André Schuen; "DIE SCHÖNE MÜLLERIN"; Franz Schubert

This channel is the re-establishment of previous channels that have been sadly terminated.
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André Schuen--baritone
Daniel Heide--paino
2021
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"Born: 1984 - La Val, South Tyrol, Italy
The Italian baritone, Andrè Schuen, raised in a family of multilingual musicians, communicates as fluently with melody as he does in German, Italian and Ladin, the regional tongue of the part of the South Tyrol in which he was born. He studied cello as a child. He later switched his focus to singing and won a place at the Salzburg Mozarteum where he studied with the Romanian soprano Horiana Brănişteanu and received lessons in Lieder and oratorio from fellow baritone Wolfgang Holzmair. His formative training also included master-class sessions with, among others, Kurt Widmer, Sir Thomas Allen, Brigitte Fassbaender, Marjana Lipovšek and Olaf Bär.
After graduating with distinction in 2010, Andrè Schuen earned critical acclaim as one of the few performers to appear throughout Nikolaus Harnoncourt’s 2014 celebrated cycle of W.A. Mozart's Da Ponte operas at the Theater an der Wien, for which he sang the roles of Figaro, Don Giovanni and Guglielmo. His partnership with pianist Daniel Heide has flourished in concert and on disc, and he has also given critically acclaimed recitals with Thomas Adès, Andreas Haefliger and Gerold Huber. In 2009 he appeared as singer and actor at the Salzburg Festival in Luigi Nono’s Al gran sole carico d’amore and, the following year, joined the festival’s Young Singers Project. He was a member of Graz Opera from 2010 to 2014 and made his debut with the Berliner Philharmoniker and Sir Simon Rattle in 2011. Other past highlights on the concert stage include appearances with the WDR Sinfonieorchester Köln under Jukka-Pekka Saraste or the Swedish Radio Symphony Orchestra under Daniel Harding. Together with Pierre-Laurent Aimard and Markus Hinterhäuser he performed at the Salzburg Whitsun Festival.
His repertoire embraces everything from Lieder and opera to traditional Ladin folk music and spans the spectrum of human emotions. Above all, it reflects the singer’s passion for words and his determination to convey their meaning in performance. Critics have been inspired by Andrè Schuen’s combination of vocal authority, tonal warmth and expressive intelligence. “This dark, unstrained baritone is one of the most beautiful things you can hear at the moment; it is an unreservedly wonderful voice,” observed the Frankfurter Rundschau, while Gramophone has praised his enormous expressive range and ability to spin “long, quiet lines that flow with consummate ease”. In December 2019 the Stuttgarter Zeitung published an interview in which Andrè Schuen outlined his down-to-earth attitude to his profession and deep love for art song. “Career is a secondary word for me,” he declared. “Opera and song are equally important to me,” he added, “but song offers me greater freedom as an artist.” That sense of freedom is rooted in Schuen’s early experience playing and singing Ladin folk music as part of a family ensemble that also included his mother, father, two sisters and a cousin. The group created a bridge between the artificial divide that all too often separates the complementary worlds of classical and folk song.
As a lied singer, Andrè Schuen is on stage of London’s Wigmore Hall in November 2020 with a world premiere of Thomas Larcher and songs by Korngold and, and in May 2021 with the same programme at the Schubertiade Hohenems, where he is one of the regular guests. The Schöne Müllerin is the focus of a tour in March 2021 with stops in Munich, Vienna, Madrid, Barcelona and Warsaw. Further recitals will take him to Elmau, Bolzano, Merano, as well as to Paris and Orleans with the Quatuor Diotima.
With his Lied partner Daniel Heide, Andrè Schuen can be heard worldwide in Lied centres such as London's Wigmore Hall, the Schubertiade, the Schubertiada Vilabertran, at the Heidelberger Frühling or the Oxford Lieder Festival, as well as at renowned concert venues such as Munich's Prinzregententheater, Amsterdam's Concertgebouw or the Vienna Konzerthaus. With Andreas Haefliger, he made his USA debut in 2017 with recitals at the Tanglewood Festival and the Aspen Music Festival. Together with Daniel Heide, he received the best international reviews for his recordings. His latest releases on the label AvI are "Petrarca Sonnets" by Franz Liszt and "Wanderer" with songs by Schubert. Before that he presented songs by Robert Schumann, Wolf and Martin as well as works by L.v. Beethoven, which he recorded with the Boulanger Trio. His artistry, matured over time, has led to an exclusive agreement with Deutsche Grammophon. For his DG debut album, set for release in March 2021, he has recorded Schubert’s Die schöne Müllerin with pianist Daniel Heide. This will be followed by albums devoted to Schubert’s two other late song-cycles, Winterreise and Schwanengesang. "; bach-cantatas.com (edited)

Пікірлер: 14

  • @Rosangela161
    @Rosangela161Ай бұрын

    Welcome! Another wonderful version. Lovely voice and piano. Minute 11 fantastic. Thank you. Congratulations and applause

  • @marthapfefferkorn7121
    @marthapfefferkorn71212 ай бұрын

    Gestern waren wir in ihrem Konzert in Hohenems😊wir waren einfach nur begeistert !Danke vielmals ihnen beiden!! Martha Pfefferkorn🙏💐

  • @katherineparadis-chateaune8004
    @katherineparadis-chateaune80044 ай бұрын

    thank you for sharing!

  • @liederoperagreats

    @liederoperagreats

    4 ай бұрын

    My pleasure! AND thank you for following along with the channel.

  • @marthapfefferkorn7121
    @marthapfefferkorn71212 ай бұрын

    Wir waren gestern in Ihrem Konzert in Hohenems 😊wir waren restlos begeistert!! Vielen Dank!!🙏🙏💐 Martha Pfefferkorn

  • @liederoperagreats

    @liederoperagreats

    2 ай бұрын

    My pleasure! AND thank you for following along with the channel. KZread will only allow this channel to post 10 videos daily. My apologies.

  • @ralphoperaphile
    @ralphoperaphileАй бұрын

    Nice to hear a free, open sound devoid of that constricted "Kermit" sound which so often afflicts Germanic baritones (yes; I know he is Italian from the S.Tyrol). Excellent diction, too.

  • @liederoperagreats

    @liederoperagreats

    Ай бұрын

    👏 AND thank you for following along with the channel.

  • @tobiastuvener687
    @tobiastuvener6878 ай бұрын

    Beiden zijn schitterende musici, voor het eerst gehoord in Schwarzenberg(2022)

  • @liederoperagreats

    @liederoperagreats

    8 ай бұрын

    🙏

  • @klausbaden
    @klausbaden11 ай бұрын

    Und wo ist die Vita von Daniel Heide?

  • @golden-63
    @golden-63Ай бұрын

    *It may be heresy to some, but I find this young man's voice and interpretative approach to Lieder to be far superior to Dieskau. Just my two cents. He's the real deal.*

  • @liederoperagreats

    @liederoperagreats

    Ай бұрын

    👏 AND thank you for following along with the channel.

  • @birgitbiegerl3779
    @birgitbiegerl37796 күн бұрын

    Tolle Stimme, aber aus meiner Sicht nicht das Charisma eines Konstantin Krimmel