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Apoorva Gokhale: Raag Alhaiya Bilawal
Apoorva Gokhale was the featured artiste representing the Gwalior gharana at the FEA-curated LEGACY concert. This, her second piece of the morning session was a beautiful traditional composition in Raag Alhaiya Bilawal.
Apoorva was accompanied by Swapnil Bhise on tabla and Anant Joshi on harmonium. Tanpura and vocal support were provided by her students Soumya Ullal-Kantak and Amritha Shenoy-Kamath.
Пікірлер: 50
Beautiful performance and the rubaiyaat tarana takes the performance to another level, thanks for sharing this beautiful rendition Daaram dile, amma che dil! Sad ghoon-e-hermaan dar baghal Chashm-e-ba-khoon dar aashiqi, ashq-e-ba-toofan dar baghal
ನಿಮ್ಮ ಸಂಗೀತ ಸುಧೆಯ ವರ್ಷಧಾರೆ ನಿರಂತರವಾಗಿ ಶೋತ್ರುಗಳ ಮನವನ್ನು ತಣಿಸುತ್ತಿರಲಿ ಎಂದು ಆ ಭಗವಂತನನ್ನು ಪ್ರಾರ್ಥಿಸುತ್ತೇನೆ... 🙏🙏🙏
Through her training with multiple maestros, Apoorva ji has developed a very unique and poignant khayal singing aesthetic. However this is the first time I could clearly discern the influence of Pt Ulhas Kashalkar in her music.
एक तो कथा मोरी सुन सैंया रहो तुमबिन न जाये घडी पल छिन माई | |अंतरा | | मुझे बिरहन को बिरह भारी झर जारी ललना कछु बता ॥ १ ॥
She has poured her heart in the rendition. Soothing to the ear.
A skillful & no-nonsense presentation of a traditional raag in an evocatively complex gayaki of Gwalior (from the Anant Manohar Joshi lineage). Thank you for sharing this beautiful rendition. Your channel is really a delight to explore, with its good quality video, sound & content.
@FirstEditionArtsChannel
2 жыл бұрын
Thank you Archisman Mazumdar. We really appreciate it when our viewers express their enjoyment and appreciation of our work. Of course, most of the credit must go to the artistes whose lifetime of effort and commitment gives us this most beautiful experience.
@ArchismanMozumder
2 жыл бұрын
@@FirstEditionArtsChannel Agree. Thank you for your endeavour to showcase their art in such a nice & high-quality format.
न्यास के स्वर ने बंदिश के सौंदर्य में चार चांद लगा दिए हैं। सहज सुंदर गायकी।
Awesome. Bandish itself has its own aesthetic and Tai has flourished it more. 👌
Mam you are the best of this era!!
What a gift for the soul :)
Listening pleasure unmatched!
Tai, I watch yr program onu tube daily , u r my favorite singer, also my best wishess to Amruta shenoy.
Wow...what a beautiful Bilawal, sun ke anand ahh gaya, God bless you
Great. Thank you very much from Spain.
Complete bliss ❤️🙏🏻🙏🏻😊
beautiful singing by s beautiful woman.
simply brilliant.
Magical 💓
Wow I love this
Beautiful!
Ati sundar...........😇😇😇😇
Wonderful rendition.
NICE PRESENTATION HEART TOUCHING
Nice, proud filling.
Shat Shat Naman !
Very beautiful ✨🙏
baah...Kya baat..
Who is the tabla player? He too has done very well. Congrats to both of them.
@drkanishksalunkhe8297
5 жыл бұрын
Swapnil Bhise on tabla and Anant Joshi on harmonium.
@IndraKumar-md9ut
5 жыл бұрын
Thank you very much Dr Kanishk Salunkhe. And who are the two tanpura players? They also did very well. The same goes to the sound recordist. It is a divine pleasure to listen to this performance.
Can anyone provide Tarana's lyrics?
Nice bandish.
वा वा!
👍👍🙏
Tai Tu mazya pexa lahan ahes, paan tula namaskar.
v.nice
Could someone please give me the lyrics of the tarana? Also the tarana seems to have persian lyrics.
@snigdhaprakash6485
6 жыл бұрын
Yash Punjabi yes you are absolutely right.
@ayanchowdhury2118
3 жыл бұрын
This one is there in bhatkhande jis book... With notation and lyrics..👍
What is the first taal?
@toronydaru
3 жыл бұрын
I've now found out that it's called Tilwada.
@vanelluspierrot
2 жыл бұрын
Yes it is indeed Tilwada. Tilwada and Jhumra are the most common taals for vilambit khayal.
Sangeet Samaadhi
Who is her guru?
@FirstEditionArtsChannel
3 жыл бұрын
Hi Michel, to answer your question with some amount of detail, please check out the following link: www.apoorvapallavi.com/gurus-apoorva-gokhale.html
@dvchauhan35
3 жыл бұрын
This bandish seems to be learnt from Pt. Ulhas Kashalkar. And she belongs to the family of Musicians.
@ArchismanMozumder
2 жыл бұрын
This is a traditional bandish of Gwalior (with a Deshkar-like 'sam' on the Dhaivat. Musicologist, Kumarprasad Mukherjee, has mentioned in his memoirs that the legendary Shankar Pandit taught this bandish to his disciple, Balasaheb Poonchwaale, on the first day of 'ganda-bandhan'.
Beautiful!