Anol Chatterjee presents Raga Bhoopali | HCL Maestros in studio
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Anol Chatterjee fills up the environment with a soft melody of Raga Bhoopali. A noted lyricist and a music composer, Anol Chatterjee is one of the most prominent classical young vocalists today. He is a prime disciple of Guru Ajoy Chakrabarty. Being a senior instructor at Shrutinandan, an International Music Academy, the future of Indian Raga Music is in safe hands. HCL Maestros in Studio is a unique platform by HCL Concerts in collaboration with The Peninsula Studios to empower talented artists of today to become the maestros of tomorrow. The conservation and promotion of India’s art and cultural heritage is very close to HCL’s heart. HCL has been organising the HCL Concerts for 20 years, dedicated to identifying, evolving and promoting talent rooted in the glorious heritage of Indian classical performing arts. Over the years, HCL Concerts has evolved into a unique platform for the exceptionally talented veterans as well as upcoming artists - be it dancers, vocalists or instrumentalists. Over 500 artists have graced this platform and have contributed towards reinvigorating the Indian classical performing arts. #HCLConcerts #TrueToOurRoots #MaestrosInStudio
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Anol Chatterjee Biography:
Born on January 1, 1984, Anol Chatterjee was initially guided by his parents and Sri Biswanath Chowdhury and continued his training under Sri Ajit Chakraborty, Smt Chandana Chakraborty and Sri Shantanu Bhattacharya respectively.
He has been a student of Pandit Ajoy Chakrabarty since the year 2000 and was a scholar under him at ITC SRA between December 2008 and May 2009. A graduate in English Literature with a Masters in Vocal Music, he has received a National Scholarship, stood first in several well-known music competitions and has performed creditably at several reputed venues all over the world. He has also worked as a guest artiste and lecturer in Leeds College of Music, UK. Anol also trains young talented students at Shrutinandan, Kolkata.
Anol, who has an album to his credit, has also established a music institution, `Aalaap`, where almost 200 students learn Indian music throughout its branches in Kolkata, Asansol, Agartala and New Delhi.
Following is an excerpt of his performance at ITC SRA, where he was accompanied by Pandit Swapan Mukherjee on tabla and Smt. Rupashree Bhattacharya on harmonium.
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Raag Bhoopalli:
Bhoopali, also known as Bhoop, Bhopali or Bhupali, is a Hindustani classical raga. Bhupālī, is a raag in Kalyan Thaat. It is a pentatonic scale (uses 5 notes in ascending and descending scale). Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the ""Audav jaati"" of ragas.
The same raga in Carnatic music is known as Mohanam.
Raga Bhoopali, Raga Yaman and Raga Bhairav tend to be the three basic ragas of Hindustani music, learnt first by its students.
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Пікірлер: 124
প্রতিটা মুহূর্তে শিক্ষা নিচ্ছি,,,কি মধুর স্বর নিঃক্ষেপ,,
He has Pt. Ajoy ji's all essence. Absolutely beautiful performance.
Amazing sound & camera work, singing is just amazing. 🙏
খুব সুন্দর মন ভরে যায়
Guru ji ,amazing..aha ki je bhalo laglo,aha apurbo🙏🙏🙏
My favorite RAG. Very nice presentation .
Soulful performance. God bless🙏
Darun sunlam. Bhari misty rang bhupali.many many thanks bhai upnake
Mesmerizing❤️
Pranaam Guruji 🙏🏻♥️😌.... Humne apse..ye Raag bhupali sunne ka soubhagya😇🙏🏻🙏🏻🙏🏻
Kya Baat!!😊
Kya baat, kya baat, kya baat🙏🙏🙏
Ahaaaa.... Mon bhore gelo.... Boro sundar Bhupali. ❤🙏
Oohhhhh key baat hi..🙏🙏
AMazing... Kya bat
Pranam guruji 🙏🌷
Yess so peaceful 😌
Wah wah kya baat hai ❤️❤️❤️
Mesmerizing
Asadharon performance
Osm sir🙏🙏🙏🙏🙏
Ashadharon sir
Bah🙌👏
Kya bat hai guru ji aapke kya kehne ji ye cheeze hum youngsers ke liye bhut hu jaajwaab hai ji guru ji
Kya baat hai....
Radhe radhe pranam guru ji...🙏🙏🙏🙏🙏
Devine performance..lots of pranaam...
amazing
Sundar !
