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ATOS Trio: Beethoven Piano Trio op.1 no.3 in c-minor - live

ATOS Trio:Beethoven: the complete Piano Trios
live at Heimathafen Neukölln, Berlin /January 30, 2015
00:00 - I Allegro con brio
07:25 - II Andante cantabile
14:55 - III - Menuetto: Quasi Allegro
18:45 - IV - Prestissimo
Sound and video: Felix Epp & Andreas Lammel (Berlin)
pageturner: Jonathan Weigle
Beethoven - Die sieben grossen Klaviertrios
Konzert 1, Januar 30-2015, 17:30: Trios op.1/1, op.1/2, op.1/3 und op.11
Konzert 2, Januar 30-2015, 20:00: Trios op.70/1, op.70/2 und op.97
wigmore-hall.org.uk/wigmore-h...

Пікірлер: 62

  • @edens8818
    @edens88186 жыл бұрын

    "To a wrong note is insignificant; to play without passion is inexcusable." - Ludwig van Beethoven

  • @francesschaefer

    @francesschaefer

    9 ай бұрын

    YES!

  • @OwnImpact
    @OwnImpact Жыл бұрын

    This is the best version of this piece i ever heard. The last movement is so perfect. So much energy and brilliance!

  • @OwnImpact
    @OwnImpact3 жыл бұрын

    Die beste Interpretation dieses Stückes überhaupt!!! Sooo dynamisch:)))

  • @BukeyBoy
    @BukeyBoy3 жыл бұрын

    Such a beautiful performance!! I'm so excited to perform this piece soon :) (violin)

  • @rohamtavakkoli7562
    @rohamtavakkoli75623 жыл бұрын

    The pageturner's performance was most elegant

  • @lessismore4470
    @lessismore44704 жыл бұрын

    Clear, elegant, inventive. Beethoven knew what he was after, no doubt about it.

  • @francesschaefer

    @francesschaefer

    9 ай бұрын

    They just found the best sound for this work, their playing as a trio is EXQUISITE~

  • @colinmurphy2214
    @colinmurphy22145 жыл бұрын

    Absolutely world class performance of an exquisite piece of music, excellent work from all involved

  • @slowpainful
    @slowpainful8 жыл бұрын

    Beethoven in c minor! Restless, unsettling, explosive... First time hearing this work, and even with nothing to compare it to, I believe this performance was the real thing - these fine musicians have great rapport and tackle this piece and its hair-raising technical demands with real verve. I especially appreciated their rendering of the quicksilver, pianissimo (I'm assuming that is the marking) coda to the last movement. I believe Beethoven's choice of piano trios for his "debut" was a deliberate, even calculated one... a niche that he could claim as his own. Yet these are not "early" works, as someone else has stated, they are masterpieces that take the classical model places it has never been before... I'm so glad that I don't know absolutely everything in the Beethoven canon - I have the joy of many "new" works to discover.

  • @marialuisamarzella4843

    @marialuisamarzella4843

    6 жыл бұрын

    David Roddis o

  • @lucym5745

    @lucym5745

    2 жыл бұрын

    Yes, young Beethoven was already mature. Not just as personality but as an artist. I'm particularly impressed by the congenial pianist.

  • @Kumgll
    @Kumgll2 жыл бұрын

    Love it. The sublime genius of Beethoven in his opus 1! Youth celebrating youth: performers and composer. The creative life is the best life.

  • @kiarahboughen9377
    @kiarahboughen93778 жыл бұрын

    Great and moving interpretation of this work.

  • @marioramongarcia9998
    @marioramongarcia99983 жыл бұрын

    Brilliant! I followed you with the score, and it was a delight!

  • @carloslamasdeoliveira1347
    @carloslamasdeoliveira13475 жыл бұрын

    Bravo!!! Superb interpretation, congratulations for the musicians, you are great!

  • @furichan82
    @furichan823 жыл бұрын

    Simply outstanding interpretation! Bravissimo 👏👏👏

  • @mcdon32
    @mcdon327 жыл бұрын

    Wonderful!

  • @danielpinto6200
    @danielpinto62002 жыл бұрын

    Wonderful performance of a great piece!

