MS Amma is the uniqueness among all... Her voice sounds the most !!! pleased to hear your voice..amma!!

@manishreal8095

3 жыл бұрын

Absolutely ❤️ 🙏

@Aa-ui6hd

Жыл бұрын

Absolutely

It just feels amazing to watch this Aaradhanai video. Their enthusiasm and smile is highly contagious 😊. Kunnakkudi Vaidhyanathan's expression on 'Duku Gala Nanne Dora' softens everytime 😃 and it just makes the whole experience more awesome. Can't describe this in words, it's overwhelming 😊😊❤. Hats off to all of them for their dedication and humility (in this platform). Today's Aaradhanai is nice but this is super awesome 😎

Prabancha iraivan thyakaraja swamigal pugal onghuga

One of the 🎉 precious moments MS Amma , brindhamma, DR S ramanathan , semmangudi,maharajapuram, madurai somu , DKJ ,Dr N ramani , sikkil sisters ,kunnakudi and a lot more to mention .. Feeling nostalgic.. Pranams to all the legends

Anant Agrawal , most certainly the presence of MS can be felt. But the other stalwarts shine bright as well. Kunnakkudi Vaidyanathan, Maharajapuram Santhanam, Semmangudi Srinivasa Iyer are all present, and their very presence makes this gathering an august one.

@manishreal8095

3 жыл бұрын

Yes all are legend and without a doubt MS AMMA sounds very crystal clear ❤️ Pranams at her feet

sitting to the right of maharajapuram is Seenu mama,Sri Semmangudi Radhakrishna Srinivasa Iyer He was born in Tirukkodikaval, Tanjore district as the third son of Radhakrishna Iyer and Dharmasamvardhini Ammal. He lived with his maternal uncle Tirukkodikaval Krishna Iyer, a violin maestro, until the age of four and after his death, moved back to his parents' home in Semmangudi, Tiruvarur District. At the age of eight he started learning music from his cousin Semmangudi Narayanaswamy Iyer. This was followed by some rigorous training under Thiruvadaimaruthur Sakharama Rao, a famous Gottuvadhyam exponent, an event considered by Semmangudi as a turning point in his life. This was followed by another training stint with Narayanaswamy Iyer, during which time he learnt a lot of varnams and keerthanams. Then he had a musical apprenticeship with Maharajapuram Viswanatha Iyer. In 1926, he performed his first music recital at Kumbakonam. In 1927 gave a concert in the Madras session of Indian National Congress, another event considered by Semmangudy as a turning point in his life, as it catapulted him into the big league of vidwans at that time. He was known for producing soulful music, highly creative and yet very orthodox, despite a recalcitrant voice.

ms amma dominates the entire utsavam.............

@manishreal8095

3 жыл бұрын

🙏 One and Only MS AMMA ❤️

MS Amma’s voice stands out 🙏🏼🙏🏼🙏🏼

🙏🙏🙏♥️

అద్భుతం

At 7:24 Brindamma's voice ❤❤

to the left of maharajapuram is semmangudi mamma, right might be his cousin brother and behind is his first son; right of MS Ammaa is Muktha mammi from Muktha/Brinda Sisters and left I am not sure but she is a great singer too

during the swaram ...ol u can hear is maharajapuram sir and mss

ms ammas sister

semmangudi iyer and dk jayrama sir

If I am not mistaken, it's Semmangkudi Sreenivasa Iyer. Teacher of Legend Yesudass.

@bharathathreya1780

2 жыл бұрын

I think it's Chembai Bhagavathar who is the guru of Yesudas as far as I know

@jandhyalakadambaridhanusha

2 жыл бұрын

Semmangudi is the teacher of MSS Amma

@bhu9347

Жыл бұрын

It is Semmangudi Sreenivasa Iyer indeed. But he's not the teacher of Yesudas sir. His teacher is Chembai Vaidyanatha Bagavathar.

