I am in my seventies but when I was in high school in the sixties this was what divided the nerds from regular people. We knew how to handle the audio visual equipment. There were very few in our high school and we helped teachers set up and run the equipment. Most teachers in those days had taken a class in A\V but that wasn’t their real interest. We nerds loved high tech stuff so we were always willing to help.

@Murgoh

3 жыл бұрын

I'm only 50, I did my school in the 80:s and 90:s, but I was like that too, I was the guy in the drama club running the lights, sound, curtains etc. and the one the teachers would ask for help when there were problems with the AV-equipment. And later in high school events I would stand in the middle of the gym with a huge VHS camcorder on a tripod shooting a video. And of course I got bullied for being such a nerd and "ass kisser" for teachers. Not many film projectors in use those days but lots of slide projectors, transparency projectors, episcopes, open reel tape recorders etc. In fact I was a vocational teacher myself from 2002 to 2011 or thereabouts and in the beginning we still used transparency projectors and VHS-recorders all the time as most of the material was still in these formats. It was only in the later years that they were replaced by laptops and data projectors. I also shot lots of Super 8 with my father's Yashica when I was a kid.

@thorstenjaspert9394

2 жыл бұрын

In my school time often teachers war not able to see the different between a Video 2000 in a VHS recorder. One time a teacher tried to plug in a VHS tape in the Video2000 recorder. After that the video 2000 machine was damaged and never repaired again. Teacher often had no good skills in technical things like video recorders and televison.

@jeffreysnow2640

2 жыл бұрын

I am 58 and have been an AV Nerd since 1975. I was 11 years old and showing my teachers how to thread up the projector !!!

@flyingo

Жыл бұрын

I’m 62 and was “that guy” in school. My father taught me 8mm & 16mm filmmaking when I was about 7. I moved from film to 2” & 1” open reel videotape, and went on to build TV stations, become a television station chief engineer, ran my own video production company and engineered giant screen projection systems. All because I was that nerd in school who knew how to prep the 16mm projectors. Love it to this day!

@tadonplane8265

6 ай бұрын

I was an AV nerd in the late sixties, early seventies too. Our school had a full auditorium with a stage and a projection booth. We ran films on a hand thread RCA Porto-Arc projector. It used a carbon arc lamp. There were two big flexible spotlights up there too. My best friend and I manned those for the production of our school musical. We had a closed circuit TV system with a b&w camera, a one inch reel to reel VTR and all vacuum tube b&w TVs. We videotaped every home basketball and wrestling match. It was all intense fun for me resulting in very fond memories.

In the 1970's I was a youth leader in a church. Our Pastor had a 16mm projector. I used to borrow it to show films to the youth group.I also did some of this in my job.I had to do a projectionist course and gain a qualification because mainly of safety risks.I have owned a couple of these in the past.There was an organisation called the Gospel Film Ministry that used to rent out Christian Films.At one stage when I worked in Public Relations in Telecom Australia we had a theaterette and decided to show current Hollywood movies to Pensioners as a public relation exercise. We did show Gone with the Wind in 16mm.We had a retired Telecom Projectionist come and help us. He rigged up a system where we had 2 projectors and as the films had several reels he was able to seamlessly cut from one reel to the other.Brings back some memories.Thanks Geoff

Yeah I’ve been collecting old home movies on Kodachrome and it’s gorgeous on 16mm the colors and the sharpness are unbeatable like I’ve got some from 1949 and looks like it was shot yesterday I can’t describe how amazing the feeling is seeing those images

@jdoh4972

2 жыл бұрын

Where do u find yer old movie reels?

@user_kH9bw3ns1

4 ай бұрын

You able to show some? That is so cool

I love the clickety-clack sound of a movie projector and the familiar hot light bulb aroma. IT'S ALIVE! It satisfies a lot of nostalgia. Haha! :)

As a group that does film remasters, what you said (and Tarantino too) about film being a drug is quite true... There is NOTHING like seeing an HD transfer fresh from the scanner. I wish more collectors bought their prints with the intent to preserve them digitally, but most of the time it's not really the case, so I think it's important for people like me, too, who specifically buy films to get them transferred digitally since they will inevitably fade.

Store films where people live. Use plastic reels or well painted reels - no rusty reels. No cans. Leave film open to air. Remove any film that smells like vinegar from film that doesn't. Make sure the projector parts that contact the film are clean.

