ALTERED SCALE: The GREATEST Jazz Guitar Scale, EXPLAINED... | Ben Eunson

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How to solo with The Altered Scale on Guitar!
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Chapters:
00:00 Introduction
01:50 The Origin Of The Altered Scale
03:03 Unique Intervals Found Inside The Altered Scale?
04:36 What Chords Can I Solo Over Using The Altered Scale?
08:10 Final Example

Пікірлер: 79

  • @beneunson
    @beneunson3 ай бұрын

    THE BGC BUNDLE (All 11 masterclasses): www.bensguitarclub.com/p/the-bgc-bundle How To Practice BUNDLE (3 guitar masterclasses): www.bensguitarclub.com/p/how-to-practice-bundle-volumes-1-2-3 The Modern Soloing BUNDLE (5 soloing masterclasses): www.bensguitarclub.com/p/modern-soloing-bundle

  • @tonepoet
    @tonepoet3 ай бұрын

    I had a blues teacher that showed me this and made it simple by taking a pentatonic minor scale within the scale and basically playing that pentatonic minor a minor 3rd above the dominant chord. He also derived an altered pentatonic scale of 1, b3, 4, b5, b7 a whole step below the dominant chord, and a minor 9 arpeggio a half step above the dominant chord. Made it simpler to be musical in the beginning.

  • @LofiandChilloutMusic

    @LofiandChilloutMusic

    3 ай бұрын

    I’m going to try that now , wow

  • @Gregorypeckory

    @Gregorypeckory

    3 ай бұрын

    That's an interesting approach and makes great sense from a blues guitar perspective, and a teaching perspective, letting you use a scale that's very basic, often the first scale guitar players learn, to create enough tensions to sound quite sophisticated. It's a really great concept, arguably the most important jazz musicians' hack, using just a couple of simple elements (a chord in one key with a scale in a different key which creates interesting tensions) that are greater than the sum of their parts, to create musical complexity just using an existing vocabulary in a different way. It's perfectly valid and might even be preferable if you don't care about referencing the root, and don't mind doing without the flat 9th, the two notes that would turn the minor pentatonic into the second mode of the jazz minor scale, or third mode of the altered dominant scale. Another name for the mode is the Dorian flat 9th scale, since the only difference between the second mode of the jazz minor scale and the second (Dorian) mode of the basic major scale is the 9th is flatted. It's got the sharp 9th, the sharp 4th, and the sharp 5th, 75% of the possibilities for adding tension to a 7th chord. I prefer the altered scale, but it's good to explore all approaches including just trying every possible minor pentatonic over the chord, since there are 11 possibilities; not all sound good, but you only know by trying them out, and it's fun to explore.

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much for sharing! Great approach 💯

  • @tonepoet

    @tonepoet

    3 ай бұрын

    To expound on this, this is how the teacher played these concepts over a ii, V, I. PENTATONIC MINOR IDEA: For the ii chord, he would play a pentatonic minor on the 5 of the ii chord. For instance, in Am, that's an Em pentatonic which gives you the 5, b7, 1, 9, and 11. On the V chord (which would be D7), he moved the pentatonic up a half step to Fm. Over the D7, that Fm pentatonic scale gives you the #9, #11, b13, b7, and b9 (those notes come from the Eb melodic minor scale). On the I (GMaj7) chord, he would move the pentatonic up another half step and play F#m pentatonic giving you the 7, 9, 3, #11, and 13 (very tasty). Also, if you played the VI7 turnaround chord (E7 in this case, to go back to the ii chord [Am]), you could move that pentatonic up yet another half step, as it would be Gm pentatonic over the E7 (same idea and scale tones as the Fm pentatonic over the D7 noted before). ALTERED BLUES SCALE OR ALTERED PENTATONIC SCALE: I favor this as a normal thing, it's just a bit bluesier than either the blues scale or minor pentatonic scale and has been my go to for the longest time. It's essentially 1, b3, 4, b5, and b7. Played 1 whole step below the dominant chord (C altered blues scale [C, Eb, F, Gb, Bb] over a D7) gives you the b7, b9, #9, 3, and b13. So, my teacher would play an altered blues scale over the ii chord (Am chord, playing A, C, D, Eb, and G) and playing the exact same lick a minor 3rd higher (the C altered blues over the D7 I mentioned) and resolving on the I chord. Sorry for being long winded, just wanted to give a thorough explanation. Once you do it, a light bulb goes off, it's really, really simple to see and understand.

  • @sixmillionaccountssilenced6721

    @sixmillionaccountssilenced6721

    3 ай бұрын

    I'm pretty sure pentatonic scale can't have semitones (4 - b5). That's the point of pentatonic, it's all just major seconds and minor thirds, that's why it sounds so melodic and it's easy to use...

  • @bobjanetmart506
    @bobjanetmart5063 ай бұрын

    Brilliant playing mate, and great to hear you talk about this

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much!

  • @grenciamars4876
    @grenciamars48763 ай бұрын

    What a great way to wake up -- new Ben lesson! 🎉 Cheers!

