András Schiff - Sonata No.19 in G minor, Op.49/1 "Leichte Sonata" - Beethoven Lecture-Recitals
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András Schiff - Beethoven Lecture-Recitals
Wigmore Hall (London, UK), 2004-06
András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004-06 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.
On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available below as eight audio lecture-recitals.
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View the MP3 files on the Internet Archive:
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Пікірлер: 17
Schiff's playing especially in the final movement is such a genius I think...
Absolutely amazing!! What a great musician!!
Maravilloso análisis y explicación por parte de un gran interprete, músico y maestro. Gracias por compartir!
I never liked "talking" music before. But this is something else....
The only sonata that i can play, accessible to my pianistic skills. Well, i do my best. :-) ;-)
@AhbibHaald
2 ай бұрын
Check out the 25th sonata
@Marco1281
2 ай бұрын
Yes, you're right and the middle movement is really beautiful. :-)
LECTURE NOTE: This sonata is in 2 movements-Haydn's model. Haydn has many 2-movement piano sonatas. Whereas Mozart has none. They are all in 3 movements. Although there are 2-movement Mozart violin sonatas. --------------1st movt: sonata-allegro--------------- 1. @6:51 Beethoven "can't learn a thing from Haydn"~😇 2. @8:34 peculiar G minor: the only Gm piano sonata by Beethoven. There's one for cello & piano, Op.5, No.2 3. starts with an upbeat 4. @10:54 Haydn is always building from little cells. Beethoven here is bringing something new: more horizontal style, several-bar long legato phrases. Haydn and Mozart are much more pragmatic: short slurs maximum a bar long or shorter. Slurs are more often composed for string instruments it's very important when interpreting Haydn or Mozart to observe these slurs: you can always play a Mozart slur on one bow 5. @12:56 a little epilogue 6. @13:20 in development section we get the first forte. Don't make an 🐘 out of little 🐦 7. @14: 40 when Beethoven uses unison, it has a rhetorical/speaking element to emphasize something 8. @17:39 even in this light little sonata there are very daring chromatic steps and dissonances 9. @17:55 a crescendo then subito piano, typical of Beethoven. There are very few dynamic instructions on these 2 sonatas 10. @18:53 never doing twice the same 11. @19:28 Beethoven writes a counterpoint and puts the theme in the base 12. @20:13 coda --------------2nd movt: rondo------------ 13. 6/8 time. Starts with an unusual 4-quaver upbeat 14. @21:50 "Ludwig Van Beethoven"😹 15. @24:54 a false return in minor, like a quotation, then back to the major 16. @26:42 fermata: so you'd expect a cadenza like in a piano concert. But Beethoven just ends it modestly 17. @27:10 a Swiss/Austrian yodel
Superb
Molto bello. Schiff parla un inglese estremamente comprensibile per tutti. Invece nei sottotitoli in italiano, Waldstein diventa "Gallese" e l'Appassionata "Apache"!!!
he teaches us how to play the song and i hope he will be success!!!
16:50 Very moving.
It would be completely wrong to make an elephant out of a little bird
16:15
what? he have only 1 comment? oh God.
@SpontaneityJD
4 ай бұрын
❤