@TiredHighProductions

2 ай бұрын

What would you do if a film had slight/beginning VS? How would you store it separately?

The Bell & Howell "FilmOSound" series 16mm projector was quite iconic back in the day, too. I've seen models 285 & 302 on TV shows like PERRY MASON, THIS IS YOUR LIFE, and I LOVE LUCY; and possibly in the motion picture SINGIN' IN THE RAIN.

That 16mm movie projector in action takes me back to my grade school days.

A few years ago, I was ahead of the curve in terms of people having a renewed interest in collecting films and projectors, so thanks to eBay, I amassed a decent collection of 8mm and Super 8mm condensed movies (Star Wars, The Empire Strikes Back, Logan's Run, Clash of the Titans, Westworld, Frankenstein, Bride of Frankenstein, Dracula, The Wolfman, The Creature From The Black Lagoon, Nosferatu, Metropolis, Charlie Chaplin shorts, Laurel & Hardy shorts, etc.) and I also purchased some 16mm films including 'Bullitt' with Steve McQueen, 'The Guns of Navarone', and a classic Star Trek TV episode as well as a couple of classic 1960's Batman episodes. The colour quality varies, of course, particularly if they were on Kodak Eastman film which turns pink over time, but they are still a lot of fun and one can use colour correction filters in front of the projector lens to make the redness of decaying films a bit more tolerable to one's eyeballs. :)

The red shift was unfortunately common with print stocks back in the day, both with Eastman and Fuji. The cyan layer was very unstable. Yellow is the next to go. Agfa seems to hold its colors better. Around 1982 Eastman introduced low fade stock and prints from that time or after still look great today. Also: 16mm prints vary a LOT in quality. Many are "dupes", meaning they were taken from 35mm release prints through a 16mm internegative. There are fantastic 16mm prints taken from great 16mm internegatives, which in turn were taken from the original 35mm interpositive. That means the number of generations away from the camera negative (and also quality of color and contrast) is the exact same as a 35mm print. Thought I'd throw that in.

As a collector of film projectors, I thrill at seeing the variety of beautiful industrial design. I have projectors from the 30's and 40's with cool Art Deco designs followed by projectors from the 50's and 60's that had streamlined space age design followed by the beautiful boxy "clunkers" from the 70's that although not as stunning as earlier designs, they are still beautiful pieces of machinery. They make one really appreciate the genius behind such inventions and their innovations over time. :)

At school, we had a 16 mm projector. In the 80th, schools could rent education films and documentaries in Germany. The loudspeaker had a terrible sound quality. And on the back side, the ticking of the projector. The advantage was the larger screen than watching videos on a relative small tube TV, but the television had a better sound.

We finally did it guys. That one funny idea from the New Years Resolution video, came true. We've got weird film merch!!

Project it once in awhile, lamp "on" Wind onto a plastic reel. Change the center o the reel size by adding junk, non vinegar ilm so the layers do not re align. Example: I you have a movie that is 800', add 300' scrap "scrap" and use a 1200 plastic reel. Leave it exposed to the air.

Just came across Murmur of the heart(1971) and The Rules of the game(1939) on 16mm. Here to learn!

LIKED and SAVED into one of my favourites lists. I really enjoy videos like these. Well done, Analog Resurgence. :)

I ran 16mm projectors in school, 6th to 8th grades. My family moved around a lot when I was a kid, and during the summer before I started 8th grade we moved to another state. I went to a brand new junior high school for a year, and I remember the administration had obviously dealt with damaged films before and had come up with a policy they expected to extend a film’s life: all 16mm films were stored tails-out. That means films would need to be rewound before being projected, which in turn meant that any multi-reel titles would take some time to prepare. If you will look at a just-run film reel, before rewinding, and compare it to one that was rewound immediately after viewing you’ll see an obvious difference. The wind is much smoother when the film is tails-out, so the film’s edges are smooth and even. The fast rewind leaves the edges of the film very uneven, and I guess the thinking was that this could cause damage whenever the film can was moved around in storage. So, we stored all the films tails-out. I was only at that school for one year, and now I wonder if that policy actually helped to preserve the films.

Great fun-thanks for posting. Our city's public school system used Kodak Pageant, RCA, RCA Viewlex, Kalart Victor, Bell & Howell, & Eiki (automatic thread) 16mm film projectors. Also, my family's church owned an Ampro, and our local university used Singer-Graflex machines in addition to some of the others mentioned. Wall-mounted projection screen brands were Da-Lite (Model B), Radiant, and Draper (V and Star). Styles included glass-beaded, matte white, and lenticular. Years ago I purchased some of each at surplus auctions and subsequently checked out movie reels from our local public library. One of my favorites was SHANE.

