Alfred Hitchcock: Writing with the Camera (2019)

Filmmaker David Raim examines Hitchcock’s storyboarding methods, and other pre-production preparations. Included in it are clips from interviews with production designer Robert F. Boyle (The Birds), storyboard artist Gabriel Hardman, production designer Henry Bumstead (Vertigo), film critic and author Bill Krohn, and author Steven Katz, amongst others.
For educational purposes only. Non-commercial purposes.

Пікірлер: 20

  • @afluffywhitekitty8589
    @afluffywhitekitty8589 Жыл бұрын

    Being able to do effective storyboards is an invaluable skill as a film director.

  • @yellolab09
    @yellolab092 жыл бұрын

    Wow. A damn good visual artist. His drawings are compelling.

  • @aa_gg
    @aa_gg3 жыл бұрын

    Such a valuable channel....Underrated

  • @GrantTarredus
    @GrantTarredus3 жыл бұрын

    Bill Krohn is a meticulous and reliable researcher and historian whose book Hitchcock at Work I can scarcely recommend too highly. In speaking from memory here he does make one tiny error worth noting, however. When Melanie is struck by the gull in The Birds she does not see it coming, but we do. Hitchcock cuts from her mock expression of innocence while looking at Mitch to our - the audience’s - privileged flash of the approaching animal (then to it striking her, and from that to another flash of it flying away). As Krohn says, Hitchcock does point out that these cuts are necessary so that the audience is absolutely clear about what’s happening, rather than mistaking the bird for a bit of paper (for instance). This example of slowing time down (not in the sense of slow motion photography, but of breaking a very brief moment into separate parts so that each registers clearly in the mind of the viewer) is very important to Hitchcock, important enough to make him interrupt the subjective treatment of his two lead characters. In Hitchcock’s cinema nothing outweighs the vital importance of accommodating our understanding.

  • @jeff__w

    @jeff__w

    Жыл бұрын

    Very insightful comment! Thanks!

  • @GrantTarredus

    @GrantTarredus

    Жыл бұрын

    @@jeff__w Thank you, Jeff! You’re very kind.

  • @hopsiepike

    @hopsiepike

    Жыл бұрын

    I think he called it the god’s point of view, as in the scene with the attack at the gas station, when the point of view suddenly pulls back to an aerial shot looking down at the burning wreckage as more birds amass and descend to continue the attack.

  • @meyerdigitalfilm
    @meyerdigitalfilm Жыл бұрын

    Your Channel is such a treasure!

  • @cuvvychase3626
    @cuvvychase3626 Жыл бұрын

    Thank you for this channel. It’s so insightful!

  • @jaycharles2417
    @jaycharles24173 жыл бұрын

    Brilliant

  • @mychalsimmons4177
    @mychalsimmons41776 ай бұрын

    Awesome❤❤❤❤❤❤❤❤❤

  • @rosskinghorn
    @rosskinghorn3 жыл бұрын

    Appreciating the hell out of this content, thank you 🙏

  • @YeahWhiplash
    @YeahWhiplash3 жыл бұрын

    Thank you very much for posting these. Would it be possible to include the original air date of the video in the description?

  • @kirogas
    @kirogas3 жыл бұрын

    Espectacular análisis !!!! SAludos desde México

  • @environmentart
    @environmentart3 жыл бұрын

    Interesting that the camera hold instruction at 12:13 is measured in feet, rather than frames or seconds. Great channel btw!

  • @aa_gg

    @aa_gg

    3 жыл бұрын

    In old days there were no digital cameras, there was use of celluloid film, which is a long film hence we usually measure in feet because its very long.... Fun Fact : Chris Nolan and many other filmmakers still use film over digital due to its awesome look and its feel ...

  • @cinetodd
    @cinetodd Жыл бұрын

    Damn, feel like I just graduated from film school.

  • @andyoncam1
    @andyoncam13 жыл бұрын

    I read that Hitchcock, in those pre-video assist days, NEVER looked through the viewfinder. Imagine that these days when monitors proliferate on set and attached to the camera.

  • @mikeatwork7744

    @mikeatwork7744

    3 жыл бұрын

    Yep, very normal, even as late as the late 90s.

  • @hopsiepike

    @hopsiepike

    Жыл бұрын

    Yup, decades of experience. All he needed to know is which lens was on the camera, and he knew what would be in frame.