The Harmonium player is awesome🙏🙏🙏🙏🙏🙏🙏🙏.
अप्रतिम सर 🙏🙏😊
Sir namosker, teacher off srutinandane, excellent performance,
Parnam,,, my favorite
🙏🙏
Respect namosker sir, raga vupali time night first prahar, jathi ourab ourab,ayrohi sa ra ga pa da sa, ayborohi sa da pa ga ra sa, drut gaicen, bistar korecen, sargam korcen bit a bit a,srutinandan lygachi, ayntoray bistar, trital ,16 matra,3 tali 1 kali, bol bistar, korcen,taan korcen, tehay diea ses, tarana korcen, sargam korcen, taan korcen, bari taan korcen, taal trital,16 matra,3 tali 1 kali,taranar bol diea aylonkar korcen, bol taan korcen, sea korlen sir performance excellent, musician dada der performance excellent,
Incredible
Very well sung
Next maestro.
Super duper
🙏🏻🌹🙏🏻
Wah
🙏🙏🙏
Kyaa baat akar taan
আহা… I wish i could… 🙏🙏🙏
Ar eta kotha ei gaan ta amar pokhe tole shombhob hoye shudhu matro amar guruji shrodheyo Raghav Chatterjee ir guidance . Pronam Sir.
✨✨✨✨🙏🙏🙏
🙏🙇🏼♀️🙇🏼♀️😊🌺🙏
Can anyone tell bandish bol? Wonderful performance by guru ji.
Kyaa baat uppar part
beautiful..can anyone please type bandish lyrics..
Can anyone share the bol of this bandish. 🙏
Very nice sir
@sukumarpatil556
3 жыл бұрын
In pure Bhupali use of m and n is correct rendition or whether used with some other intention.Please e
@sukumarpatil556
3 жыл бұрын
Please explain.
@hindolchowdhury5042
Жыл бұрын
@@sukumarpatil556 its called murchana.
Sir I have a confusion if it Raag Bhupali then at 7.44 you sing Ni sir. Plz clarify guru ji
@shubhamgogoi7942
Жыл бұрын
You are right
@asp1671
2 ай бұрын
murchhana
Sir ne joh bhoopali mai mix kiya vo raag konsa tha
@indian.classical_zone
4 жыл бұрын
durgaa
@LLAWLIETkiracatcher
Жыл бұрын
Durgaa . Its called murchana technique
@futurehero653
Жыл бұрын
@@LLAWLIETkiracatcherPlease explain
Guru ji aap jis instrument ko baja rahe hain, uska kya naam hai, use kaisey bajate hain? Ispar bhi video banayen, plz🙏🌷
@navalkumarjadhao8988
4 жыл бұрын
It is swarmandal
@LLAWLIETkiracatcher
Жыл бұрын
It is called swaramandal , north Indian classical vocalists mainly use it during their performance
Guruji amar pronam neben. Ami ei gaan ta taan diye tulechi. Amar jodi kono dino ei shoubhaggo hoy , tahole ami ei gaan ta akbar apnake shonate chai.
Bhopali me ma ni kaise lagaya guru ji ne koi mujhe batao please?
@thskendjeo134
4 ай бұрын
Aur ma bhi!
@asp1671
2 ай бұрын
murchhana
Little confused 🫤 can we use ma and ni in raag bhoopali???😇😇
@joydebgupta940
Жыл бұрын
I am also confused,otherwise LA JAWAB
@deepshah5851
Жыл бұрын
@@joydebgupta940 When he is singing other notes, the reference 'Sa' is changed. Basically he is singing Bhupali only.
11:01 15:43
Can anybody say why he's using all the swaraj in Bhoopali? Thanks in advance 😁🙏.
@sangbidbanerjee8418
3 жыл бұрын
It's a style of using all the swaraj . You can hear it in the voice of Ustad Bade Gulam Ali Khan .
@sangbidbanerjee8418
3 жыл бұрын
It's actually creat the beauty of Raagas
@Palashtanpura
3 жыл бұрын
Thats murchana paddhati…
@deejayvaidya
2 жыл бұрын
@@Palashtanpura yes, I agree. Just before starting each of the moorchanas, he pauses and clearly demonstrates the new location of Sa in the moorchana that followed.
