto il rispetto per la signora ma siamo stanchi di ascoltare questa musica meravigliosa con queste 'mezze tecniche vocali..il suono è troppo piccolo infantile tipo anni 60
@adrianchamorro2765
3 жыл бұрын
Allora non ascoltare se non li piace.
@raynardi7243
3 жыл бұрын
@@adrianchamorro2765 la musica è sempre bella...e poi adoro il maestro Alfredo Bernardini
@adrianchamorro2765
3 жыл бұрын
Nelle anni 60 non cantavano con un suono piccolo, anzi, suonava tutta la tradizione del Belcanto romantico che non aveva niente da fare col la "tecnica barocca".
What a stunning hobo play...! "Tief Gebückt" feels rushed. I don't think the light happy airiness suit the lyrics. The lady's voice sounds gorgeous yet the deep feelings of distress and hope were not conveyed to me during this performance. Because of the rushed tempo it would be difficult for any soloist to feel those lyrics anyway...