If you were a Castle Films (16mm) collector and had Film Titles from the 50's or earlier up to the later 60's; You will notice how much better their Quality is than Print Titles made in the 70's. The Focus, Resolution, etc. on many of my old titles is so superior to the last titles i bought in the 70's when CALVIN LABS in K.C. was doing Castle's Processing. I talked to an old Employee of DU ART in NYC about this. He simply said that back in the old days. Castle's Release Prints were done on Contact Printers. Because Time is Money your LABS started using High Speed Optical Printers. I have some titles i bought from Castle back around 1975 that are a Joke for Quality and I let them know about it too. I'll take a Contact Print Film all day long over an Optical Print but unfortunately the time difference it takes is not cost feasable to a Processing lab despite the loss of Quality

Kodak projectors always worked reliably well, easy to thread and just plain good. With todays technology, its hard to believe that these were once everywhere. Kodak, Bell and Howell, and Victor

Its wonderful to hear a younger person enthusing over projecting 16mm! Have subscribed and already enthusiastic about Analog Resurgence!" Cheers Chum!

Years ago, I would've liked to have owned one of those reel-to-reel projectors. Nowadays, I've come up with the next best thing, albeit an entertainment projector, hooked up to my DVD player with computer type speakers to control the volume. These days, it's impossible to find anything in 8 or 16 mm reels to either rent or buy. Fortunately, I own a DVD collection to accommodate that purpose!!!

I have an autoloading 16mm projector...the kind we had in school in the 80's. I have a small collection of prints, including an episode of Rocky and Bullwinkle.

I'm currently collecting midcentury home movies on 8mm. Scarred to get into 16mm. Love those old documentaries

thank you for this video. i hope people discover it and discover their interest for film

I was given a 8mm Kodak Brownie model 2 camera and a Kodak 8mm Brownie projector. Some day, when money is less tight, Buys some film and try it out. In school they would use 16mm projectors to show science films until the vhs machines came in. The sound of the 16/8 mm projectors bring back memories

4:16 I agree with Analog Resurgence that film collecting is very expensive (especially now that more people on eBay have embraced it and are bidding like lunatics) which at times makes me wonder why a few years ago I spent $100 on a pinkish print of 'Bullitt' on two or three 1,200 foot reels (which would sell for $300 now on eBay) when one can easily buy (and I did) a Blu-ray of the movie in pristine condition with glorious colour, sound, and extras for as little as $10? It's something every film collector eventually has to come to terms with given how bulky films and projectors are and how old film stock is continuing to decay. It is a fun and historically interesting hobby though, but very, VERY addictive. :)

@rock-steadi-cam5058

Жыл бұрын

Agreed. I have a 35mm, 7-reel print of "The Conversation," but after the Blu Ray came out, and hope of ever watching the print became irrelevant

I have two of the same model Kodak, they are a lot of fun. I'm forward doing some some film nights with friends this summer.

4:23 Some of Quentin Tarantino's personal 35mm collection prints have been screened at the Mahoning Drive-In Theater in Lehighton, Pennsylvania as seen in the fantastic documentary 'At The Drive-In' which was about that particular drive-in establishment.

For sound movies, I've often connected my projectors to my stereo system via the speaker-out connection of the projectors into an auxiliary connection of my receiver, so that helps a bit to enjoy better sound (likely still mono, but more enjoyable for sure). :)

@billsandiego3385

2 жыл бұрын

Do you need external speakers?

I have a slightly older Kodak Pageant and it’s been my only 16mm projector for the last 12 years because it just plain works! Whereas It took me a couple years to get a Super 8 projector I liked that wasn’t a pain that ate film.

I was an A/V geek in elementary school so I was the one who got to thread the film and get the movies ready to project in class.

I dont't know if they are available in the US and Canada but Bauer made really great 16mm projectors that auto thread. the P6, P7 and P8, the last one even made new well into the 90's.

Good overview of the format-the one thing I would point out is that if you clean your projector after every show and thread it properly, your print will stay as good as when you got it. If it gets dirty or dusty, you can clean it with a lintless, cotton pad (like a Webril wipe) and Naphtha, and remove all the dirt. Also, while most projectors have a “rewind” function, I highly recommend a set of hand rewinds and a splicer for inspecting and fixing prints you get.

