Articulation & Embouchure

Музыка

Sir James Galway teaching a masterclass on Articulation & Embouchure at Pepperdine University in Malibu, California.
Sir James Galway is a virtuoso flute player from Belfast, Northern Ireland, nicknamed "The Man With the Golden Flute". For more information visit his site: jamesgalway.com/
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Пікірлер: 11

  • @jamesbradshaw3389
    @jamesbradshaw338918 күн бұрын

    Some people have the gift of being able to talk for hours and days and weeks and months and years and still sound very interesting all of the time, some other people can talk for 2 minutes, and you want to leave the room, leave the building get out of town immediately and never come back whilst that person is around. I would be very happy if James Galway would stay around all of the time, he would be the most interesting person to listen to

  • @davidianmusic4869
    @davidianmusic4869 Жыл бұрын

    So much in so few words, and the playing paints an even deeper picture. A treasure of performance knowledge.

  • @JJONNYREPP

    @JJONNYREPP

    2 ай бұрын

    he's krutrock superstar.....

  • @richterstitcher7936
    @richterstitcher7936 Жыл бұрын

    ❤ always great memories and Sir James is such a good teacher!

  • @Olivia_Evil
    @Olivia_Evil Жыл бұрын

    I love Sir Galway Masterclasses. I live in Brazil and glad to Sir Gaway inspiration I'm doing an effort to buy the Moyse books. It's a kind of expensive to bring it from UK, about 30/35 Euros, but is so good when the book arrives 🎶🎵🎶✨

  • @mka7741
    @mka7741 Жыл бұрын

    🇧🇬💐BRAWISSISSISSIMO, MAESTRO GALWAY!!!!! 🐘🍀 🌹BRILLIANT LESSON!!!🦄 🌸THANK YOU FOR THE MUSIK!!!🐞🦉🏡🌞♾🌈🎼🎶🎵

  • @DouglasFlautistaCCB
    @DouglasFlautistaCCB Жыл бұрын

    Obrigado! muito útil seus ensinamentos..

  • @cesarbustos8259
    @cesarbustos825910 ай бұрын

    Gracias

  • @iftikaralam1oOne
    @iftikaralam1oOne11 ай бұрын

    I want him try basoori ❤🇮🇳

  • @potapotapotapotapotapota
    @potapotapotapotapotapota Жыл бұрын

    Tonguing has always been very confusing to me. Like your tongue is like a gate for your airstream and you build up pressure in your air column before it exits the embouchure, but because the pressure is increased wouldn't that make the pitch higher the moment you tongue the note and the moment you close the airstream? And if you reduced the pressure in your mouth to compensate would that not make the pitch flatter the moment after tonguing? Or are we supposed to just blow air at the precise moment that we tongue the note? And if so why do we even need the tongue at all? And how does it all work with accents and staccatos and different dynamics... Whenever I have to do accents I'm always sharp on the attack and often end up splitting the note (I think, for the above reason, that the pressure has increased). I wish I had a teacher who could have explained all this to me when I first started playing because it's been 17 years now and I still get confused about how to tongue.

  • @user-og7dn8oh5r
    @user-og7dn8oh5r5 ай бұрын

    ゴールウェイ先生 こんばんは フルートのレッスンには 関係ないのですが、 先生は、どこの教会に 所属されているのですか?       日本の羊🐑

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