  • @edens8818
    @edens88186 жыл бұрын

    i am playing this piece now

  • @ewaldsteyn469
    @ewaldsteyn4698 жыл бұрын

    Magnificent. Go and compare this recording with all the other performances of this work currently available on KZread- Kempf and others, Cassals and other, Stern and other, etc. In my view the Atos Trio outperforms all of them. The unity of their playing in unrivaled, and their interpretations of the music itself is pure delight to listen to.

  • @emilianocorradi4079

    @emilianocorradi4079

    3 жыл бұрын

    Very true indeed...

  • @doumne
    @doumne6 жыл бұрын

    bravo, très belle interprétation!!!

  • @andresacosta5318
    @andresacosta53186 жыл бұрын

    0:00 7:25 14:55 18:45

  • @alexDLeow
    @alexDLeow8 жыл бұрын

    Great tempo in the Finale! Real Prestissimo...... Love it!!

  • @wooshywoo

    @wooshywoo

    8 жыл бұрын

    So do I!

  • @tghinds
    @tghinds2 жыл бұрын

    Greetings, Thomas! Wonderful work! I'm glad I found you. Happy New Year! - T. Hinds

  • @emilianocorradi4079
    @emilianocorradi40793 жыл бұрын

    Awesome...

  • @selmaqnt7101
    @selmaqnt71015 жыл бұрын

    bravo!!

  • @jonathantrujillogaray9295
    @jonathantrujillogaray92953 жыл бұрын

    bethoven un genio como pudo hacer esta clase de musica

  • @adriatorras8077
    @adriatorras80776 жыл бұрын

    Thomas Hoppe, i love you! Thank you for this magnificent pieces of art! Some day i will record all Beethoven works, some advice?

  • @anezkamunzarova9459
    @anezkamunzarova94592 жыл бұрын

    Beautiful🙂I'm playing the piano part

  • @francesschaefer

    @francesschaefer

    9 ай бұрын

    Brava! I played the Spring Sonata (vln & pno) years ago, loved it, wonderful violinist. In subsequent years did some Brahms duo works: Eb viola and pno; E minor cello & pno it is just the best!! This trio just has a great ensemble and sound!

  • @efun1234
    @efun1234Ай бұрын

    いいんですけど!

  • @khool63
    @khool636 жыл бұрын

    un trio comme seul beethoven savait les composait ,, la musique de chambre de beethoven n avait d égal que sa puissance symphonique ,, l amour d une femme lui manquait et seule la musique géniale savait apaiser ses tourments intérieurs

  • @theodorteppo1437

    @theodorteppo1437

    4 жыл бұрын

    I don't understand Italian, but I like you.

  • @shupingwang3392
    @shupingwang33925 жыл бұрын

    The pianist appears to be a very experienced accompinist, he gives space to the others. A wonderful group of experienced players. Do they have the utmost degree of immediacy and passion ? Not sure.

  • @FranciscoCunha2004

    @FranciscoCunha2004

    4 жыл бұрын

    Wow bold of you to say that the pianist is an accompanist, if anything in this piece he is the soloist.

  • @shawndounvan1398
    @shawndounvan13985 жыл бұрын

    haha the guy looks like Beethoven

  • @jikim4424
    @jikim44246 жыл бұрын

    4th mov. 18:45

  • @robintranter8260
    @robintranter82609 жыл бұрын

    Op 1 and Beethoven is already composing masterpieces equal to Haydn and Mozart. A wonderful work and one of my favourite finale's.

  • @quinto34

    @quinto34

    9 жыл бұрын

    +Robin Tranter Haydn said to Ludwig he shouldN'T publish it..lol (..edited)

  • @geem3905

    @geem3905

    7 жыл бұрын

    haydn also said he shouldnt publish op1 nr 3, he didnt like it ;) besides that, beethoven had composed some trios before this one but didnt wanna publish them.

  • @spaziodigitale721

    @spaziodigitale721

    5 жыл бұрын

    @@geem3905 He was jelous, that's all. Remember Pleyel... :-D

  • @elaineblackhurst1509

    @elaineblackhurst1509

    4 жыл бұрын

    Spazio Digitale There is no evidence that Haydn was jealous of anyone. The Pleyel story (Haydn passing off two of Pleyel’s trios as his own) was Haydn the unscrupulous businessman in the age before copyright, and therefore was almost acceptable. Haydn and his former pupil Pleyel got on well with each other whilst together in London (set up as rivals) from December 1791 until May 1792; in fact, there was little rivalry at all as Haydn - in short - blew every rival out of the water.