@selvanambi6279

10 ай бұрын

If im correct S.S.Iyer was teacher for T.M.Krishna too

Name the stalwart with time stamp and identify them... Many dont know their names 8:24 Tiruvengadu Jayaraman 7:45 Smt. Brinda adjacent to M.S.S

Why suddenly audio is not available...?

sir could u tell me who is sitting next 2 the right or left of maharajapuram sir and who's sitting 2 the right and left of MSS Amma

@navajyothibiogas3636

4 жыл бұрын

Myself

*0:12** duDukoogala nannEdora* raagam: gowLa 15 maayamaaLava gowLa janya Aa: S R1 M1 P N3 S Av: S N3 P M1 R1 G3 M1 R1 S taaLam: aadi Composer: Tyaagaraaja Language: Telugu Click to view in: KannaDa | Sanskrit | Tamil | Telugu *pallavi* duDuku gala nannE dora koDuku brOcurA entO *anupallavi* kaDu durviSayA krSTuDai-gaDiya gaDiyaku ninDAru *caraNam 1* R ; r s ; ; ns R | S ; ; S ; sn P ; || Shree Va-ni thaa Hruth Kumu daa M; ; ; M ; rmp n | P ; ; ; ; mp , n S || bja Vaang Ma-na sa Go- cha ra shrI vanitA hrtkumudAbjA vAngmAnasa gOcara *caraNam 2* r r s s ; r s r M m s r M | ns r g M - sr G , m r r s s || Sakala Bhu thamu la Yandu Neevai Yun-da ga Mathi le ka po- yina sakala bhUtamula andu nI vaiyuNDaga madilEka pOyina *caraNam 3* r r p -m , m r r s S s r p M | r s n s r S s p M m r r s s || Chirutha Praaya mu la naadeBhajana mrutha rasa viheena Kudarku dai- - na ciruta prAyamu nADe bhajanAmrta rasavihIna kutarkuDaina *caraNam 4* p p m m r s r s r p m m r s - r p | m - r p m n s r - m , m - r r s S s || Para dhana mula kora ku norula madi kara ka baliki kadupu nim pa thirigi natti para dhanamula koraku nOrula madini karaga-baliki kaDupu nimpa diriginaTTi *caraNam 5* n p m p n - r m p N - m p N - p n | S - rm p - n S n p m m r r s s || Thana madhi ni bhuvini sou kyapu jee vana me Yanu chu sada dinamulu kadipe- tanamadini bhuvini saukhyapu jIvanamE anucu sadA dinamulu gaDipE *caraNam 6* r r p p r r m m S S r r p n s r | p p m - r , s - n p m P n p n s r || Theliyani Nadavida Sudrulu Vanithalu svavasa mou da kuba de Simchi san-tha sil , - m r s n S - r m R r s n - r s | , - sn p s N - p m r - n p , m r s || li swara layam bu lerunga kanu silaa thmulai subha thu laku samaa na manu teliyani naTaviTa kSUdrulu vanitalu sva vashamauta- kupadEshinci santasilli svaralayambu lerungakanushIlAtmuDai su-bhaktulaku samanamanu *caraNam 7* S r s S S r s r m M - r p | M - r n P M s n p m , r r s || Drushtiki Saaram bhagu lala naa sada naar bhaka sena mithadhanaa dulanu S - p s n P - r s n P s n p m | , - n p m R s - s s S n p m r s || de vaa- dide va nera nam mithini gaa kanu pa daabja bhajanambu marachina druSTiki sArambagu lalanA sadanArbhaka sEnAmita dhanAdulanu dEvadi dEva nera nammitini gAkanu padAbja bhajanambu maracina *caraNam 8* P p m r s - r m P m r s - r R | M s r M - n s r G m R ; || Chakkani mukha kama lambuna nu sadaa naa madi lo smara na leka nee n s r s , s - p m r S s - n p P | p- s n p , - p m r m p n - p , s n p || dur-ma dan tha janu la ko ri paritha pa mulache thagili nogili -dur vishaya r R - m r m - sr m R s n p n s | r - S n p m - r m p N - p m r r s || duraa sa lanu ro- ya leka sathathama paraadhinai- chapa la chi tthu dai--na cakkani mukha kamalambunu sadA nA midilO smaraNa lEkanE durmadAndha- janula kOri paritApamulacE dagili nogili durvisaya durAsalanu rOyalEka satatamu parAdhinai capala cittuDanaina *caraNam 9* S r s n s R rs - r s r M m | s r M r m s - r , s - S S ; || Maanava thanu dur labha manuchu nemchi paramaa nanda monda le ka p p M r s - r m p - R m R pm | r P m rm - sr m R s S S || mada math sara kaa- ma lo bha mohula kuDaasu dai- mo-sa bothi gaaka p n p - p n p - mp m- r pm rm pn | p n s - r , m p n , pm r S S || mothati ku laju daku chu bhuvini kshu-drula panulu sal puchunu - dini gaaka s S s s r m - s r m - s r m - R s | n p n s r - S n pm - n p m - R s || naraadha mulanu ko - ri saa- ra heena madamula nu saadhim-pa thaa- ru maaru mAnavatanu durlabha manucu nEnci paramAnanda mondaleka mada matsara kAma lObha mOhamulaku dAsuDai mOsabOti gAka modaTi kulajuDagucu bhuvini