@andrewbarnum5040

3 жыл бұрын

Great advice but you forget to add, never rewind while threaded as some 16mm projectors allow you to do. Elmo CL16 projectors have particle transfer rollers built in which actually clean the film as you watch it much like some professional 35mm projectors which also have Particle transfer rollers.

@thephotoplayer

3 жыл бұрын

@@andrewbarnum5040 Yes. That goes without saying, but I don’t think most projectors, including the Kodak Pageant, had an in-gate rewind available. PTRs are, in my experience as a professional projectionist, more useless than not.

@andrewbarnum5040

3 жыл бұрын

@@thephotoplayer PTR's work great when running the film over and over again as would be in a professional setting such as a movie theater. The Elmo CL16 which was a popular choice for schools, put the PTR's right around the sound head making them pointless for places which show a film once and your done. The Elmo and also some Eiki and Bell and Howell projectors had a slot load which does allow for rewinding while threading. And when you see someone rewinding while threaded it's like Noooo!!! As you dart across the room to stop the print from getting damaged at the hands of someone completely clueless about proper film handling. When I worked at AMC theaters in projection I was paranoid about keeping the film off the floor and always threading up the projector literally so the film never touched the floor.... 2 decades later I just collect 16mm, got close to a thousand now practically no time to watch any of them it's like a drug.

@thephotoplayer

3 жыл бұрын

@@andrewbarnum5040 Sorry to disagree with you, but as someone who has used PTRs in 16mm, 35mm, and 70mm, the only thing I’ve found it’s managed to do is take enough grime off of a print until the rollers are caked up. Then what? Scratch city! Continual cleanings of the print, proper storage, and cleaning and maintenance of the projector is the way to go.

@andrewbarnum5040

3 жыл бұрын

@@thephotoplayerMy only experience with PTR'S is with my Elmo which at best (or maybe worst) is 2300feet of film and I of course cleaning them ASAP. 35mm prints and more so 70mm prints is 2000+ feet every 20 minutes and most movies are 90 to 120 minutes if not longer. AMC had Simplex projectors which did not have PTR'S but rather wet film cleaner which slowly advanced the wet cleaned pads. This prevented scratches but left streaks for those of us with a trained eye to spot this sort of thing. And we can both agree keeping the film dust free with proper care and storage is the way to go so film cleaners in general are not needed or needed less. And cleaning the projector is important too. Gotta use 91% or higher rubbing Alcohol to avoid rust.

Dammit Noah, you're feeding my gas bad with these videos. I got a Kodak k100 turret a few months ago, seeing how cool these 16mm projectors are makes me wanna get one and start shooting positives

@AnalogResurgence

3 жыл бұрын

Ooof you might want to take something for that gas

16mm was expensive in its day not everyone could afford them which is why super 8 and 8 mm became dominant in the average home film enthusiast

that one guy with the curly hair in the bw 16mm stock that you showed us looks like wayne rogers

This is incredibly interesting. I have a 8mm projector and I love watching movies. I have a Mickie mouse movie from 1947. It's in sepia. That projector is cool

That is sooo cool

I wanna see you do a video on that super 8 copy place in Germany. That'd be neat to learn about an see how good of a job they do.

Analog Resurgence Merch is HERE: Analogresurge.Redbubble.com

Just found your channel. I too am a 16mm junkie, but like you, my financial resources are limited. I shot a lot of 8mm back in the 60s, and Dynachrome reversal color film was much cheaper and had a higher ISO than Kodachrome II. BUT, I really didn't like the soft, warm images it produced. So I started to use b&w film. You had to watch your exposure carefully, as it was pretty intolerant of goofs in that department. Thanks for posting, I really enjoyed the program.

I would love to see the video about developing 16mm film at home and also copying movie neg film to pos at home. I really miss that I was too young for this technology, I'm from VHS era.

Interesting variation to the opening theme. Is this variation going to be continued or will you continue to use the new into you had created?

love your channel so much man. shooting my first 16mm film next week and I'm so ecstatic. may I ask what camera you use for your videos?

@AnalogResurgence

3 жыл бұрын

For these videos I shoot with a Lumix G85!