Issor apnar moddhe
Nayab
raag bhopali me madhyam aur nishad kyo lgayaa fir bhopaali to rha hi nhi
@babitahaldarofficial6656
2 жыл бұрын
Different octave but on bhupali..that is called panditya 🙏🙏🙏🙏
@hindolchowdhury5042
Жыл бұрын
This technique is called murchana , where sa is shifted on other notes and the whole swaras changes and became a kind of different raga like here its raag shree , five times changing the sa to the next swar and five different ragas are creating. I also dont know very much about it , but it is something like this
Adhbhut ...par ek jagah aap ne Ma aur Ni prayog kyu kiya?
@mrigayu
4 жыл бұрын
He took Sa from different swaras. As a result, ma and ni were taken to maintain Bhoopali.
@adityachak20
4 жыл бұрын
@@mrigayu This technique is called Murchhana where shifting of Sa in different notes in a particular Raag produces a different Raag each time but sounds like the original Raag, this has been developed and practised in Kasur Patiala Gharana!
@mrigayu
4 жыл бұрын
Shiladitya Chakraborty Shiladitya Chakraborty Thank you! I have heard this technique many times but did not know that it was called Murcchana. Thanks for the insight!
@adityachak20
4 жыл бұрын
@@mrigayu My pleasure!
@gaursharma3267
4 жыл бұрын
Shiladitya Chakraborty thanks for the explanation...
Not only has he F** d up this bandish ,he is singing Ni in Bhupali.... He is the future of Bengal in Khayal!!!!
@LLAWLIETkiracatcher
Жыл бұрын
Dont comment with half knowledge , if only you have listened to something called murchana technique created by great ustad bare gulam ali khan you will understand that how he used ni in bhupali . Learn rather then cursing others !
@bisray123
Жыл бұрын
@@LLAWLIETkiracatcher 😆 I can only laugh and pity you!!! First learn and know the terms before you comment in future!!!
@LLAWLIETkiracatcher
Жыл бұрын
@@bisray123 the terms better than you. Go learn more before making a further comment . At last you language and talking style says everything about how much you know and how much you dont . I cant even pity you , because you're disgusting
@Soulintune77
5 ай бұрын
Kindly point out what was wrong in what he said? Or you can only demean people without making logical arguments?@@bisray123
@bisray123
5 ай бұрын
I have already replied.Why will I demean Anol???@@Soulintune77
This is Raag Hamsadhwani. There is no Nishad in Bhoop!
Beautiful concert however this is not raag Bhopal I. Bhopali does not take ni and ma
@survardhan22
2 ай бұрын
He sang murchana by changing the sa before using ma and ni it's very complex and difficult ❤
Ayato mukh bakiye kawshto kawrar ki dawrkar........shawbai ki Khan saheb
@arghyabanerjee3916
4 жыл бұрын
Music Music why don't you show us the right facial expressions while singing this raga 🙂
@musicmusic8494
4 жыл бұрын
@@debarghabanerjee3003 exactly, I feel jealous......and what you have told is so true that deformed facial expression is really tough
@musicmusic8494
4 жыл бұрын
@@debarghabanerjee3003 kzread.info/dash/bejne/dH6E17inh9a8d7w.html..........if possible, watch this.......don't know whether you can understand or not......and if you have heard pt. Jagdish prasad's name then try to see him singing......but I don't think you have heard our maestros so far because you are too busy with Ranu mondal, and I feel that you have a jealousy for Ranu mondal, as she is a celeb without having any so called riyaaz.....and the man you support, till date has not a single viral video of any kind of song like her.......
@musicmusic8494
4 жыл бұрын
@@debarghabanerjee3003 Tell that man to sing sargams in tune in the tarana portion
@musicmusic8494
4 жыл бұрын
@@arghyabanerjee3916 how can I show?.......I can tell you to follow the facial expressions of legendary vocalists of our subcontinent........and I wanted to tell the singer's facial expression during the taans......more and more practice is needed to keep the face normal during taans.......what I meant is what is the use of singing such taans where there is no comfort.......for these singers only "The Rich Treasure" of this subcontinent is unreachable to the mass.......this type of singers must try to think that they are also singing a song and the name is Khayal incidentally.......but this type of singers are always been unable to present this as a song but as a nonreachable "kaloati" .......Rabindranath Tagore was always against this.......try to read the intro of Geetobitan.......may be you and your singer have more knowledge than Rabindranath