Non esiste il più bravo al mondo!

Interpretação para deixar a gente hipnotizado! ⭐⭐⭐⭐⭐

00:08 J.S.Bach / Courante BWV1009 02:40 J.S.Bach / Gigue BWV1010 06:26 C.P.E.Bach / Sonata I. Poco Adagio 12:15 II. Allegro 14:58 III. Allegro 17:36 J.S.Bach / Sarabande BWV1011 21:20 J.S.Bach / Gigue BWV1008 25:27 Patricia Morehead / Meditation&Exultation 32:18 J.S.Bach / Prelude BWV1009

Thank you very much Mr. Klein for your art.

All this, ladies & gentlemen, without a square centimeter of score in view please. What an incredible piece of Art. Thank you !

Beautiful setting, great camera work, and SPECTACULAR playing. Bravo, Alex! xoxo

My gold standard, as usual. The mix of depth and light in the sound is something to behold. Thank you, Alex.

And to play the Morehead, a piece of such complex structure,...and multiphonics in Bach! (a revelation!)

Very enjoyable to listen too... thanks you! Oboe was my chosen instrument in late elementary and some of high-school. I just regret quitting by grade 11, especially when I hear such wonderful playing !!

This is glorious! What a treat to hear you play solo Bach!

Wow!!! Love this. Bravo 🎉

Amazing Alex! ❤️ Your sound and interpretation are divine!

Simply divine!

Thanks for sharing your heart with us!!

The best oboe player 😁😁🤟🏻

Amazing!! Thanks for sharing this!

Muito inspirador 😭👏🏼

Grande Alex 💕

Thank you ! Thank you for taking the time to share.

Que grande artista ! nossa minha referência desde pequeno no oboe como inspira tantos com o melhor o puro e a arte MUITO OBRIGADO ALEX KLEIN E GRANDE ORGULHO PARA O BRASIL QUERO UM DIA VE LO TOCAR PESSOALMENTE BRAVO !!!

Maravilhoso este som aveludado! ☆☆☆☆☆

Thank you ! Beautiful!

Espectacular comp siempre. Bravo maestro !!!!!!

INCREIBLE. 😮

You are amazing musicianship

Alex Klein es de otro planeta!!!!

Magic!

So absolute music! I feel deeply amazed

His sound is amazing

Simply sublime

Spettacolare!!!

Espectacular como siempre Alex!

@karinaguerrero778

Жыл бұрын

Creo que es de otro planeta!

Música maravilhosa, na leitura de um grande artista = sublime

BRAVO!!!

Maravilhosa apresentação. Parabéns! Me orgulho pela tua dedicação sabendo que lutas com doença

Me hace sentir los matices de un claroscuro. Superb !

Meraviglioso

Fantástico. Meus parabéns. Assisti sua apresentação no Teatro Guaíra/Curitiba nos idos de 1978-79 no solo de oboé da peça BWV 1060 de J.S. Bach ( Se não me engano com a Camerata Antiqua de Curitiba) e desde lá já era um exímio virtuose deste maravilhoso instrumento. Sem dúvidas, uma honra para o Brasil termos um músico de sua qualidade, talento e profissionalismo.

@alexklein6291

14 күн бұрын

Muitas saudades de Curitiba e da Camerata Antiqua!

Sonoridade cristalina. Fraseado transcendental. Toca com tanta leveza e naturalidade que é impossível não ficar apreciando até o final da peça. Consegue extrair toda a beleza e complexidade de uma obra dessas sem parecer que é de dificilima execução!

I did not know that oboe was able to play double notes! Wow!

Alex é um músico extraordinário! Este C,Ph.E,Bach é simplesmente de outra esfera! Ele deve ter mostrado para o compositor! 😂

❤

We need you in Europe

What oboe is it? Maravilloso

@alexklein6291

17 күн бұрын

For this recording I believe it was a "Model 125", by F. Lorée.

@rosadelpilarhernandezrevie5699

17 күн бұрын

@@alexklein6291 thanks! Wooowww

06:56 tone (please ignore this is for personal reference)

J’adore le hautbois. Et merci beaucoup !

21:23 1008 Gigue

35:39 multiphonics

6:30

ballsiest multiphonics ever and so appropriate nonetheless!!!!!!!!!!

I listened to so much of your oboe playing when I was in middle school and high school to learn how to sound but I was really turned off by what you were doing at the end of this recording. Why the multiphonic? It doesn't fit with the rest of it at all.

@alexklein6291

Жыл бұрын

Thank you for your candid review. They are not multiphonics. At the end of the C Major Prelude the cello plays double stops and chords. The options are few for us oboe players in how to transfer those ideas to our instrument. We could roll the chords, or ignore them completely. The option I chose is to sing and play simultaneously. It does indeed create an awkward sound, but then so do the double stops and chords on the cello. It is an abrupt break of the musical line as we "crash" into them. We have grown used to chords in string instruments, already for hundreds of years. But we are not used to the idea of singing and playing simultaneously (and I am not the only one to do it). I agree with you that the use of this new technique is controversial and may be seen as off-putting. Still, I stand by my choice to use it and put it out there for it to be debated, as in what we are doing right now, in hopes that others will improve on it and someday we won't have to see it as controversial. On that day it will be normal for the oboe to play with two voices.

@alexklein6291

Жыл бұрын

Here is another thought: we must look ahead. We must innovate. It is already an "innovation" to bring this repertory to the oboe, ok. But there has to be more. We must think of the future, and how the oboe will develop. Every advancement in oboe playing came with drawbacks. Adding the low-B-flat cause chaos on the scale, and we worked through it for the last 150 years or so. Circular breathing was also faulty (maybe still is...). Flatter-tonguing, double-tonguing (triple....?) all advance our playing tech, but need to be developed further. So is singing-and-playing simultaneously. We must start somewhere, and take courageous steps to make it happen, even if it comes with drawbacks. It will now be out to our next generations to step up to the plate and make improvements. Therefore, let's think forward and in a more lengthy way, and embrace the future.

@oboemasa

10 ай бұрын

Dear Mr.Klein, how nice your powerful sprit I love it.

@arzumustafayev2106

3 ай бұрын

BRAVO MAESTRO. ❤

@clobo8937

2 күн бұрын

@@alexklein6291 Na minha opinião, teoricamente compreensível sua explicação mas, choca nossos ouvidos. Ouvir no cello, parece que os timbres das duplas ficam mais homogêneos. Já no oboé, a segunda voz deixa a impressão de que está sendo projetada por algo que não este.