  • @elaineblackhurst1509

    @elaineblackhurst1509

    4 жыл бұрын

    Robin Tranter It is difficult to justify that the young and inexperienced Beethoven’s Opus 1 is a ‘...masterpiece equal to Haydn and Mozart’, the two composers who most completely defined the late eighteenth century Classical style - it is not. What is true is that Beethoven stood on the threshold of an entirely new age which is clearly evident in this piece, a harbinger of what was to come, and as Haydn himself noted with remarkable prescience, Beethoven was destined to take his place amongst the greatest of composers.

  • @samvaillancourtmusic
    @samvaillancourtmusic4 жыл бұрын

    11:05 the violinist looked up to see what made the noise

  • @sousafan100
    @sousafan1007 жыл бұрын

    only Beethoven could have written this - a worthy successor to Mozart...

  • @elaineblackhurst1509

    @elaineblackhurst1509

    4 жыл бұрын

    sousafan100 Beethoven and Mozart never met, though Beethoven did possibly hear Mozart play on a brief visit to Vienna in 1787 - his comments were not particularly complimentary, and he said Mozart had a very ‘choppy’ keyboard technique ie no legato. Beethoven was well aware of - and rated highly - a great many of Mozart’s works, but as a composer, largely avoided the areas of Mozart’s greatest work, most notably opera and the concerto. Beethoven’s links with Haydn are rather more substantial,* not just as Haydn’s counterpoint pupil, but in what he learnt from him about the art of composing in which there is rather more of Haydn in Beethoven’s dna than there is of Mozart. You’re right though - a worthy successor to Mozart and Haydn. * Beethoven first met Haydn in Bonn in 1790, and probably for the last time in 1808 at the famous performance of The Creation in Vienna conducted by Salieri (in Italian), attended by both Haydn and Beethoven. That is over 18 years on and off, sometimes even under the same roof as when Beethoven stayed at the Esterhazy palace in Eisenstadt in 1793 whilst Haydn was there in-between his two trips to England.

  • @juanmariasaezdecerain1268
    @juanmariasaezdecerain12683 жыл бұрын

    Bai,zeruko Beethoven Arlo guztietan maisu ederra

  • @quinto34
    @quinto347 жыл бұрын

    01:18 oi lol..

  • @spaziodigitale721
    @spaziodigitale7215 жыл бұрын

    Brahms's heart should have beaten hard listening to this. Young Beethoven?

  • @matthewtaylor4555

    @matthewtaylor4555

    5 жыл бұрын

    Why? Brahms trios are easily the equal.

  • @robertfrankgill5962

    @robertfrankgill5962

    4 жыл бұрын

    @@matthewtaylor4555 Brahms's 3 Piano Trios (or is it 4?) are absolutely marvellous.

  • @edwinlim8429
    @edwinlim84297 жыл бұрын

    These guys should form a heavy metal band

  • @legamature
    @legamature7 жыл бұрын

    Isn't the piano too loud?

  • @spaziodigitale721

    @spaziodigitale721

    5 жыл бұрын

    No.

  • @colinmurphy2214

    @colinmurphy2214

    5 жыл бұрын

    It’s a piano trio

  • @urednik1

    @urednik1

    4 жыл бұрын

    A really sensitive pianist, no way he is to load.

  • @achenarmyst2156

    @achenarmyst2156

    3 жыл бұрын

    In chamber music of the earlier classical period the piano used to be a sort of solo instrument accompanied by strings. It‘s very similar in Mozart‘s early sonatas for piano and violin. You hear in Beethoven‘s op. 1 that he is only beginning to diverge from that tradition. There is a hilarious description in Ernst Heimeran‘s „Das Stillvergnügte Streichquartett“ of a violinist and a cellist desperately trying to make themselves heard against the dominant piano by playing unisono fortissimo. As they don‘t succeed they grudgingly decide to found a string quartet.