I had a Bell and Howell 16mm sound and camera

Slotload 16mm projectors certainly exist making the task of threading much easier and in some models were kinder to the film. ELMO, Singer and (my personal favorite) EIKI made many good reliable Slotloaders. Some projectors will also read and record to Magnetic tracked film. On those you need to be careful not to play film in record mode with magnetic film or you'll wipe off the original sound, fortunately by far and large the bulk of commercial films are optical tracked instead. Some projectors like the EIKI's can easily take factory made Anamorphic lens, great for some of the later studio produced films or if you have a suitable lens for your camera. Most 16mm projectors will project at both sound and silent speeds (24/16FPS) however on newer projectors, to change speeds may require opening the back off the projector and moving the internal drive belt onto another pulley. Older projectors made changing speeds much easier

@kevinmonceaux2101

2 жыл бұрын

I'm a slot loader fan. I currently have a couple of Singer Telex Instaload XLs, and a Bell and Howell 1580. My 1580 needs work. It doesn't hold proper tension around the sound drum. I wasn't aware that newer projectors could be changed to silent speed internally. I need to check and see if any of my projectors have that capability. I have a few Rin Tin Tin silent prints that I haven't attempted to project yet. I thought I needed a silent projector or a sound projector with a sound/silent speed switch.

I have a Super 8, a 16mm and a 35mm projector

from 16mm positives there's also really cheap foma r100

@handwriting8804

3 жыл бұрын

Hi vinny

@butlaoctu4464

3 жыл бұрын

@@handwriting8804 hi pismo ręczne

Hi! I have a question! so i recently bought a Canon AE-1 Program film camera and i love it so much, but i can’t alter the diopter in the viewfinder so i can shoot and see clearly through the camera without my glasses. i was wondering if you could do a review of adjustment viewfinders and diopter a to see if that’s something i could do or if i would just have to suffer with my using my glasses while shooting? thank you so much i love your content it’s definitely helped me get started as a new film camera photographer

Hey Noah, yr awesome man! Thanks for the videos and all your effort in the resurgence of film. Dude, today I bought a projector on ebay but just after purchasing, I thought wait a minute, old bolex cameras only take double perf film.... could it be possible for it to be the same case on early 1920s / 1930s projectors? It would be a bummer if i couldn´t project single perf film. Do you know anything about this? Anyways keep up the great work on your channel, Im definitely grabbing one of those Tee shirts

@AnalogResurgence

3 жыл бұрын

It's very possible for old projectors from the 1920's to only accept double-perf film. Once sound projectors came into existence in the 30's then those would allow for double or single, but a very old and silent projector may be double perf only.

I just found a super 8 and regular 8 projector i have and its so small and it takes batteries but i just got a super 8 camera and film and im gonna try to shoot a movie and develop it my self and watch it on the projector

This is so good video! And you make always really awesome videos! But I have question I just bought 16mm film projector BELL & HOWELL TQ III AUTOLOAD model 1693, but I can not find anywhere its instruction manual on internet or KZread introduction video. There is only other 16mm film projectors models instruction manuals on internet or KZread on KZread introduction videos. What I can do? Can you help me?

12:35 I would like the UNLIMITED EDITION garbage bag shirt for all of my shirt-wearing needs. :)

Nice! :)

Yes, It is Magic... Love my little Chinon Super 8. My wife complains, thought. Collecting films is kind of adictive...

1:06 Me having to shout above the noise of a projector, "I CAN'T BELIEVE HOW WHISPER-QUIET FILM PROJECTORS ARE. WHY WOULD ANYONE HAVE CHOSEN TELEVISIONS, VCR'S, LASERDISC PLAYERS, DVD AND BLU-RAY PLAYERS, AND LCD PROJECTORS OR STREAMING MOVIES INSTEAD?" Hahaha! Yeah, they are very noisy, but that's all part of the nostalgic fun. :)

Where do I find the projectors for this 16mm film? And how much do the run for?

I have a semi-working 16mm sound projector. The back arm doesn't collect the film, but all the movies I've played on mine do play correctly otherwise. The biggest pain in the butt is where the film goes. I use the projector lid to gently collect the film without scratches or damaging it. Any way I can fix this issue? There are no other problems with the projector otherwise. Sound and Picture quality is decent.

Can all projectors projet ultra 16mm? Also I'm getting a krasnogorsk 3 and I'm thinking if getting it in ultra16. Is it harder to find labs to scan it?

