I love how simple you keep your palette. Unfortunately, I have bought too many extra colors because they are so pretty. I was trying to figure out how you do it, because whenever I add raw umber to darken it up, it imparts a brown/yellow that I didn't want. Lately, I have been adding a blue/green color to my flesh tones to make them darker. I really enjoy using Rembrandt, Old Holland, and M Graham paints. Don't forget that you're a genius !

I've also only ever used Windsor & Newton . My pallet consists of Titanium White, Cadmium Yellow Pale, Burnt Umber, French Ultramarine, Alizarian Crimson . I use Liquin because I like how it helps the paint flow and also speeds up the drying time

Really appreciate the bit of advice on squeezing out fresh colours, making your application process much smoother. It's truly refreshing to hear that ! How many times have I heard someone complaining about wasting paint because I wipe the palette clean at the end of the painting session, keeping only large untouched piles... I add to that changing brushes often, having good, straight hair on my brushes. Nothing like a brand new brush. I remember reading I think it was Ned or Ted Mueller saying: paint like your millionaire ! LOL

So wise and so sweet. Thank you 1.000 times :)

Please post more lessons. You are my absolute favorite person on utube

@yasminerichardson9092

2 жыл бұрын

strong agree

You did it Scott!! Thank you so much

Great video! Thanks for the demo and the greatness of the paints. I love Winsor and Newton oil paint. All my oil paints are Winsor and Newton. They allow me to mix any color, any shade I want and I’m very happy with the results with my paintings. They are high quality and very affordable. I’m happy to hear all your paintings are made with Winsor and Newton oil paints. Blessings and take care.

Interesting. He's a wonderful artist. But he says he's using Winsor Newton Titanium White but then he holds up a tube of WN's student-grade Winton Titanium White. The rest of the colors he holds up are from WN Artists' Colour range. The Alizarin Crimson Permanent that he says he's holding up is actually ordinary Alizarin Crimson (PR 83) and he proves it by reading that it only has a "B" lightfastness rating. WN's Permanent Alizarin Crimson has an "A" rating, as does the recently introduced Ruby Madder Alizarin. He points out that he only uses a little AC in mixtures and not straight. The problem is the original Alizarin Crimson fades more in mixtures (because it's so dilute) than it does straight. Maybe he should switch to one of the more lightfast versions.

Awesome video! I tend to use Gamblin for the more translucent colors like ivory black or raw umber; it's a touch less oily than the winsor and newton

Una delle più belle lezioni a cui ho assistito GRAZIE

As always an appropriately harmonious blend of sincerity and cynism underpinning the delivery of reliable information and invaluable experience. It's hard to take oneself seriously when the bloke with the strokes exudes such a destabilizing air of admirable self deprecation.

Would you make a tutorial on how draw the initial sketch of the proportions accurately? I love your channel!

If you want more opaque raw umber, i recommand gamblin's one. Same goes for ivory black. Gamblin's are more opaque paints but I find them hard to pick from the palette, like you have to come back 2-3 times before having the desired quantity

I really like Black Decker tools and the MMs candy too!

freshly squeezed 😅💛

love the winsor and newton artist oils. You're looking at 18 to $28 for a 1.25 oz tube. Depending on the color some tubes are 9 bucks.

Hello Scott Love your videos funny but very informative so thank you . I’ve only ever used Windsor and Newton , Do you ever use the Windsor and Newton under painting white ? I like this as it dries really quickly especially good if you’re doing a grisialle under painting . Just wondered on your thoughts of this white. Regards Tim

Hey Scott, please review Daniel Smith oil paint. I am a great admirer of your technic and your art.

W&N took me from my student days right into my professional career back in the 80's, 90's. Rebuilding my palette of late and would love to see you compare W&N with the following, in order of preference so that I can compare with you: Vasari, M.Harding, Old Holland, Gamblin, Rublev, & Blue Ridge. Also, what is your opinion (safety concerns aside) on Vermillion? I fought skin tones until someone recommended this color and I have not looked back since.

Your paintings are amazing. What brush line do you use

Hello sir, nice information ,you mentioned in this video, raw umber green shade or only raw umber..

More mixing videos,yay!

You could try Lamp Black instead of Ivory Black (it's more opaque). Bright Red is a series 1 colour and although not as purple leaning as Alizarin Crimson Permanent is more opaque and lightfast. Might be useful :)

@jorriffhdhtrsegg

2 жыл бұрын

To me lamp is for straight opaque darkest black, ivory is for warm mixes retaining a bit of transparency...but i actually mix most black: aliz and phthalo green or sap green and dioxazine violet (for plants/landscapes) they just have zero yucky grey even if make grey but some are a bit hue shifted despite being darker than even lamp black. Somehow white plus black greys i really dislike

I recall older videos where you had rose blush (flesh tone) on your pallet. Have you given up on that color?

Please scott talk about the meduims u are using please

Can I achieve the same saturation levels as your cadmium orange with cadmium yellow deep? Also do you ever use burnt umber and venetian red in your palette?

Maestro te escribo desde Bogotá Colombia, por favor instala subtítulos en inglés para poder entenderte

I would love to know what you think about Geneva paint. Thank you

I notice i have raw umber (green shade) i like this, much less chroma from skin mixes. Do you use the red shade one? Also, yes winsor has loads of oil, which is great if no medium...but some other brands i have are basically solid paste whilst other brands are slop. Maybe it depends whether you use much medium?

What u think of winton oil paints ? And what u think of their new titanium HUE series its titanium free so does that make them less lightfast or less of whatever?

I have Gamblin 1980 and Winsor an Newton artist grade. Can I use them both together considering I have gamblin colors that I don’t have of the winsor?

Please which medium do you use? Thank you

Tan mom is my favorite skin tone thank you very much

I've noticed a light pink color on many of your pallets, especially the Bouguereau paintings. Can you tell me what color you're using? Thank you.

Does anybody has some experience with Alizarin permanent from W&N not being completely lightfast ?

Ha ha. love you humour and of course your art :) What l use.W & N.

Never mind the paint... are you related to Jim Carrey? Something about the delivery of words 😄 😆👍

What is a subsitute for cad orange? Dont want to use cad's.

Maestro me gusta como pinta quisiera aprender su estilo no hablo ingles y quisiera aprender desde c'ero no se si El curso es traduzido en espenol hagame saver saludos desde italia

That white is winton not artist grade right?

Hi there. Are the oil paints you use part of the Winton or Artist's range of Windsor and Newton.

Sorry to be grumpy, but what paint are you talking about? I got to 3.10, zoomed back & forwards, checked the links... Do you mean:- W&N Winton Oil Paint- the more budget range (most common? Is this it?) W&N Artists quality Oil Paint- expensive (maybe this one as you are in the 'Artist' category?) W&N Griffin Alkyd Oil Paint (faster drying?) W&N Artisan (water mixable- probably not this one?) ;-)

Winsor & Newton - Daler Rowney (no &)

Subtítulos en español pleeaaaseeee😭😭😭

8:09 9:27

Dry humor, yay! 🍿

according to Andrew Tischler the alizarin crimson that says "permanent" is the one that is lightfast.

@djo-dji6018

6 ай бұрын

According to the whole world, not just to Tischler.

all made in Shanghai

Why dont you use lead white, if youre worried about the chalkiness of tit white?