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Allen & Heath Manual RMS Compressor Tutorial 1: intro using a vocal

This is a basic but in depth tutorial on how to use the stock RMS compressor on the Avantis and other A&H consoles like SQ and dLive.
This information can be used to work with other RMS compressors too, but of course it won't give the exact same results.

Пікірлер: 22

  • @atlargegroupllc2694
    @atlargegroupllc26945 ай бұрын

    I enjoyed the video, thanks for the tutorial

  • @Eglmeister
    @Eglmeister8 ай бұрын

    Great Video! Really enjoyed watching it! Looking forward to more - maybe a comparison between RMS and Peak compression? :)

  • @anjello105
    @anjello105 Жыл бұрын

    Great tutorial. Please upload more videos using avantis

  • @studio1on151

    @studio1on151

    Жыл бұрын

    Thanks! Can't promise anything since I'm extremely busy but who knows... I might make a few more at some point. If you subscribe you might see them if I do.

  • @HartUnger
    @HartUnger Жыл бұрын

    Liked the video very much! Just one recommendation though. When you are showing something that's important, remember to keep your hands out of the way so people can see what you're talking about.

  • @djjuancarlos22
    @djjuancarlos22 Жыл бұрын

    good video....tnks

  • @studio1on151

    @studio1on151

    Жыл бұрын

    You're very welcome! Glad you liked it.

  • @Tt-pm9ir
    @Tt-pm9ir Жыл бұрын

    Is RMS recommended for vocals? I thought peak was the way to go

  • @studio1on151

    @studio1on151

    Жыл бұрын

    I don't think there's necessarily 'a way to go' because there's the technical/theoretical side and then there's taste. By all means, toy around with peak compression on vocals to see f it does what you're looking to do! I personally pretty much never use peak compression, to the point where I almost forgot it was even a thing. That doesn't mean peak compression could never help me, but it means I get by fine with RMS compression alone. I do use peak limiters when mastering, but not typically in a live environment, unless it's for a stream or a recording, perhaps. I find that on vocals RMS compression usually gives a result that does what I want to do without artefacts that annoy me, that's a big plus. :) Hope this helps!

  • @slofty
    @slofty8 ай бұрын

    This desk would be the absolute best price to performance if A&H would allow the compressor attack to scale all the way to 0s with a shorter release time as well. I wonder what their rationale is, as there are plenty of percussive channels that could benefit from such an option. Everyone yell at A&H for this as I don't like resorting to a Yamaha unit when I need those particular transients.

  • @brenthauer8365

    @brenthauer8365

    7 ай бұрын

    You need your compressor to detect the transients occurring at < 30 microseconds?

  • @slofty

    @slofty

    7 ай бұрын

    @@brenthauer8365 Brick walling is useful for percussion from time to time live. It's done in recording studios regularly.

  • @brenthauer8365

    @brenthauer8365

    7 ай бұрын

    brickwall usually refers to ratio of a compressor being 10:1 or higher. @@slofty

  • @brenthauer8365

    @brenthauer8365

    7 ай бұрын

    I'm curious what 0ms on the Yamaha compressor actually means. They don't display attack times in microseconds like the A&H compressor does. When you turn the knob from 1 ms to 0 ms what is the actual realworld attack time? @@slofty

  • @slofty

    @slofty

    7 ай бұрын

    @@brenthauer8365 "...usually refers to..." By whose (plural) definition? The objective is squashing dynamics, which can take place immediately enough upon crossing threshold. Sure, it's not _actually_ zero, but it's pointless from a notation standpoint to display a fraction of a millisecond. An engineer doesn't need to have a semantic argument with himself whilst mixing 30+ channels and so on.