shUdula panulu salpucunu uNTinigAka nArAdamulu kOri sArahIna matamulanu sAdhimpa dArumAru *caraNam 10* P P M ; r r s s r m r m | P - p m g m - r g M - R S ; || Sathu la kai- - - Kon- - - naa- - - lla - - sthi kai R pm gm rs sn P ns rm | P , n P ; ; P , M , || su thu- - - la- kai - - ko- - - nna - llu dha na ; r s , R , R ; sr M | s r M sn P N ; S ; || thadu la kai thi-ri gi- - thi-- nai ya r m r s r r sn s s n p n n p m | rm p n r r s n pm - gm , r s n || thia- - ga- - - raa- - - jaa- - - ptha- - I- tu- van- - - ti - - satulakai konnALLAstikai sutulakai konnALLu dhana tatulakai tirigiti nayya tyAgarAjApta ituvaNTi *_Meaning_* *pallavi:* Who is there to save this great sinner? *anupallavi:* My sins are mounting every moment by my enticement to the evil deeds *caraNam 1:* The moon to the lotus heart of Lakshmi. You are beyond comprehension of the mind and speech. *caraNam 2:* I am a sinner who lost the sense to understand your omnipresence in all the living things. *caraNam 3:* I am a sinner who slayed people without rhyme or reason and did not obtain the nectar of your worship in the young age. *caraNam 4:* I am a sinner who went astray and repeatedly hurt peopleÕs feelings for the sake of coveting their wealth. *caraNam 5:* I am a sinner who whiled away the time thinking that everything happening in this materialistic world is happy living. *caraNam 6:* I preached to charm and obtain the attention of hypocrites who do not have wisdom, mean people who sought call girls and prostitutes. I was happy doing so feeling proud and egoistic that I am equal to any great follower of god without even having the capacity of understanding the swara or laya. *caraNam 7:* I was carried away by outward appearances, women, land, property, children, servants and wealth thinking that these were permanent. Moreover, I have sinned by forgetting to worship your lotus feet. *caraNam 8:* GodÕs face did not dwell in my mind. I sought egoistic men. I did not shun evil thoughts. I was tormented by them. *caraNam 9:* I forgot to appreciate the great value of having got this rate opportunity of human birth. I was slave to carnal desire and other evil thoughts. Though I have been born in the highest Brahmin class, I have been performing functions, which are very unbecoming of my class. I have continuously sinned. *caraNam 10:* Oh my god! I have been a sinner who has gone astray in research of women, children and wealth at various stages of my life. Meaning: Oh Rama! I have unabashedly committed many sins. Who, in this world, will rescue me? Every moment I was slave to evil doings. I did not understand your omnipresence in this world. I did not take the path of devotion within the age of 12. I praised others to covet wealth and earn my livelihood, I was foolishly happy thinking that all that is worldly is happiness. I attracted the common folk and women by my speech, while doing so, I thought that I am equal o the greatest musicians and great men of letter . I was steeped in pride. I thought that land, property, wealth, servants etc. are permanent. I forgot to worship and pray at godÕs lotus feet, GodÕs face did not dwell in my mind. I sought egoistic men. I did not shun evil thoughts. I was tormented by them. I forgot to appreciate the great value of having got this rate opportunity of human birth. I was slave to carnal desire and other evil thoughts. I did things, which were not befitting my class, Who ever will rescue me? (Shri Thyagaraja has sung this krithi putting himself in the place of a sinner fully owning his sins.)

At 7.35 you can see Amma missing her lyrics and babbling.

@barathkumar6151

7 жыл бұрын

Prajwal B M it's not lyrics it's swaram

@jackyjackymack1033

4 жыл бұрын

It's mass singing of stalwarts it's common to have mismatched speed so they just skip to maintain the tempo

@navajyothibiogas3636

4 жыл бұрын

Hahhs

@manishreal8095

3 жыл бұрын

That was done to match with the rest of the crowd and not babbling...... 🙏 Goddess MS AMMA ❤️