  • @beneunson

    @beneunson

    3 ай бұрын

    Thank you so much for checking it out, I really appreciate it! 😀

  • @drewdunn2066
    @drewdunn20663 ай бұрын

    Thank you for this lesson, Ben.

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks for watching, Drew!

  • @ddpphoto
    @ddpphoto3 ай бұрын

    Another great lesson Ben! Thanks.

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much for watching, David!

  • @richardroskell3452
    @richardroskell34523 ай бұрын

    Great lesson Ben, thanks!

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks for watching, Richard!

  • @matthiasscheffler548
    @matthiasscheffler5483 ай бұрын

    Very well explained, Ben!

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much for checking it out, Matthias!

  • @tdang9528
    @tdang95283 ай бұрын

    You are a good teacher. I actually found this very useful after watching many on alter scales, as you provide us the material into how to use it which helps get me into the sound of it and interested in progressing further

  • @beneunson

    @beneunson

    3 ай бұрын

    So glad you liked it! Thanks for watching

  • @dananthony6258
    @dananthony62583 ай бұрын

    You really encouraged me to start and keep practicing reading the other day. I ordered the real book and reading a lot of music scores online. Thanks for these videos 🙏

  • @beneunson

    @beneunson

    3 ай бұрын

    So glad to hear it, Dan - that's fantastic! Keep on enjoying your practice, it's a musical journey we're all on 😀

  • @andreasjonsson5823
    @andreasjonsson58233 ай бұрын

    This is the best video I've seen on the altered scale!

  • @beneunson

    @beneunson

    3 ай бұрын

    So glad you liked it Andreas!

  • @plantdemic3935

    @plantdemic3935

    3 ай бұрын

    😂😂😂

  • @bannanapancake
    @bannanapancake3 ай бұрын

    Man, I love altered scales, I voted for this! Noice!!!

  • @beneunson

    @beneunson

    3 ай бұрын

    You voted and I made the video! 😀 Haha thanks so much for watching

  • @tomaszklimkiewicz9273
    @tomaszklimkiewicz9273Ай бұрын

    Excellent!... Very well explained. What I need now is practice, practice and... more practice! ;)

  • @beneunson

    @beneunson

    Ай бұрын

    Thanks so much for watching!

  • @orson7572
    @orson75723 ай бұрын

    Great explanation of the Altered scale!! I never understood how it worked with the b5 b9 etc

  • @beneunson

    @beneunson

    3 ай бұрын

    I really appreciate it! So glad it was useful

  • @DougErapps
    @DougErapps3 ай бұрын

    Great Ben!! THANK YOU! I have used that scale! Mainly to trick people into thinking im a good musician! Lydian Dominant is also a favorite of mine.

  • @beneunson

    @beneunson

    3 ай бұрын

    Hey Doug, thank you so much for checking this out!! I really appreciate it, and I hope you're doing well!

  • @lacloche649
    @lacloche6493 ай бұрын

    Thanks a lot!

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks for watching!

  • @OrganicFaithFactory
    @OrganicFaithFactory3 ай бұрын

    I love the sound of Altered scale. I need more exercises against chords that can be utilized in real situations

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much for watching!

  • @javin7134
    @javin71343 ай бұрын

    My jazz band conductor was teaching me about using the altered scale over dominant chords just the other day! He was teaching me how to solo over the bridge of Charles Mingus’ tune Moanin’

  • @beneunson

    @beneunson

    3 ай бұрын

    That's fantastic! Thanks for watching!

  • @NickGranville
    @NickGranville3 ай бұрын

    Timing! I just released a video today on altered scale (aka super Locrian). Great video mate

  • @beneunson

    @beneunson

    3 ай бұрын

    Nick! I just saw your video as well - it must have been in the air! Watching yours right now!

  • @NickGranville

    @NickGranville

    3 ай бұрын

    @@beneunsonthanks man, Apprecaite you tuning in. Cheers

  • @itaileopold
    @itaileopold3 ай бұрын

    Hey Ben, maybe I missed it but I didn't hear you speaking about a crucial element which is how do you think about it in term of chord tones you emphasize (by your examples it sound to me like you are superimposing C minor melodic minor and not thinking B alt which would mean either thinking of it as Bm7b5 or B7#5 as the tonic )

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much for watching! I address this at 7:05, where we look at the degrees of the B Altered Scale (rather than purely deriving it as a mode from C Melodic Minor), specifically highlighting the four altered tensions present in the Altered Scale. Hope that helps and thanks again 😀

  • @OscarWILD-mq1jv
    @OscarWILD-mq1jv3 ай бұрын

    Perfect. Beautiful sounds, what is that guitar?

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks for listening! It's a Frank Brothers guitar: www.frankbrothersguitars.com/

  • @Gramps714
    @Gramps7143 ай бұрын

    Your vocal cadence reminds me of that guy on River Monsters. There’s something possibly scary and unknown going on.. I like your lessons! Nobody answered my question about why the guitar sounds an octave lower than what’s written on the staff. Why didn’t you just use the bass clef as opposed to so many upper ledger lines. It would be perfect for reading piano music…what am I missing?