I fondly remember terribly boring, goofy, 16mm films at school -- especially when the film would snag and melt in the film gate!!! Yay! End to the boring movie!!! :-)

Vinegar syndrome is caused by not properly storing your film. When the film gets trapped inside of an air tight film can and the gas which is emitted from the film is not able to escape the gas actually starts to eat away at the film causing the vinegar syndrome. If caught at an early stage it can be slowed by using ventilated film cans, however it can't be stopped. Vinegar syndrome will eventually destroy the film to the point it cannot be projected.

I have the same projector but the sound doesn't work. The exciter lamp turns on and I have cleaned both sound optics lenses. No crackle when plug in the speaker chord or touch the exciter lamp - sound totally dead. Any suggestions?

I know this sounds stupid, but the only reason I bought a 16mm film movie camera is because I want to use it as a still photography camera that can capture over 3,500 still photos on a single roll of film.

@aengusmacnaughton1375

3 жыл бұрын

Does not sound stupid -- sounds very enterprising and creative! But it might overload your Instagram.... :-)

@HankMeyer

3 жыл бұрын

@@aengusmacnaughton1375 yeah, but not for a long time. Like years of trickling, occasional 35mm photos, and then one day, BAM! Random flood of 16mm photos.

@Exxcalibur186

3 жыл бұрын

Funny enough I've been wanting the Bencini Comet III for a long time, which is a still-frame 16mm subminiature camera that looks like a tiny movie camera 😄 Edit: whoops the Comet III is 127, I was thinking of a Steky III I think, or a Goerz Minicord

I’ve started collecting movies in super8 and I can confirm it’s like crack. Maybe one day I can graduate to 16

what does "out of focus" sound...sound like? is it fuzzier?

@Alpha8713

3 жыл бұрын

It loses high frequencies.

Noah, that 16mm projector will be expensive to run, 550 watts considering my LED Light bulbs are 3W and my TV on economy mode is 8W, bye the way, those rolls of film, do you digitise them.

@AnalogResurgence

3 жыл бұрын

Some are digitized and some are not. I’m not particularly concerned about it being more expensive then a Tv, that’s not the point!

Then you had all the films that you could buy from Castle Films, Blackhawk Films and so many other companies !!! I have A massive collection of films !!!

I still have empire strike back movie clips on sup 8 mm🤣

@ldp123100

Ай бұрын

I have original 35mm star track film from movie theater , the trailer version

Are there any (ideally affordable) options for making prints of digitized film? I’ve started shooting 16mm and getting it digitized for post-production, but then how to turn it back into a print is a total mystery for me.

@AnalogResurgence

3 жыл бұрын

A print is made from the developed negative that you shoot in your camera. You just need to find a lab that offers printing services and supply your roll of developed film.

@SamStinson

3 жыл бұрын

@@AnalogResurgence right, easy if it’s film to film print. But if I digitize and post process, is it possible to get a print made from my completed digital project?

@AnalogResurgence

3 жыл бұрын

That’s usually a much more expensive project, but certain labs do offer that! Checkout Niagara Custom Lab and Pro8mm

@rock-steadi-cam5058

Жыл бұрын

Making a film print from digital can be done - LaserGraphics specialized in this equipment. But now that video projectors are such high quality, it's really like putting your digital recording out on vinyl. Yes, it can be done, and many fools will pay for it, but, going from digital back to analog doesn't improve the quality at all!

I wish I had the money to shoot 16mm :')

wtf the 16mm feature films are more expensive than 35mm.... 35mm feature films cost 40-800$ these days. it deepends largely on how big of a movie it was and the film stock quality... but 35mm is a lot deeper of a rabbit hole... Sound has a Dolby A or SR noise reduction, because of that you need a Dolby Cinema Processor.. and when you on it why not digital sound when you play later movies. And than you have film stock with a cyan soundtrack because of that, you are making a diy optical sound head using a 650nm laser...

@AnalogResurgence

3 жыл бұрын

It’s also that getting a 35mm projector setup is much harder so more people can project movies on 16 in comparison to the amount of people who can do it on 35

@dominik.jokiel

3 жыл бұрын

@@AnalogResurgence and the size of every thing. A feature film on 35mm is when taped together a 1,5 to 2m Ø spool.

@dominik.jokiel

3 жыл бұрын

@@AnalogResurgence but price wise its cheaper. I bought the projector for 100$, Dolby processor ~150$, laser and photodiodes for 10$ because my projector used a photo tube and they are hard to come by.

finally, i can stop wearing garbage bags all day, they were starting to become a little boring to be honest