  • @beneunson

    @beneunson

    3 ай бұрын

    Haha River Monsters...You raise an interesting question! If the guitar was notated in treble clef at the exact same pitch as middle C on a piano (without a 1-octave displacement), it would likely create too many lower ledger lines. Similarly - if the guitar was notated only in bass clef, it would accomodate some of the lower pitches, but the vast majority of notes in the instrument's range would be forced into upper ledger lines... Perhaps guitar should be notated over both bass clef & treble clef, just like piano. It's possible that this would present a valid (if only partial) solution to the widespread reading issues experienced by guitarists - just an idea! Thanks again for watching 😎

  • @colmcq
    @colmcq25 күн бұрын

    crazy to think that just changing one note of C major makes it sound so different

  • @beneunson

    @beneunson

    21 күн бұрын

    Absolutely, it's remarkable isn't it?

  • @colmcq

    @colmcq

    21 күн бұрын

    @@beneunson its amazing

  • @stevieboi61
    @stevieboi61Ай бұрын

    👌

  • @beneunson

    @beneunson

    Ай бұрын

    Thanks for watching!

  • @HagamosLoImposible
    @HagamosLoImposible3 ай бұрын

    Hi Ben! Should I use also de Altered scale over any dominant chords? For instance, going II V I (Minor), thanks

  • @beneunson

    @beneunson

    3 ай бұрын

    Absolutely! Altered Scale works on almost any Dominant 7 Chord (except for maybe a 7sus4 chord - depends on the exact context). Altered Scale definitely works over the V chord in a Minor ii-V-i progression 😀

  • @HagamosLoImposible

    @HagamosLoImposible

    3 ай бұрын

    @@beneunson Great!!! Thanks Ben

  • @jacksonvalad8012
    @jacksonvalad80123 ай бұрын

    Yo Ben! What brand of guitar is that?

  • @beneunson

    @beneunson

    3 ай бұрын

    It's Frank Brothers guitar: www.frankbrothersguitars.com/

  • @Pepsax
    @Pepsax3 ай бұрын

    Some talk about b13 and not #5. How is it more correct?

  • @beneunson

    @beneunson

    3 ай бұрын

    The answers can be varied, however I would say it often comes down to exactly how a chord is voiced. For example, let's take the two variations of B7#5#9 presented at 5:53 - the second voicing of this chord (played at 5:58) could certainly be classified as B7#9b13 due to the #5 (G) being voiced up the octave (and thus serving as a b13), but one could also argue that the #5 is simply being voiced as the highest voice within our B7#5#9 voicing. In my opinion, either argument is acceptable but it can also depend upon the musical context at hand. Thanks for watching 😀

  • @Pepsax

    @Pepsax

    3 ай бұрын

    @@beneunson Many thanks for the precise and detailed answer! 🙏🏼🤗

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much for watching!

  • @DrTWG
    @DrTWG3 ай бұрын

    Am I right in thinking it is *not* a diatonic scale .

  • @hazenclough4212

    @hazenclough4212

    3 ай бұрын

    You're right - based on the proper definition. This term also gets thrown around to mean 'within the scale' when referring to individual notes: For example C# is not diatonic to C major; or C# is not diatonic to B altered; C is diatonic to both C major and B altered; etc. I personally use it this way constantly. The textbook definition - of having 7 notes with 2 semitones and 5 tones with max distance between the 2 semitones (which creates a Major Scale mode) - isn't very useful to me. I just call them whatever modes they happen to be: Phrygian, Lydian, etc. It's to the point - the textbook definition is an extra step for no reason. So if it's not a major scale mode, then I call it Harmonic Minor, or Harmonic Minor III (meaning the 3rd mode of Harmonic Minor), or Melodic Minor or Melodic Minor IV (4th mode of that), etc. I call it what it is. If they have common names that people use, then I use those. So I wouldn't say Melodic Minor VII - I'd say Altered.

  • @color33d
    @color33d3 ай бұрын

    For me the easiest way to play this scale ist to play ionian whith a raised one .

  • @beneunson

    @beneunson

    3 ай бұрын

    Interesting approach, thanks for sharing!

  • @louis-philippesmith335
    @louis-philippesmith3353 ай бұрын

    7th mode of melodic minor...

  • @beneunson

    @beneunson

    3 ай бұрын

    That's it!

  • @louis-philippesmith335

    @louis-philippesmith335

    3 ай бұрын

    @@beneunson :-)

  • @indrabirgill2174
    @indrabirgill21743 ай бұрын

    I have never even heard of it, so listening intently.

  • @beneunson

    @beneunson

    3 ай бұрын

    Thanks so much for checking this out!

  • @TheMFactor-xx7cl
    @TheMFactor-xx7cl2 ай бұрын

    I am guilty of not using this wonderful scale. Shame on me 🙂

  • @beneunson

    @beneunson

    Ай бұрын

    Thanks so much for watching!

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